Hirokazu Koreeda

He has since directed Broker (2022) and Monster (2023), to critical acclaim.

Hirokazu Koreeda studied at Waseda University. The recorded working language is Japanese. The field of work recorded is film direction, film screenwriting and film production. Places of work recorded in the authority are Japan. Employment is recorded with Waseda University. Work by Hirokazu Koreeda is recorded in the collections of Museum of Modern Art. Distinctions recorded are Blue Ribbon Awards for Best Director, Golden Osella, Asian Film Award for Best Director and Palme d'Or.

Kore-eda's father was born in Taiwan. Kore-eda's paternal grandparents could not marry under Japanese law at the time as they had the same last name, so they had eloped to Taiwan, then under Japanese colonial rule, where they could marry. Kore-edahas cited this as a reason for his affinity toward Taiwan. Kore-eda's father was conscripted into the Japanese military during World War II and detained in Siberia for three years after the end of the war. Hirokazu Kore-eda was born on 6 June 1962 in Nerima, Tokyo. He is the youngest of three children. From an early age, Kore-eda watched movies with his mother. He said through an interpreter, "My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh! We couldn't afford to go together to the cinema, but she was always watching their movies on TV. She stopped all family business or discussions to watch these movies. We would watch together. So I adored film—like her." After seeing Japan win the gold medal in men's volleyball at the 1972 Munich Olympics, he started playing in middle school. He rose to team captain in high school as a setter. He initially failed his entrance exams, but was accepted into Waseda University a year later. He graduated from Waseda University's Graduate School of Letters, Arts and Sciences in 1987.

Before becoming a director, Kore-eda worked as an assistant director on television documentaries. He directed his first television documentary, Lessons from a Calf, in 1991. He directed several other documentary films thereafter. Kore-eda's 1994 documentary August without Him depicts his friendship with Hirata Yutaka, who had HIV/AIDS. Filmed between 1992 and 1994, it depicts Yutaka activism as the first Japanese person to publicly admit having contracted the disease as a homosexual. The film ends with his condition having deteriorated. Yutaka died of AIDS complications on 29 May 1994. Kore-eda's first fiction feature film, Maborosi (1995), premiered at the 52nd Venice International Film Festival. It won the Golden Osella for Best Cinematography. At the first Buenos Aires International Festival of Independent Cinema in 1999, he won awards for Best Film and Best Screenplay for his film After Life. In 2005, Kore-eda won the Blue Ribbon Awards for Best Film and Best Director for his film Nobody Knows. His 2008 film Still Walking also earned accolades, including Best Director at the 2009 Asian Film Awards and the Golden Ástor for Best Film at the 2008 Mar del Plata International Film Festival. Kore-eda's 2013 film Like Father, Like Son premiered and was nominated for the Palme d'Or at the 2013 Cannes Film Festival. It did not win, but it won the Jury Prize and a commendation from the Ecumenical Jury. In October 2013, the film won the Rogers People's Choice Award at the 2013 Vancouver International Film Festival. Kore-eda's 2015 film Our Little Sister was selected to compete for the Palme d'Or at the 2015 Cannes Film Festival. His 2016 film After the Storm debuted to critical acclaim at the 2016 Cannes Film Festival in the Un Certain Regard category. For his work on it, Kore-eda won Best Director at the Yokohama Film Festival. He won Best Film and Best Director at the Japan Academy Prizes for his 2017 film The Third Murder, which also screened in the main competition of the 74th Venice International Film Festival. In 2018, his film Shoplifters, about a young girl welcomed in by a family of shoplifters, premiered and won the Palme d'Or at the Cannes Film Festival. It was also nominated for the Academy Award for Best Foreign Language Film. In 2018, he won the Donostia Award for his life-time achievement at San Sebastián International Film Festival. In 2019, Kore-eda directed The Truth, starring Catherine Deneuve, Juliette Binoche and Ethan Hawke. It is his first film shot in Europe and not in Japanese. In 2021, Kore-eda directed Broker. The film was shot in South Korea, featuring a predominantly South Korean cast and crew. It was first released on 8 June 2022. The film was selected to compete for the Palme d'Or at the Cannes Film Festival in 2022 and won the Prize of the Ecumenical Jury. In January 2022, it was announced that Kore-eda would be working with a team of directors including Megumi Tsuno, Hiroshi Okuyama, and Takuma Sato on a nine-episode series, The Makanai: Cooking for the Maiko House, adapted from the manga Kiyo in Kyoto. In November 2022, Kore-eda disclosed that he had completed shooting his next Japanese film, Monster. With post-production underway, Monster was scheduled for release in Japan on 2 June 2023. This release date positioned the film for a potential world premiere in May at Cannes. It won the Queer Palm and the Best Screenplay Award at the 2023 Cannes Film Festival. In 2025, Netflix released Kore-eda's T.V. series Asura. It is based on Kuniko Mukōda's novel of the same name. In 2026, Kore-eda first science fiction film Sheep in the Box had its world premiere at the 2026 Cannes Film Festival, where it competed for the Palme d'Or. His following film will be the live-action adaptation Look Back, based on the 2021 one-shot manga by Tatsuki Fujimoto, which will have its world premiere at the 83rd Venice International Film Festival, where it will compete for the Golden Lion.

