James Agee

Agee worked between 1909 and 1955 across screenwriter, poet, novelist, journalist and autobiographer and 5 further recorded occupations. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

James Agee studied at Harvard University, Phillips Exeter Academy and St. Andrew's-Sewanee School. The recorded working language is English. Places of work recorded in the authority are United States. Works named in the authority record are A Death in the Family. Work by James Agee is recorded in the collections of Harvard Film Archive. Distinctions recorded are Pulitzer Prize for Fiction.

• Name — James Agee • Birth Name — James Rufus Agee • Born — November 27, 1909 • Birthplace — Knoxville, Tennessee, U.S. • Died — 16 May 1955 • Place of death — New York City, U.S. • Education — Harvard University (BA) • Notable Works — A Death in the Family, Let Us Now Praise Famous Men • Children — 4, including Joel

Agee was born in Knoxville, Tennessee, to Hugh James Agee (1878–1916) and Laura Whitman (née Tyler) Agee Wright (1885–1966), at Highland Avenue and 15th Street, which was renamed James Agee Street, in what is now the Fort Sanders neighborhood. When Agee was six, his father was killed in an automobile accident. From the age of seven, Agee and his younger sister, Emma, were educated in several boarding schools. The most prominent of these was near his mother's summer cottage two miles from Sewanee, Tennessee. Saint Andrews School for Mountain Boys was run by the monastic Order of the Holy Cross affiliated with the Episcopal Church. It was there that Agee's lifelong friendship with Episcopal priest Father James Harold Flye, a history teacher at St. Andrew's, and his wife, Grace Eleanor Houghton, began in 1919. As Agee's close friend and mentor, Flye corresponded with him on literary and other topics throughout his life and became a confidant of Agee's soul-wrestling. He published the letters after Agee's death. The New York Times Book Review called The Letters of James Agee to Father Flye (1962) "comparable in importance to F. Scott Fitzgerald's 'The Crackup' and Thomas Wolfe's letters as a self-portrait of the artist in the modern American scene." • Illustration — James Agee Park in the Fort Sanders neighborhood of Knoxville, Tennessee. Knoxville was Agee's childhood home and the setting for his novel A Death in the Family. Agee's mother married St. Andrew's bursar Father Erskine Wright in 1924, and the two moved to Rockland, Maine. Agee went to Knoxville High School for the 1924–25 school year, then traveled with Flye to Europe in the summer, when Agee was 16. On their return, Agee transferred to a boarding school in New Hampshire, entering the class of 1928 at Phillips Exeter Academy. Soon after, he began a correspondence with Dwight Macdonald. At Phillips Exeter, Agee was president of The Lantern Club and editor of the Monthly, where his first short stories, plays, poetry and articles were published. Despite barely passing many of his high school courses, Agee was admitted to Harvard College's class of 1932, where he lived in Thayer Hall and Eliot House. At Harvard, Agee took classes taught by Robert Hillyer and I. A. Richards; his classmate in those was the future poet and critic Robert Fitzgerald, with whom he later worked at Time. Agee was editor-in-chief of the Harvard Advocate and delivered the class ode at his commencement.

After graduation, Agee was hired by Time Inc. as a reporter, and moved to New York City, where he wrote for Fortune magazine from 1932 to 1937, although he is better known for his later film criticism in Time and The Nation. In 1934, he published his only volume of poetry, Permit Me Voyage, with a foreword by Archibald MacLeish. In the summer of 1936, Agee spent eight weeks on assignment for Fortune with photographer Walker Evans, living among sharecroppers in Alabama. Fortune did not publish his article, but Agee turned the material into his 1941 book Let Us Now Praise Famous Men. It sold only 600 copies before being remaindered. Another manuscript from the same assignment discovered in 2003, titled Cotton Tenants, is believed to be the essay submitted to Fortune editors. The 30,000-word text, accompanied by photographs by Walker Evans, was published as a book in June 2013. John Jeremiah Sullivan wrote, "This is not merely an early, partial draft of Famous Men, in other words, not just a different book; it's a different Agee, an unknown Agee. Its excellence should enhance his reputation." A significant difference between the works is the use of original names in Cotton Tenants; Agee assigned fictional names to the subjects of Famous Men to protect their identity. Agee left Fortune in 1937 while working on a book, then, in 1939, he took a book reviewing job at Time, sometimes reviewing up to six books per week; together, he and his friend Whittaker Chambers ran "the back of the book" for Time. In 1941, he became Time's film critic. From 1942 to 1948, he worked as a film critic for The Nation. Agee was an ardent champion of Charlie Chaplin's then unpopular film Monsieur Verdoux (1947), since recognized as a classic. He was a great admirer of Laurence Olivier's Henry V and Hamlet, especially Henry V. He also was an ardent champion of D. W. Griffith's The Birth of a Nation, which he lavishly praised for its stylistic innovations and virtuosity without critically commenting on its celebration of the Ku Klux Klan. Agee was often disappointed in films because he saw their great potential. In 1947 he wrote: "... few American films ever manage really to specify a character or a situation so that either can achieve personal life or general applicability; people merely dance their way, more or less ingratiatingly, through a sequence of windy generalizations. They are not by any fat chance intended to be confused with any persons living or dead or who might ever possibly have lived." Agee on Film (1958) collected his writings of this period. Three writers listed it as one of the best film-related books ever written in a 2010 poll by the British Film Institute. In 1948, Agee quit his job to become a freelance writer. One of his assignments was a well-received article for Life Magazine about the silent movie comedians Charles Chaplin, Buster Keaton, Harold Lloyd and Harry Langdon. The article, Comedy's Greatest Era, has been credited for reviving Keaton's career. As a freelancer in the 1950s, Agee continued to write magazine articles while working on movie scripts; he developed a friendship with photographer Helen Levitt.

