Hitomi Kuroki
She was born in Fukuoka Prefecture in what was formerly called Kurogi in Yame District (now incorporated into Yame City). Her stage name derives from her hometown of Kuroki, and writer Hiroyuki Itsuki who was an alumnus of her Middle School came up with this full stage name. 。 Kuroki was a member of the Takarazuka Revue, belonging to the Moon Troupe (Tsuki-gumi). Kuroki was the voice of Helen Parr/Elastigirl/Mrs.
Also recorded as Kuroki Hitomi
Hitomi Kuroki

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- Name
- Hitomi Kuroki
- Birth Name
- Shōko Ichiji (née Egami)
- Born
- 5 October 1960
- Birthplace
- Former Kurogi, Yame District (now Yame, Fukuoka), Japan
- Occupation
- Actress, film director
- Full name
- 江上 昭子.
- Nationality
- Japan.
- Honours
- Japan Academy Prize for Outstanding Performance by an Actress in a Leading Role.
- Languages
- Japanese.
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Documentary summary
She was born in Fukuoka Prefecture in what was formerly called Kurogi in Yame District (now incorporated into Yame City). Her stage name derives from her hometown of Kuroki, and writer Hiroyuki Itsuki who was an alumnus of her Middle School came up with this full stage name. 。 Kuroki was a member of the Takarazuka Revue, belonging to the Moon Troupe (Tsuki-gumi). Kuroki was the voice of Helen Parr/Elastigirl/Mrs.
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wikidata · Q1060133 · wikipedia · Hitomi Kuroki
In this article
Biography
Biography
Incredible in the Japanese dub of The Incredibles. She won the award for best actress at the 22nd Hochi Film Award for Lost Paradise (1997).
Key facts
Key facts
• Name — Hitomi Kuroki • Birth Name — Shōko Ichiji (née Egami) • Born — 5 October 1960 • Birthplace — Former Kurogi, Yame District (now Yame, Fukuoka), Japan • Occupation — Actress, film director • Years Active — 1981–present
Childhood
Childhood
She was born 1960 (Showa 35) the youngest of 4 siblings (1 brother). Her father engaged in livestock husbandry, while her mother ran a diner. They were both strict disciplinarians, but Hitomi grew up carefreely without troubling her parent. Her father was ranked 7-dan in kendō, and partly due to that influence, she took up practicing kendō at a dōjō from the 4th grade. She loved music from childhood and took piano lessons. And an avid reader as well. As a 2nd year student in middle school, she was inspired to become an actress after watching a schoolmate in the daughter's role in Kan Kikuchi's play Chichi kaeru ("the father returns") put on by the students at the school culture festival. Having watched many films, she dreamed of being in the movies as well. She drew out a life-plan after middle school, that she would join the theater club in high school, study acting in university, join bungakuza, and become an actress. 。
Takarazuka Revue
Takarazuka Revue
In 1981, Kuroki graduated 3rd place and joined the Takarazuka Revue as the Takarazuka 67th class. Among notables in the same class are actresses Yōko Kitahara, Mayo Suzukaze, Miki Maya, Irene Iida of mixed Mexican descent who became Japanese dance instructor, and Masumi Rika who has stayed on with the troupe as leader. Kuroki was assigned to the Moon troupe as a girl-part actrees on May 18. The 67th class had their first show on stage in the Takarazuk haru no odori: Hana no kodomo fudoki that ran from March to May 1981. In May Kuroki was assigned to the Moon troupe as a girl-role actress. She appeared starting January 1982 on the TV show Ohayō Asahi desu as a regular and its first assistant. While still in the troupe, she appeared in the affiliated Tōhō production film Minami Jūjisei ("Southern Cross"; English title: The Highest Honor) co-produced with the Australian film team. This was her first movie appearance. She was cast in the heroine role in the July 1983 staging of the Ashibiki