Kore-eda married in 2002 and has a daughter, born in 2007. In a 2009 interview, Kore-eda said that Still Walking is based on his own family.

1995: Vancouver International Film Festival – Dragons and Tigers Award (Maborosi) 1998: San Sebastian Film Festival – FIPRESCI Prize (After Life) 1998: Three Continents Festival – Golden Montgolfiere (After Life) 1999: Buenos Aires International Festival of Independent Cinema – Best Film and Best Screenplay (After Life) 2004: Flanders International Film Festival Ghent – Grand Prix (Nobody Knows) 2005: Blue Ribbon Awards – Best Film and Best Director (Nobody Knows) 2008: Mar del Plata International Film Festival – Best Film (Still Walking) 2009: Asian Film Awards – Best Director (Still Walking) 2009: Blue Ribbon Awards – Best Director (Still Walking) 2011: San Sebastian Film Festival – Best Screenplay (I Wish) 2012: Asia-Pacific Film Festival – Best Director (I Wish) 2013: Cannes Film Festival – Jury Prize (Like Father, Like Son) 2013: Asia-Pacific Film Festival – Best Film and Best Director (Like Father, Like Son) 2013: São Paulo International Film Festival – Audience Award Best Foreign Film (Like Father, Like Son) 2013: Vancouver International Film Festival – Audience Award International Films (Like Father, Like Son) 2013: Yokohama Film Festival – Best Screenplay (Like Father, Like Son) 2015: San Sebastian Film Festival – Audience Award Best Film (Our Little Sister) 2015: Yokohama Film Festival – Best Director (Our Little Sister) 2016: Japan Academy Prize – Best Film and Best Director (Our Little Sister) 2016: Films from the South – Best Film (After the Storm) 2018: Japan Academy Prize – Best Film, Best Director, Best Screenplay, and Best Editing (The Third Murder) 2018: Cannes Film Festival – Palme d'Or (Shoplifters) 2018: Los Angeles Film Critics Association – Best Foreign Film (Shoplifters) 2018: San Sebastián International Film Festival – Donostia Award 2018: Asia Pacific Screen Awards – Best Film (Shoplifters) 2018: Denver Film Festival – Best Film (Shoplifters) 2018: Filmfest München – Best International Film (Shoplifters) 2018: Films from the South – Audience Award (Shoplifters) 2018: Vancouver International Film Festival – Most Popular International Feature (Shoplifters) 2019: Asian Film Awards – Best Film (Shoplifters) 2019: Japan Academy Prize – Best Film, Best Director, and Best Screenplay (Shoplifters) 2019: César Award – Best Foreign Film (Shoplifters) 2019: Guldbagge Awards – Best Foreign Film (Shoplifters) 2023: Asian Film Awards – Best Director (Broker) 2023: Cannes Film Fesitval - Queer Palm (Monster) 2024: Asian Film Awards – Best Director (Monster)