Jan van Balen

Places of work recorded in the authority are Rome. Works named in the authority record are Nymphs, Satyrs and Cupids. Work by Jan van Balen is recorded in the collections of Nationalmuseum, Royal Museum of Fine Arts Antwerp, Suermondt-Ludwig-Museum, Kelvingrove Art Gallery and Museum and Herzog Anton Ulrich Museum.

Jan van Balen was the son of Hendrick van Balen and Margriet Briers. His father was a prominent painter in Antwerp and played an important role in the renewal of Flemish painting in the early 17th century. He was also one of the teachers of Anthony van Dyck. • Illustration — Mary Magdalene as a hermit Jan van Balen had two brothers, Gaspard (born in 1615) and Hendrik (born in 1620) who were both painters. Jan was the teacher of his two younger brothers. His sister Maria married the painter Theodoor van Thulden. Jan van Balen trained with his father. He was registered at the Antwerp Guild of Saint Luke as an apprentice in 1631 and as a master in 1639–1640. At the occasion of the Joyous Entry (Pompa Introitus) by the new governor of the Spanish Netherlands Cardinal-Infante Ferdinand into Antwerp in 1635, Jan van Balen collaborated with his brother Gaspard, Theodoor van Thulden, Jan de Labare and Erasmus Quellinus the Younger on the execution of designs for the gallery on the Meir and the triumphal arch at St. John's Church in Antwerp. The overall design of the decorations was under the direction of Rubens. • Illustration — The Feast of Bacchus, with Jan Brueghel the Younger. Jan van Balen left on 8 September 1639 with his brother Gaspard on a trip to Italy. The two brothers worked in Rome where Gaspard died on 7 March 1641. Jan then returned to Antwerp where he married Joanna van Weerden on 31 May 1642. Not long after giving birth to their only child Peeter, his wife died on 6 April 1643. Jan van Balen died in Antwerp in 1654. He was buried in the St. James' Church, Antwerp.

Like his father Hendrick, Jan van Balen painted mythological and religious scenes in the style of his father. He also painted landscapes and genre scenes.

• Illustration — The sleeping goddess Diana and her nymphs, with Jan Brueghel the Younger As was the custom in Antwerp at the time, Jan van Balen often collaborated with other painters who were specialists in particular genres. In particular, his collaborations with Jan Brueghel the Younger have been documented. Jan Brueghel the Younger was a close collaborator with Rubens and had also worked on compositions with Jan's father Hendrick van Balen. Some of the collaborations between Jan Brueghel the Younger and Jan van Balen appear to have been based on compositions on which Jan Brueghel the Younger or his father Jan Brueghel the Elder and Hendrick van Balen had collaborated before. Examples are The sleeping goddess Diana and her nymphs after the hunt, observed by satyrs based on an earlier composition of Jan Brueghel the Elder and Hendrick van Balen and The Feast of Bacchus (Auctioned at Dorotheum on 21 October 2014, Vienna, lot 27) based on an earlier composition of Jan Brueghel the Younger and Hendrick van Balen. In these collaborations Jan van Balen painted the figures.