Hans Grundig
Hans Grundig (February 19, 1901 – September 11, 1958) was a German painter and graphic artist associated with the New Objectivity movement. He was born in Dresden and, after an apprenticeship as an interior decorator, studied in 1920–1921 at the Dresden School of Arts and Crafts. He then studied at the Dresden Academy from 1922 to 1923.
Hans Grundig

Ulmer, Rudi · Bundesarchiv, Bild 183-61548-0013 / Ulmer, Rudi / CC-BY-SA 3.0 · This image was provided to Wikimedia Commons by the German Federal Archive (Deutsches Bundesarchiv) as part of a cooperation project. The German Federal Archive guarantees an authentic representation · CC BY-SA 3.0 de
- Name
- Hans Grundig
- Born
- 19 February 1901
- Birthplace
- Dresden, Saxony, Germany
- Died
- 11 September 1958
- Place of death
- Dresden, Saxony, GDR (East Germany)
- Occupation
- painter Graphic artist
- Spouse
- Lea Langer / Grundig (1906–1977)
- Nationality
- German Democratic Republic
- Fields
- portrait
- Education
- Dresden Academy of Fine Arts
- Honours
- National Prize of East Germany · Patriotic Order of Merit in Bronze · Heinrich Mann Prize
- Languages
- German
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Hans Grundig (February 19, 1901 – September 11, 1958) was a German painter and graphic artist associated with the New Objectivity movement. He was born in Dresden and, after an apprenticeship as an interior decorator, studied in 1920–1921 at the Dresden School of Arts and Crafts. He then studied at the Dresden Academy from 1922 to 1923.
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In this article
Biography
Biography
During the 1920s his paintings, primarily portraits of working-class subjects, were influenced by the work of Otto Dix. Like his friend Gert Heinrich Wollheim, he often depicted himself in a theatrical manner, as in his Self-Portrait during the Carnival Season (1930). He had his first solo exhibition in 1930 at the Dresden gallery of Józef Sandel. He made his first etchings in 1933. Politically anti-fascist, he joined the German Communist Party in 1926, and was a founding member of the arts organization Assoziation revolutionärer bildender Künstler in Dresden in 1929. Following the fall of the Weimar Republic, Grundig was declared a degenerate artist by the Nazis, who included his works in the defamatory Degenerate Art exhibition in Munich in 1937. He expressed his antagonism toward the regime in paintings such as The Thousand Year Reich (1936). Forbidden to practice his profession, he was arrested twice—briefly in 1936, and again in 1938, after which he was interned in Sachsenhausen concentration camp from 1940 to 1944. In 1945 he went to Moscow, where he attended an anti-fascist school. Returning to Berlin in 1946, he became a professor of painting at the Dresden Academy of Fine Arts. In 1957 he published his autobiography, Zwischen Karneval und Aschermittwoch ("Between Shrovetide carnival and Ash Wednesday"). He was awarded the Heinrich Mann Prize in Berlin in 1958, the year of his death.
Hans Grundig studied at Dresden Academy of Fine Arts. The recorded working language is German. Subjects and genres recorded for the work are portrait. Employment is recorded with Dresden Academy of Fine Arts. Work by Hans Grundig is recorded in the collections of Hermitage Museum, Staatliche Kunstsammlungen Dresden, Neue Nationalgalerie, Gemäldegalerie Alte Meister and City Museum Bautzen. Distinctions recorded are National Prize of East Germany, Patriotic Order of Merit in Bronze and Heinrich Mann Prize.
Key facts
Key facts
• Name — Hans Grundig • Born — 19 February 1901 • Birthplace — Dresden, Saxony, Germany • Died — 11 September 1958 • Place of death — Dresden, Saxony, GDR (East Germany) • Occupation — painter Graphic artist • Political Party — KPD SED • Spouse — Lea Langer / Grundig (1906–1977)
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Stadtarchiv Dresden, Zivilstandsunterlagen der Stadt Dresden, Geburten 1876–1907, Ancestry
- 2.Vollmer 5 545 Grundig, Hans
- 3.Rosemarie Schuder: Vision eines Malers - Hans Grundig und das brennende Dresden, Freitag vom 10. Februar 1995, S. 13.
- 4.Simone Simpson: Zwischen Kulturauftrag und künstlerischer Autonomie. Dresdner Plastik der 1950er und 1960er Jahre. Vandenhoeck & Ruprecht, 2008, S. 34
- 5.Kunstausstellung Sächsische Künstler (28. März – 30. Juni 1946).
- 6.Verleihung des Heinrich-Mann-Preises 1958. In: Sinn und Form 2/1958, S. 336.
- 7.Bildindex der Kunst und Architektur; Bildende Kunst, Berlin, 12/58, S. 789 (Abbildung).
- 8.Datenbank zum Beschlagnahmeinventar der Aktion „Entartete Kunst“, Forschungsstelle „Entartete Kunst“, FU Berlin
- 9.In der Literaturzeitschrift Sinn und Form erschien 1985 der Abdruck eines Briefs von Rudolf Wunderlich (geb. 1912) vom 13.12.1957 an Grundig, in dem Wunderlich, der ein Mithäftling von ihm im KZ Sachsenhausen war, einige Darstellungen in Grundigs Autobiographie ergänzte und korrigierte. Der Antwortbrief von Hans Grundig vom 2.1.1958 ist ebenfalls abgedruckt. Briefwechsel Hans Grundig - Rudolf Wunderlich. In: Sinn und Form 3/1985, S. 536–545.
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