Jacob van Schuppen

He trained under Pieter van Schuppen and Nicolas de Largillière.

As a teacher, Jacob van Schuppen is recorded in connection with Adam Friedrich Oeser. Each of those relationships is stated by the authority record rather than inferred from style.

What Jacob van Schuppen produced.

Epilepsy and Persian culture : an overview / A. Vanzan, F. Paladin. is dated 1992 and held by Wellcome Collection. François Van der Meulen is dated 1687 and held by The Art Institute of Chicago (inventory 1888.180). Portrait of Eugene, Prince of Savoy is dated 1718 and held by Rijksmuseum (inventory Lg 1140). The Art Institute of Chicago catalogues 3 works under this heading. Wikidata Query Service catalogues 15 works under this heading. Wellcome Collection catalogues 1 work under this heading.

The circumstances in which Jacob van Schuppen stands.

State portrait of Empress Elisabeth Christina, Princess of Braunschweig-Wolfenbüttel (1691-1750) is dated 1730 and held by Museum Boijmans Van Beuningen (inventory 2186 (OK)). James Francis Edward Stuart, 'The Old Pretender' (1688–1766), as Prince of Wales is dated 1700 and held by Sizergh Castle (inventory 998408). Charles VI of Austria, Holy Roman Emperor, in Armor is dated 1750 and held by Museum Boijmans Van Beuningen (inventory 2185 (OK)). Self portrait of Jacob (Jacques) van Schuppen (1670-1751) is dated 1702 and held by Palace of Versailles (inventory MV 8560). Portrait of the battle-painter Ignace-Jacques Parrocel is dated 1716 and held by Kunsthistorisches Museum (inventory 4244). Prince Eugene of Savoy (1663–1736) is catalogued and held by Victoria Art Gallery (inventory BATVG : P : 1923.25).

Equestrian portrait of Eugene, Prince of Savoy (1663-1736) is dated 1719 and held by Galleria Sabauda. Portrait of Thomas de Granger is dated 1716 and held by Kunsthistorisches Museum (inventory GG_1767). Self-portrait at the easel is dated 1704 and held by Academy of Fine Arts Vienna (inventory GG-639). Joseph-François Borri is dated 1662 and held by The Art Institute of Chicago (inventory 1941.461). The Family of Léopold I of Lorraine is dated 1709 and held by Musée Lorrain (inventory 95.367). Music-making Company is catalogued and held by Museum of Fine Arts, Budapest (inventory 3124).

Meleager Kills Calydon Boar is dated 1704 and held by Musée Fabre (inventory 2012.19.28). Louis XIV is dated 1662 and held by The Art Institute of Chicago (inventory 1920.2431). The Guitar Player is dated 1704 and held by Walker Art Gallery (inventory WAG 1195). Museum Boijmans Van Beuningen records 2 objects associated with this heading. Musée de l'Histoire de France records 1 object associated with this heading. Museum of Fine Arts, Budapest records 1 object associated with this heading.

Reiterporträt des Jean-Philippe-Eugène de Merode-Westerloo is dated 1725. Palace of Versailles records 1 object associated with this heading. Walker Art Gallery records 1 object associated with this heading. Galleria Sabauda records 1 object associated with this heading.

The identifiers under which Jacob van Schuppen may be traced in institutional catalogues.

Jacob van Schuppen is established in the international name authorities as Wikidata Q1677705.

Work associated with this heading is recorded in 11 named public collections.

Belvedere: 3 recorded objects, read from the institution's own published catalogue. Rijksmuseum: 2 recorded objects, read from the institution's own published catalogue. Kunsthistorisches Museum: 2 recorded objects, read from the institution's own published catalogue. Museum Boijmans Van Beuningen: 2 recorded objects, read from the institution's own published catalogue. Walker Art Gallery: 1 recorded object, read from the institution's own published catalogue. Museum of Fine Arts, Budapest: 1 recorded object, read from the institution's own published catalogue. Galleria Sabauda: 1 recorded object, read from the institution's own published catalogue. Palace of Versailles: 1 recorded object, read from the institution's own published catalogue. Musée de l'Histoire de France: 1 recorded object, read from the institution's own published catalogue. Musée Fabre: 1 recorded object, read from the institution's own published catalogue. The Art Institute of Chicago: 3 recorded objects, read from the institution's own published catalogue.

7 scholarly publications naming this subject were located in the registry of record.

Schuppen, Jacob van, Benezit Dictionary of Artists, 2011. Schuppen, H. van, Benezit Dictionary of Artists, 2011. DIE ALLEGORIE DER MALEREI VON JACOB VAN SCHUPPEN, 1972. Jacob van Artevelde, de samenwerking Cyriel Verschaeve – Jan Cox in 1939, WT. Tijdschrift over de geschiedenis van de Vlaamse beweging, 2026. Creating Philip II’s Vision: Urbs and Civitas in the Town Maps of Jacob van Deventer (1558–1575), 2021. An applied complementary use of macro X-ray fluorescence scanning and multi-light reflectance imaging to study Medieval Illuminated Manuscripts. The Rijmbijbel of Jacob van Maerlant, 2020. Framing Biblical Reading Practices: The Impact of the Paratext of Jacob van Liesvelt’s Bibles (1522–1545), Journal of early modern Christianity, 2019.

Bibliographic registers publish measured figures for this heading: 13 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

Identity and origins. The authorities additionally record the headings Jacques van Schuppen, Jacob Schuppen, Jacob van Souppen, Jacob Van Schuppen and Van Scuppen. His recorded language was French.

He was the child of Pieter van Schuppen.

Career and activity. Jacob van Schuppen worked in painting. His work is associated with Baroque.

He was employed by Academy of Fine Arts Vienna. Recorded position is court painter.

Identity. Jacob van Schuppen is recorded with the citizenship of France and Holy Roman Empire. Jacob van Schuppen is recorded as painter, teacher and artist.

training under Pieter van Schuppen and Nicolas de Largillière is recorded. Adam Friedrich Oeser is recorded as having studied under Jacob van Schuppen. the recorded working language is French.

The field of work recorded is painting. Subjects and genres recorded for the work are portrait, history and genre. The authority associates the name with Baroque.

Employment is recorded with Academy of Fine Arts Vienna. Positions recorded include court painter.

Works named in the authority record are Portrait of Eugene, Prince of Savoy.

Work by Jacob van Schuppen is recorded in the collections of Museum Boijmans Van Beuningen, Belvedere, Nationalmuseum, Städel Museum and Philadelphia Museum of Art.