Hendrik Willem Mesdag

Barbara Elisabeth van Houten is recorded as having studied under Hendrik Willem Mesdag. The recorded working language is Dutch. The field of work recorded is painting. Subjects and genres recorded for the work are marine art and landscape. Works named in the authority record are Boten op het strand bij Scheveningen, Menno David Graaf van Limburg Stirum (1807–1891). Adjudant des konings, luitenant-generaal, Panorama Mesdag and Album amicorum attributed to Hendrik Willem Mesdag (1831-1915), painter. Work by Hendrik Willem Mesdag is recorded in the collections of Museum Boijmans Van Beuningen, Museo del Prado, Auckland Art Gallery, Royal Museum of Fine Arts Antwerp and Museum of Fine Arts Ghent (MSK).

• Name — Hendrik Willem Mesdag • Born — 23 February 1831 • Birthplace — Groningen, Netherlands • Died — 10 July 1915 • Place of death — The Hague, Netherlands • Notable Works — Panorama Mesdag • Partner — Sina Mesdag-van Houten

• Illustration — Preparations for departure • Illustration — Pinks in the breakers, c. 1880 He was born in Groningen, the son of the banker Klaas Mesdag and his wife Johanna Wilhelmina van Giffen. Mesdag was encouraged by his father, an amateur painter, to study art. He married Sina van Houten in 1856, and when they inherited a fortune from her father, Mesdag retired from banking at the age of 35 to pursue a career as a painter. He studied in Brussels with Willem Roelofs and in 1868 moved to The Hague to paint the sea. In 1870 he exhibited at the Paris Salon and won the gold medal for The Breakers of the North Sea. In 1880 he received a commission from a Belgian company to paint a panorama giving a view over the village of Scheveningen on the North Sea coast near The Hague. With the help of Sina and students he completed the enormous painting, Panorama Mesdag,— 14 m high and 120 m around — by 1881. However, the vogue for panoramas was coming to an end, and when the company operating it went bust in 1886, Mesdag purchased the painting at auction and thereafter funded its operating losses from his own pocket. He joined the art society of The Hague (the Pulchri Studio) and in 1889 was elected chairman. In 1903 he gave his house at Laan van Meerdervoort and his collection of paintings to the Netherlands; the house is now The Mesdag Collection.