In 1947 and 1948, Agee wrote an untitled screenplay for Charlie Chaplin, in which the Tramp survives a nuclear holocaust; posthumously titled The Tramp's New World, the text was published in 2005. The commentary Agee wrote for the 1948 documentary The Quiet One was his first contribution to a film that was completed and released. Agee's career as a movie scriptwriter was curtailed by his alcoholism. Nevertheless, he is one of the credited screenwriters on two of the most respected films of the 1950s: The African Queen (1951) and The Night of the Hunter (1955). His contribution to Hunter is shrouded in controversy. Some critics have claimed that the published script was written by the film's director, Charles Laughton. Reports that Agee's screenplay for Hunter was not used have been proved false by the 2004 discovery of his first draft, which although 293 pages in length, contains many scenes included in the film that Laughton directed. Laughton seemed to have edited great parts of the script because it was too long. While not yet published, the first draft has been read by scholars, most notably Jeffrey Couchman of Columbia University. He credited Agee in the essay, "Credit Where Credit Is Due". Also false were reports that Agee was fired from the film. Laughton renewed Agee's contract and directed him to cut the script in half, which Agee did. Later, apparently at Robert Mitchum's request, Agee visited the set to settle a dispute between the star and Laughton. Letters and documents in the archive of Agee's agent Paul Kohner bear this out; they were documented by Laughton's biographer Simon Callow, whose BFI book about The Night of the Hunter sets this part of the record straight. Couchman, the author of a 2009 book about The Night of the Hunter, writes that Agee's screenplay would have been a film about six hours long, so Laughton had to cut and edit a considerable part of it.

Soon after graduation from Harvard University, he married Olivia Saunders (aka "Via") on January 28, 1933; they divorced in 1938. Later that same year, he married Alma Mailman. They divorced in 1941, and Alma moved to Mexico with their year-old son Joel to live with Communist politician and writer Bodo Uhse. Agee began living in Greenwich Village with Mia Fritsch, whom he married in 1946. They had two daughters, Julia (1946–2016, known throughout life as Deedee) and Andrea, and a son, John.

In 1951 in Santa Barbara, Agee, a hard drinker and chain-smoker, suffered a heart attack; on May 16, 1955, he was in Manhattan when he suffered a fatal heart attack in a taxi cab en route to a doctor's appointment. He was buried on a farm he owned at Hillsdale, New York, property still held by Agee descendants.

• 1934 Permit Me Voyage, in the Yale Series of Younger Poets • 1935 Knoxville: Summer of 1915, prose poem later set to music by Samuel Barber.

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• 1948 The Tramp's New World, screenplay for Charlie Chaplin • 1951 The African Queen, screenplay from C. S. Forester novel • 1952 Face to Face (The Bride Comes to Yellow Sky segment), screenplay from Stephen Crane story • 1955 The Night of the Hunter, screenplay from Davis Grubb novel

James Agee is recorded with the occupation screenwriter. Recorded as screenwriter, poet, novelist, journalist and autobiographer. Established in Bibliothèque nationale de France under 11888169h. Established in Library of Congress under n79039544. Established in Open Library under OL29784A. James Agee is established in Discogs under 930838. Established in FAST under 33540.