Jacob Wrey Mould
Illustration — Engraving of Mould from A Description of the New York Central Park, published in 1869 by Clarence Cook Jacob Wrey Mould (7 August 1825 – 14 June 1886) was a British architect, illustrator, linguist and musician, noted for his contributions to the design and construction of New York City's Central Park. He was "instrumental" in bringing the British High Victorian style of architecture to the United States, and was a founding member of the American Institute of Architects.
Jacob Wrey Mould

Paul Lowry from New York, EEUU de A · Stairway on west side of Terrace Bridge Uploaded by Ekabhishek · CC BY 2.0
- Born
- 1825. · Kent.
- Died
- 1886. · New York City.
- Nationality
- United States.
- Occupation
- architect, musician, linguist, designer and illustrator.
- Education
- King's College School.
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Illustration — Engraving of Mould from A Description of the New York Central Park, published in 1869 by Clarence Cook Jacob Wrey Mould (7 August 1825 – 14 June 1886) was a British architect, illustrator, linguist and musician, noted for his contributions to the design and construction of New York City's Central Park. He was "instrumental" in bringing the British High Victorian style of architecture to the United States, and was a founding member of the American Institute of Architects.
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wikidata · Q3157603 · wikipedia · Jacob Wrey Mould
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Biography
Biography
• Illustration — A drawing of a lamp by Mould Born in Chislehurst, Kent in 1825, Mould attended King's College School in 1842. For two years, he studied the Alhambra in Spain under Owen Jones, the "master of polychromy," with whom he later co-designed the "Turkish Chamber" of Buckingham Palace. Mould's subsequent designs were often influenced by his appreciation of the Moorish style of architecture. Mould designed decorations for The Great Exhibition in London in 1851. He moved to the United States in 1852, and worked on the Crystal Palace Exhibition in Manhattan. He was invited by Moses H. Grinnell in 1853 to design and build Unitarian Church of All Souls, and then was brought in on early plans for the great urban park in the heart of the city, Central Park. Working closely with creators Calvert Vaux and Frederick Law Olmsted, he designed many of the park's notable landmarks, including the "graceful" and "richly decorated" old Bandstand, Belvedere Castle, a great number of bridges, and the carvings on the Bethesda Terrace. Though described as eccentric and ill-mannered, Mould was hired full-time as an assistant city architect in 1857, and from 1870 to 1871 was architect-in-chief for the Department of Public Works. In the 1860s, he had also built two notable country houses on Long Island on Hempstead Bay, both of which were lavish and ornate buildings for rich clients from New York. Mould also collaborated with Vaux on the design of the original Metropolitan Museum of Art and the American Museum of Natural History, and designed the fountain at City Hall Park (1871). Mould's reputation was severely damaged in 1861 when it became public knowledge that he was living with a woman who was not his wife. Many of his friends stopped associating with him, including well-known lawyer and civic leader George Templeton Strong. Despite facing rejection from his old social circles, Strong and others tempered their criticism of Mould's character with acknowledgements of his artistic talent. Fortunately for Mould, the scandal did not damage his professional relationships with Olmsted or Vaux. In 1874, Mould went to Lima, Peru, with Henry Meiggs, where he helped design a public park. He returned to New York in 1879, and resumed his duties for the Department of Public Works until his death in New York City on 14 June 1886 at age 60. He built the Morningside Park promenade in 1883, and his final design in the United States was a temporary tomb for President Ulysses S. Grant in Riverside Park, replaced later by the permanent monument known as Grant's Tomb. Besides being an architect and designer, Jacob Wrey Mould was a keen pianist and organist, and employed his talent for language in translating numerous foreign opera librettos into English. He is interred at Green-Wood Cemetery in Brooklyn, New York.
Identity
Identity
Jacob Wrey Mould is recorded as architect, musician, linguist, designer and illustrator.

Copy of engraving of Jacob Wrey Mould from A Description of the New York Central Park (1869) by Clarence Cook
Self, Copy of uncredited engraving · https: printsec=frontcover dq=A-Description-of-the-New-York-Central-Park+%22Clarence+Cook+%22 source=bl ots=nALa0oicxC sig=5LjLnkqzV5KodD8gryfxbT_eRQ0 hl=en ei=
![City Hall Park, New York. The fountain at City Hall Park in Manhattan, New York City, USA, Manhattan. [1].](https://upload.wikimedia.org/wikipedia/commons/thumb/5/5c/Newyork_cityhallpark.jpg/800px-Newyork_cityhallpark.jpg)
City Hall Park, New York. The fountain at City Hall Park in Manhattan, New York City, USA, Manhattan. [1].
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Life and career
Dated record
Life and career
Explore 1825–1886
The full dated record · 6 entries
1825
Jacob Wrey Mould born at Kent.
1869
American Museum of Natural History is dated 1869.
1869
Belvedere Castle is dated 1869.
1870
Metropolitan Museum of Art is dated 1870.
1872
The Met Fifth Avenue is dated 1872.
1886
Jacob Wrey Mould died at New York City.
Places
Named by the record
Places
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Kent.
Birth place
New York City.
Death place
External sources
External sources
Blog entry on Mould's translations, with a list of works.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ancestry.com
- 2.Van Zanten, David T. Jacob Wrey Mould: Echoes of Owen Jones and the High Victorian Styles in New York, 1853–1865. Journal of the Society of Architectural Historians. Society of Architectural Historians. 27. 41–57. March 1969.
- 3.MacKay, Robert B. Long Island country houses and their architects, 1860–1940. Norton. 188. 1997. 978-0-393-03856-9.
- 4.Philadelphia Museum of Art. The architecture of Frank Furness. 27, 36. 1973.
- 5.Ochsner, Jeffrey Karl. H.H. Richardson, complete architectural works. MIT Press. 156. 1985. 978-0-262-65015-1.
- 6.C. N. Potter. Central Park; a history and a guide. 97–98. 1967.
- 7.M. M. Graff (1982) The Men Who Made Central Park, Greenward Foundation
- 8.Spiegler, Jennifer C. The Bridges of Central Park. Arcadia. 12, 20, 30, 42, 47, 64, 71, 97, 99, 118, 122, 124. 2006. 978-0-7385-3861-7.
- 9.Nevius, Michelle. Inside the Apple: A Streetwise History of New York City. Simon and Schuster. 114–16. 2009. 978-1-4165-8997-6.
- 10.Miller, Sarah Cedar. Central Park, an American masterpiece. H.N. Abrams. 41. 2003.
- 11.Cody, Jeffrey W. Exporting American architecture, 1870–2000. Routledge. 4. 2003. 978-0-419-24690-9.
- 12.Conservation Solutions Inc.
- 13.Kowsky, Francis R. Country, park & city : the architecture and life of Calvert Vaux. Oxford University Press. 130. 2010. 978-0-19-517113-6.
- 14.Appletons' Cyclopaedia of American Biography, Vol. 4, pg 445, Digitized by Google https://books.google.com/books?id=EWJIAAAAYAAJ&q=%22Appleton's+cyclop%C3%A6dia+of+American+biography%22
- 15.James Stevens Curl (2006) A Dictionary of Architecture and Landscape Architecture, Oxford University Press, Oxford Reference Online.
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reference work
Wikidata, structured authority record Q3157603: Jacob Wrey MouldWikimedia Foundation
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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