no yama no shizuku ni, then in August, was cast in the top female role opposite Mao Daichi still as a 2nd-year intern. This was the fastest promotion to the top spot for either male or females in the history of the Revue. Daichi was somewhat thin and small-faced for a male-role actress, and caught notice of Kuroki who was of similar build and was able to carry out her performance with gusto, and so made the offer, according to Kuroki. She was cast in such Takarazuka titles as Ciboulette, Moonlight Romance, and Guys and Dolls (Guys and Dolls (Takarazuka)). When Daichi announced she was leaving the organization in August 1985, Kuroki decided it was time for her to leave as well. She had her final performance in the September 1, last show of A Tale of Two Cities/Heat Wave (Takarazuka) double show in Tokyo, and resigned from Takarazuka. 。
Entertainment business
Entertainment business
In her first leading role on film, she was cast in Keshin (released 1986) based on the original story by novelist Junichi Watanabe, directed by Yōichi Higashi. It grabbed public attention for her nude scenes, partly due to the fact she was a former Takarasienne. She won a best new actress prize for her role in the film at 10th annual Japan Academy Film Prizes annual Japan Academy Film Prizes. Appearance in NHK Asadora series Miyako no kaze (1986) builds her popularity. She continued to play suspense drama an other roles. In 1997, she starred in Shitsurakuen or Lost Paradise also an adaptation of the Watanabe Junichi novel A Lost Paradise, and directed by Yoshimitsu Morita. The title became a buzzword and a social phenomenon, with Kuroki winning the Japanese Academy's best actress prize. She got married in 1990 and gave birth to a daughter in 1998. She was the emcee for the Japan Record Awards ceremony in 1999 and 2000 which aired on TBS. She played the lead distressed mother in the 2002 film adaptation of the horror story Dark Water directed by Hideo Nakata of Ring fame. She made her directorial debut with the 2016 feature film adaptation of Nozomi Katsura's Iya na onna. Although Kuroki did not appear in this movie, she played the lead role in the TV drama version which aired the same year.
As director
As director
• Iya na Onna (2016) • The Devil Wears Jūnihitoe (2020)
Television series
Television series
• The Gate of Youth (1991), Tae Ibuki • Hachidai Shōgun Yoshimune (1995), Kume • Ring: The Final Chapter (1999), Rieko Miyashita • Majo no jouken (1999), Kyoko Kurosawa • Golden Bowl (2002), Hitomi Sakura • Good Luck!! (2003), Noriko Togashi • The Great White Tower (2003), Keiko Hanamori • Onihei Hankachō (2006) voice • Real Clothes SP (2008), Jinbo Miki • Real Clothes (2009), Jinbo Miki • GTO (2012), Sakurai Ryoko • Gunshi Kanbei (2014), One • Rakuen (2017), Harumi Takahashi • Shukatsu Kazoku (2017), Mizuki Tomikawa • Overprotected Kahoko (2017), Izumi Nemoto • Okehazama (2021), Dota Gozen • Sunset (2023), Rinko Ōhata • Passing the Reins (2025), Kyoko Sanno
Variety and cultural shows
Variety and cultural shows
• Waratte Iitomo • Japan Record Award – preside • Hey! Hey! Hey! Music Champ • DON! (video)
Stage (Takarazuka Revue)
Stage (Takarazuka Revue)
• Guys and Dolls – Sara • A Tale of Two Cities
Stage
Stage
• Hamlet (1990) • Christmas Box • mama loves MAMBO (2000) • mama lobes MAMBOII (2002) • Hitomi Kuroki 25th anniversary Show "Musemore~talking&dancing" (2003) • mama loves MAMBOIII (2004) • MAMA LOVES mamboIV (2006) • Hitomi Kuroki 30th Dreaming Dinner show (2010) • Hitomi Kuroki is the reader the stage "Toritateya Oharu" (2010–2011)
Dubbing
Dubbing
• Ballerina – Odette • The Incredibles – Elastigirl • Incredibles 2 – Elastigirl
Life and career
Dated record
Life and career
The full dated record · 1 entries
1960
Hitomi Kuroki was born on 5 October 1960.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Fukuoka Prefecture.
Residences
Kurogi.
