Hugo Crola

Hugo Crola studied at Kunstakademie Düsseldorf. Training under Wilhelm Sohn and Eduard Bendemann is recorded. Constantin Hölscher and Rudolf Braun are recorded as having studied under Hugo Crola. The recorded working language is German. Subjects and genres recorded for the work are portrait. Employment is recorded with Kunstakademie Düsseldorf. Work by Hugo Crola is recorded in the collections of Alte Nationalgalerie.

He was the first of five children born to the landscape painting couple, Elise und Georg Heinrich Crola (originally Croll). In 1847, his parents bought what is now known as the "Crola-Haus", near Ilsenburg Castle, and that is where he grew up. Despite having so many children, they found time to travel together; visiting Switzerland, Italy, Norway, and several places in Germany. He initially devoted himself to architecture; working with Friedrich Hitzig on the construction of the Berlin Stock Exchange. While there, he decided to switch to painting and attended classes at the Kunstakademie Berlin from 1861 to 1862. When the Exchange was completed, he enrolled at the Kunstakademie Düsseldorf, where he studied with Eduard Bendemann and Wilhelm Sohn. During a trip to Engelberg in 1865, Crola painted his first portrait: his father's. An altarpiece, commissioned by the Courland Governorate, was his first major work. After winning a gold medal for a self-portrait at the 1873 Vienna World's Fair, he turned almost exclusively to portraits. Although he painted the likenesses of many aristocratic and wealthy public figures, he is best known for his portraits of his fellow artists. His style was originally based on the old Dutch Masters, but progressed to being more Impressionistic. In 1877 he became a teacher there, in a class for drawing from living models. From 1878 to 1898, he was a professor of landscape painting. In 1880, when Hermann Wislicenus was dismissed as the academy's Director, he became part of a Board, where the title of Director alternated between him, Karl Woermann and Johann Peter Theodor Janssen. By the end of the century, he was one of the best known members of the Düsseldorfer Malerschule, and one of the academy's most active teachers.