Isidre Nonell

Isidre Nonell studied at Académie Colarossi. The recorded working language is Catalan and Spanish. Places of work recorded in the authority are Barcelona and Paris. Works named in the authority record are La Paloma. Work by Isidre Nonell is recorded in the collections of Museo Nacional Centro de Arte Reina Sofía, Hispanic Society of America, Museu Nacional d'Art de Catalunya, Abelló Museum and Biblioteca Museu Víctor Balaguer.

Isidre Nonell was born in 1872 in Barcelona. His parents, Isidre Nonell Torras and Àngela Monturiol Francàs, owned a small but prosperous factory which made soup noodles. Together with his childhood friend, Joaquim Mir, with whom he attended the same school in the neighborhood of Sant Pere in the old part of town in Barcelona, he developed artistic ambitions at an early age. His early teachers included Josep Mirabent, Gabriel Martínez Altés and Lluís Graner. From 1893 to 1895 he studied at the Escola de Belles Arts de Barcelona (Fine Arts School of Barcelona). He met Ricard Canals, Ramón Pichot, Juli Vallmitjana, Adrià Gual, and Joaquim Sunyer, with whom he developed an interest in landscape painting, studying light. The study of sunlight and its effects on color were a main part of Impressionism, which was then active. They were called the "Saffron Group" for the warm tones they used, as well as the "Sant Martí Group" after the town they painted in. In 1894, he began producing illustrations for La Vanguardia. He later drew for other periodicals, including L'Esquella de la Torratxa, Barcelona Cómica, Pèl & Ploma, and Forma. In 1896, Nonell went with Ricard Canals and Juli Vallmitjana to the spa town of Caldes de Boí in the Spanish Pyrenees to work at the spa run by Vallmitjana's family. There, he saw a large number of people suffering from the illness of cretinism, which became a subject of his paintings. In February 1897, he went to Paris with Ricard Canals. He returned to Barcelona in 1900. At the beginning of 1901, he made paintings of working-class and Romani women, and still lifes. He exhibited in the Sala París in Barcelona twice, in 1902 and 1903. He died on 21 February 1911, due to typhoid fever in Barcelona.

The oil paintings show the influence of impressionism and pointillism expressed in a new way. Thick strokes layered one after another do not quite mix colors in the eye, leaving a directness of emotion. His subjects, most often women, were the overlooked and marginalized—poor women (often with children), Romani people, wounded soldiers repatriated from the Cuban war, and people suffering from cretinism.

In 2023, Edicions del Molí de Dalt published the title Nonell. Catàleg raonat de pintura authored by Glòria Escala. In 2020, the Museu Nacional d'Art de Catalunya published the catalogue: Nonell: Visions from the Margins, authored by Francesc Quílez, Eduard Vallés and others (296 pp, ISBN 978-84-8043-363-1), following up on the likewise complete catalogue they had published in the year 2000: Isidre Nonell (1972-1911), with various authors: M. Doñate, F. Fontbona, C. Mendoza and C. Vidal (328 pp, ISBN 978-84-8043-066-1).