Birth place
Takarazuka Music School
She enrolled at Fukuoka Prefectural Yame High School and joined the theater club; as club president she led her team in the all-Kyūshū competition. As a 1 year high schooler, she had seen the Takarazuka musical adaptation of The Rose of Versailles at the Fukuoka civic hall. and seeing Takarazuko on stage for the first time was tremendous impact. She went to see the show the year after and the next during the show's once a year tour to Fukuoka. Although she was captivated by the theater, and dreamed of turning actress in Tokyo, she watched the Takarazuka performance strictly as a hobbyist's appreciation. Therefore she did not even try out to become a student at the Takarazuka Music School during the first two years of high school, 、高校3年生の頃には音楽教師になろうと考えていた and was intending to enroll in a music university in Kumamoto Prefecture where she did get accepted. but because of her aforementioned fandom of Versailles (Beru Bara), she sent for application forms and pamphlets for Takarazuka. Noticing that the school only accepted applications before graduating high school, so she decided to fill out a form thinking of it as a commemorative thing to do. She secretly took 1 week of ballet lessons without telling her parents, then went to the entrance examination. The exam date came a week after she got accepted by the music college. In the interview, she wound out speaking completely in her native Chikugo dialect, and in reply to her reasons for applying, she blurted the gaffe that "SKD (Shōchiku Kageki Dan) would have suited her just as well, naming the rival all-girls musical troupe. Nevertheless she got accepted, overcoming the odds of 22.4 to 1. Although she was initially intending to go through the try-out process purely as a commemorative experience, as she passed the primary and secondary examinations, the desire grew within her to actually become part of Takarazuka, and decided to change the course of her future plans. The parents were flat against it, but after her grandmother gave a nudge, they relented and gave their consent. After enrolling in April 1979, the strictness of school codes and hierarchical relationship were "fine, as long as one got used to it ", in her words, but she could not keep up with the lessons, which she worried over. To overcome this, she would leave the dormitory at 6:40 am to do training exercises on her own, and after school, she would go to private lessons, returning to the dorm just in time for the 22:30 curfew.
Film
• Keshin (1986) • Anego (1988) • Dōten (1990 or January 26, 1991) • Jūtai(1991) • Ryaudatsu ai(1991) • People who are frightened segment of Kaen tsutsuji (1994) • Lost Paradise (1997), Rinko • Sada (1998), Sada Abe • Spellbound (1999), Hiroko Satō • Dark Water (2002), Yoshimi Matsubara • Tokyo Tower (2005), Shifumi • Hideo Nakata's Kaidan (2007), Toyoshiga • 20th Century Boys 1st–3rd (2008–2009), Kiriko Endo • Utahime (2011), Mieko • CM Time (2011) • When Marnie Was There (2014), Hisako (voice) • The Crossing (2014) • Life in Overtime (2018) • The Lies She Loved (2018) • All About March (2020), Maria Yamada • Majo no Kōsui (2023), Yayoi Shiraishi • 18×2 Beyond Youthful Days (2024) • Tomorrow in the Finder (2024) • The Rose of Versailles (2025), narrator • The Moon Is Watching (2026)
Primary material
Documents and archives
reference work
- “Hitomi Kuroki”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
institutional register
- Wikidata, structured authority record Q1060133: Hitomi Kuroki
General reference · Wikimedia Foundation
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Takarajima-sha. Nihon no joyū 100-nin. Bessatsu Takarajima. 2551. 104.
- 2.Watashi no chizu dai 557-kai Kuroki Hitomi. Shūkan Gendai. 70–72. June 17, 2023.
- 3.Kuroki (autobiography) Haha no īwake 母の言い訳 p. 208.
- 4.Cinema Hochi.
- 5.Wire Action. Family History. TV deta zō. May 15, 2015.
- 6.goo TV. Kansai jōhō net ten. 2016-06-24 hōsō-kai. June 24, 2016.
- 7.Asahi Shimbun. Haha to kawa de sentaku wo shita kokyō no omoide: Kuroki Hitomi-san. January 10, 2017.
- 8.Kuroki Hitomi ga kataru shigoto-1: Shigotoryoku. Asahi Shimbun hiroba.
- 9." マリコの言わせてゴメン! , Shūjan Asahi, November 28, 1997/pp. 48–53.
- 10.Rea na shashin mansai. yume wo otta10-dai no Kuroki Hitomi [etc.]. Money Gendai. 2023-01-11.
