Jean Cornu

Cornu's father was from Dieppe, where he sent his son to train in the studio of a sculptor specialising in ivory - none of Cornu's early works in that medium have survived. He regularly worked as a 'sculptor in ordinary' at the court of Louis XIV. In 1673 he won the Grande Prix Colbert, later known as the Prix de Rome. In 1678 he won second prize in sculpture at the French School in Rome. Colbert, first minister to the king of France, set aside a fund to allow a group of French artists to stay in Rome studying antique sculpture and producing copies of them for the Palace of Versailles. Cornu worked on the decoration of the palace's facades with allegorical figures of music and lyric poetry and mythological figures such as Calliope. He also produced sculptures for the gardens, such as a marble copy of the Farnese Hercules (after a plaster copy brought from Rome) and an allegorical figure of Africa, as well as large ornamental vases with bas-reliefs showing classical mythological scenes (famously photographed early in the 20th century by Eugène Atget). He collaborated with other sculptors and so many of the works at the palace cannot be definitely assigned to a single artist, but are instead attributed to the group of sculptors working for the king. The drawings for the facade sculptures at Versailles were by Charles Le Brun and Cornu and the others worked from these. He was made a member of the academy on 5 July 1681 and a professor in 1706. • Illustration — Cornu's Farnese Hercules at the Palace of Versailles.

• Marble vases • The Sacrifice of Iphigenia (1683), marble, Medici Vase-form with reliefs.. Parterre de Latone, Versailles. • Bacchus, (1675–1683), marble, Borghese Vase-form. Parterre de Latone, Versailles. Inscribed onto the UNESCO World Heritage Register in 1979 • Two vases with reliefs of oak branches. • The Hunters, marble group, copied from a classical work • America (1682), in collaboration with P Picart and Africa (1682–1694), marble, collaboration with Georges Sibrayque. Two marble statues, forming art of the scheme commissioned by Louis XIV for the Parterre d'Eau at Versailles, and is one of the group of four statues known collectively as the four parts of the world • Copy of the Farnese Hercules (1684–1686) in the King's Garden, marble after a plaster copy brought to Versailles from Rome • Venus Giving Arms to Aeneas (1704), now in the Metropolitan Museum, New York.

• Music and Lyric Poetry • Calliope, removed from the facade during early 20th-century restoration work and put into storage