Helmuth Liesegang
Illustration — Helmuth Liesegang, by Max Stern (c.1910) Helmuth Heinrich Liesegang (18 July 1858, Duisburg – 31 July 1945, Leipzig) was a German landscape painter; associated with the Düsseldorfer Malerschule.
Also recorded as professor helmut liesegang · prof. helmut liesegang · heinrich liesegang · helmuth liesgang
Helmuth Liesegang

Max Stern · Public domain
- Born
- 1858 · Duisburg.
- Died
- 1945 · Leipzig.
- Nationality
- Germany
- Occupation
- painter
- Education
- Freiherr-vom-Stein-Gymnasium · Kunstakademie Düsseldorf
- Teachers
- Eugen Dücker · Peter Janssen · Karl Ernst Forberg
- Honours
- Goethe Medal for Art and Science
- Languages
- German
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Illustration — Helmuth Liesegang, by Max Stern (c.1910) Helmuth Heinrich Liesegang (18 July 1858, Duisburg – 31 July 1945, Leipzig) was a German landscape painter; associated with the Düsseldorfer Malerschule.
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wikidata · Q17712883 · wikipedia · Helmuth Liesegang
In this article
Life and work
Life and work
Helmuth Liesegang studied at Freiherr-vom-Stein-Gymnasium and Kunstakademie Düsseldorf. Training under Eugen Dücker, Peter Janssen and Karl Ernst Forberg is recorded. The recorded working language is German. Places of work recorded in the authority are Netherlands, Katwijk and Düsseldorf. Work by Helmuth Liesegang is recorded in the collections of Wallraf–Richartz Museum. Distinctions recorded are Goethe Medal for Art and Science.
He was the son of a gymnasium teacher, Helmuth Karl Albert Liesegang, and his wife, Agnes née Jüngel. In 1868, his family moved to Kleve, where his father was head of the Freiherr-vom-Stein-Gymnasium (Kleve) for twenty-eight years. As a teenager, he loved to roam through the surrounding woods, sketching. After completing his secondary education, he enrolled at the Kunstakademie Düsseldorf, where he studied from 1877 to 1885. His primary instructor there was Eugen Dücker. He also learned etching from Carl Ernst Forberg. • Illustration — Summer Lane with a Flock of Sheep In 1885, together with his friend, Arthur Kampf, he visited Paris, where he came under the influence of the Barbizon school; especially Jean-François Millet and Jules Bastien-Lepage. Later, he became interested in the Hague school; travelling throughout Belgium and Holland, sketching landscapes. In 1888, he became an honorary member of the artists' association, Malkasten (Paintbox). The following year, together with Olof Jernberg, Eugen Kampf and Heinrich Hermanns, he founded the "Lucas Club"; as a reaction to the exhibition policies of the Kunstverein für die Rheinlande und Westfalen. The Club sought to combine the stylistic approaches of the Barbizon and Hague schools with the aesthetics of Impressionism. Two years later, the Lucas Club was subordinated to the new Freie Vereinigung Düsseldorfer Künstler. In 1899, a new "St. Lucas Club" was founded by Liesegang and the other founders of the original Club, with the addition of August Deusser, Otto Heichert and Gustav Wendling. He was also a member of the Deutscher Künstlerbund and the Verein der Düsseldorfer Künstler. In his later years, he was awarded the title of Professor, and continued to take part in large exhibitions; notably those of "Young Rhineland". In 1929, he published a memoir: Aus meinen Lehr- und Wanderjahren (From my Apprenticeship and Travelling Years). In 1943, he was awarded the Goethe-Medaille für Kunst und Wissenschaft and, the following year, received the Cornelius-Preis. When Düsseldorf was heavily damaged by bombing raids, he was evacuated to Leipzig, where he died at the age of eighty-seven. He was returned to Düsseldorf for burial at the Nordfriedhof (Düsseldorf). A street nearby is named after him. In 1989, a piece of a column from the Neues Rathaus (Düsseldorf) was erected there, as a memorial. • Illustration — Belgian Port
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Duisburg.
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Leipzig.
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reference work
- “Helmuth Liesegang”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q17712883: Helmuth Liesegang
General reference · Wikidata
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Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Bestandsliste @ the Malkasten website
- 2.Nicole Roth: "Wie modern ist die Düsseldorfer Malerschule?" In Bettina Baumgärtel (Ed.): Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819–1918. Vol.1, Michael Imhof Verlag, Petersberg 2011,
Bibliography printed in the source article · 4
- "Liesegang, Hellmuth". In Friedrich von Boetticher: Malerwerke des 19. Jahrhunderts. Beitrag zur Kunstgeschichte. Vol. 1/2, Bogen 31–61: Heideck–Mayer, Boetticher’s Verlag, Dresden 1895, pg.872 (Online)
- Verlag des Kunstvereins für die Rheinlande und Westfalen. Zur Geschichte der düsseldorfer Kunst; insbesondere im XIX. Jahrhundert. p. 351. 1902.
- Fred Kocks: Helmuth Liesegang. Ein Düsseldorfer Meister der Gegenwart, Graf und Schumacher, Düsseldorf, 1943
- Herbert Griebitzsch: "Der Maler Professor Helmut Liesegang", In Die Kunst für Alle, #59, Vol.3, 1944, pp. 49–53 (Online).
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Studied at
1- Kunstakademie DüsseldorfOrganisation
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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