- 11.Tokuma shoten. Kuroki Hitomi ga kōsai aite ni '1-man yen kashite!' Ima dkara akasu 'Takarazuka juken' mirakuru hiwa. Asagei Plus. May 13, 2022.
- 12.asahi.com!. Osutaka ni sumire saku koro. January 29, 2009.
- 13.Kobayashi, Kōichi. Takarazuka kageki 100-nen shi: Niji no hashi watari tsuzukete (jinbutsu-hen). Hankyu Communications. 93. April 1, 2014. 978-4-484-14601-0.
- 14.Autobiography. Watashi ga naku toki わたしが泣く時 po. 22–25.
- 15.Takarazuka kagekidan shin-seito Shōwa-56 nendo hatsu butaisei goshōkai. Kageki. 667. 124–127. April 1981.
- 16.Kuroki Hitome sayonara tokushū Kuroki Hitomi utsukushiki butai no omoide. Kageki. 719. 124–127. August 1985.
- 17.Takarazuka tomo no kai. Kageki. 676. 96–98. January 1982.
- 18.Tōhō Sōritsu 50-shūnen kinen. Heibon. 38. 4. 150–151. April 1982.
- 19.Autobiography, Watashi ga naku toki わたしが泣く時 pp.33–37
- 20.Jōnetsu no Baruserona: 8-gatsu Tōkyō Takarazuka Gekijō Tsuki-gumi kōen. Kageki. 695. 54–57. August 1983.
- 21.Daichi Mao Takarazuka sayonara kōen. Asahi Graph. 3270. 46. August 9, 1985.
- 22.Kodansha. Shūkan year book, nichiroku 20-seiki. 9. 18. 1980. 9784069317590.
- 23.Nichigai Associates<"--日外アソシエーツ-->. Kuroki Hitomi. Gendai nihon jinmei roku 98. 2. 563–564. 1998. 9784816914683.
- 24.((Editor Dept.)). Nippon shin kosei-ha jidai: Kuroki Hitomi. Kinema junpō. 1272. 42. December 1998.
- 25.Schilling, Mark Gordon. Contemporary Japanese Film. Shambhala Publications. 334–335. 1999. 9780834804159.
- 26.Autobiography. Watashi ga naku toki わたしが泣く時 pp. 108–116, 178–184.
- 27.Shūkan bunshun (Bungei shunjū), October 2, 2003, issue, pp. 175–176.
- 28.Autobiography. Haha no īwake 母の言い訳 Introduction, pp. 5–11 et passim.
- 29.December 31, 2000. TV Guides of major papers.
- 30.Singh, Jasneet. This Infamous J-Horror Dives Deep Into Supernatural Terror. Collide. January 1, 2025.
- 31.Yu, Sen-lun. Hitomi shocks with elegance. Taipei Times. July 26, 2002.
- 32.Ichikawa, Haruka. Kuroki Hitomi, eiga kantoku debyū! Besuto serā shōsetsu 'Iya na onna' wo eiga-ka. Cinema Today. July 23, 2015.
- 33.Schilling, Mark. 'Desperate Sunflowers': Women on the verge of friendship. Japan Times. June 29, 2016.
- 34.Drama topics blog: NHK blog. Kuroki Hitomi san shuen 'Iya na onna' seisaku kaishi!. Premium Drama. October 30, 2015.
- 35.伊藤健太郎が源氏物語の世界にトリップ!「十二単衣を着た悪魔」で三吉彩花と共演. Natalie.
- 36.Eiga.com.
- 37.Eiga.com.
- 38.Eiga.com.
- 39.Oricon.
- 40.Eiga.com.
- 41.Eiga.com.
- 42.The Television.
- 43.Haiyaku Jiten.
- 44.Sankei Shimbun. February 3, 2021.
- 45.Oricon. July 28, 2023.
- 46.The Television.
- 47.フェリシーと夢のトウシューズ. Wowow.
- 48.Anna. Hitomi Kuroki’s directorial debut ‘Iya na Onna’ releases poster, announces additional cast and theme song. Arama! Japan. 2016.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessinstitutional register
Wikidata, structured authority record Q1060133: Hitomi KurokiWikimedia Foundation
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
Elsewhere in Film memorabilia
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