James John Hill
Also recorded as Hill · J. J. Hill
James John Hill

James John Hill · Bonhams · Public domain
- Born
- 1811 · Broad Street.
- Died
- 1882 · Highgate.
- Nationality
- United Kingdom of Great Britain and Ireland
- Occupation
- painter
- Fields
- biography
- Languages
- English
In this article
Key facts
The recorded working language is English. Subjects and genres recorded for the work are biography. Work by James John Hill is recorded in the collections of Hepworth Wakefield, Haworth Art Gallery, Russell-Cotes Art Gallery & Museum, Shipley Art Gallery and York Art Gallery.
• Name — James John Hill • Born — 1811 • Birthplace — Broad Street, Birmingham, England • Died — 27 January 1882 • Place of death — Highgate, London, England • Other Names — J. J. Hill • Occupation — Artist James John Hill (1811 – 27 January 1882), known also by his alias J. J. Hill, was an English landscape and portrait painter, known for his many rustic paintings and portraits of Lady Burdett-Coutts.
Early life and career
James John Hill was born sometime in 1811 in Broad Street, Birmingham to Daniel Hill, plater, and Elizabeth Rowlinson, the daughter of a brass founder. He was educated at Hazelwood School, a school founded by the educational reformer Rowland Hill (no relation), and he attended Joseph Barber's art academy in Great Charles Street, at the time being taught by his son Vincent. His fellow pupils included Thomas Creswick, James Tibbits Willmore, Thomas Baker, and Peter Hollins. Having moved to London in 1839, Hill was elected in 1842 a member of the Society of British Artists. There, he became known as a 'popular contributor' among his fellow artists, showing off his artwork in a number of their exhibitions across the next forty years. He operated primarily in London, painting many portraits of Lady Burdett-Coutts, a Victorian philanthropist, and her many pets. He was allegedly a good friend of hers. His paintings were known to depict mainly girls and boys and their families residing in the countryside, nature being present in almost all of his artwork, and in his later career he moved from painting mainly portraits and people to painting landscapes. Most of his landscape paintings were inspired by his visit to Ireland in 1854. He found less success in painting landscapes than he did scenes of wildlife and people.
Later career
• Illustration — Grave of James John Hill in Highgate Cemetery In his later life, Hill devoted himself primarily to painting landscapes and had a number of his paintings featured in London newspapers. He died on 27 January 1882, aged 71, at Sutton House, London, having contracted bronchitis and was buried in a family grave on the west side of Highgate Cemetery.
Family
• Illustration — A spring headdress Hill had five children altogether. His first child – also James John Hill – was born to an unknown mother in 1838, and the other four – Daniel, Emily, Thomas and Alfred – to Harriet Parsons. His eldest son went on to become a marine engineer and had many children of his own. Hill's brother, Daniel Rowlinson Hill, was an architect based in Birmingham, and his cousin was Daniel Rowlinson Ratcliff, a lock and safe manufacturer and also an MP.

James John Hill (1811-1882) - Boy and Dog Reposing - YORAG , 1010 - York Art Gallery
James John Hill · Art UK

James John Hill (1811-1882) - A Young Lady with a Dog - BORGM 01080 - Russell-Cotes Art Gallery ^ Museum
James John Hill · Art UK
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Broad Street.
Birth place
Highgate.
Death place
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article James John Hill, revision 1370269408 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
Elsewhere in Paintings
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