Herri met de Bles

They all painted landscapes seen from a high viewpoint and rocky masses. They did not aim to create a realistic depiction but an atmospheric effect. Bles always included a few small figures involved in a religious episode or everyday activities such as mining, agriculture or trade.

Frans Mostaert is recorded as having studied under Herri met de Bles. The recorded working language is Dutch. The field of work recorded is painting and Flemish painting. Subjects and genres recorded for the work are landscape. Places of work recorded in the authority are Antwerp. Positions recorded include court painter. Works named in the authority record are Paradise, The Road to Calvary and Copper mine. Work by Herri met de Bles is recorded in the collections of Museum Boijmans Van Beuningen, Nationalmuseum, Musée Benoît-De-Puydt, Royal Museums Greenwich and Musée des Beaux-Arts de Menton.

• Illustration — The Story of David and Bathsheba The Netherlands Institute for Art History suggests that de Bles was born in Dinant in circa 1510. Several other sources disagree with it. Very little is known about the artist. He is believed to be identical to a certain Herry de Patenir who joined Antwerp's Guild of St. Luke in 1533 as a painter. Some speculate he was a nephew of the landscape painter Joachim Patinir, but there is not any kind of historical evidence to support this claim and he may not have trained under him because of their age difference. According to the RKD Dutch art institute, the only fact that connects the two painters is that they were both born in Dinant. He probably visited Ferrara, Italy as an Italian source mentions it. His work was popular in Italy, where he was known as 'il Civetta' because of the little owl that often appears in his paintings, usually in a hollow tree or in a cavity between some rocks. The 17th-century biographer Karel van Mander regarded this motif as his signature. The name Herri met de Bles translates literally from Dutch as Herri with the blaze and was reportedly given him because of his characteristic white forelock. He may have been the pupil of Lucas Gassel, who was at least 10 years his senior. There are significant similarities between their works about the subject of David and Bathsheba. Besides, they are depicted together (along with Hans Holbein) in a 1764 coloured engraving by Jan l'Admiral with Gassel being in the foreground and de Bles shown in the more obscure lower right corner. The notname of "Pseudo Bles" was invented to cover a number of Antwerp Mannerist paintings that had previously been attributed to de Bles, after it was recognised that this was wrong. In 1915 by Max Jakob Friedländer in "Die Antwerpener Manieristen von 1520" made a first attempt to put order in the growing number of works from the Netherlands that were catalogued under the "name of embarrassment" "pseudo-Herri met de Bles" (usually now "Pseudo Bles"). The Dutch art institute and research center RKD describes him as still active in Antwerp in 1566, based on recently discovered contemporary documents.

• Illustration — Landscape with the Offering of Isaac His landscapes are different from Patinir's in that de Bles' work shows more foreground landscapes, a looser composition and greater detail. His choice of colours is generally less rich than that of Patinir. Along with a group of Antwerp-based followers of Hieronymus Bosch that included Jan Mandyn, Pieter Huys, and Jan Wellens de Cock, de Bles brought the tradition of fantastic imagery into northern Mannerism. Most of his sketches are in German public collections in Berlin and Hamburg, one of them is in the Louvre, Paris. Most of his paintings are exhibited in Belgian museums (Namur, Antwerp etc.), with some in the Museo di Capodimonte, Naples, and the Kunsthistorisches Museum in Vienna.

In Richard Powers's novel The Gold Bug Variations (1991), one of the main characters, Todd, is working on a dissertation whose subject is Herri met de Bles. The painter's obscurity and his peculiar imagery are woven into the motifs of the novel. In Olga Tokarczuk's novel Empuzjon (2022), one of the minor characters, the fine-arts student Thilo von Hahn, is likewise writing a PhD thesis on the artist.

The authorities additionally record the headings Henri Blès, Herri de Dinant, Civetta, Henry du Bles and Herri met de Blessio. His recorded language was Dutch.