Guido Seeber
Illustration — Guido Seeber. • Illustration — Grave of Guido Seeber in Friedhof Heerstraße, Berlin-Westend Guido Seeber (22 June 1879 in Chemnitz – 2 July 1940 in Berlin) was a German cinematographer and pioneer of early cinema. Seeber's father, Clemens, was a photographer and therefore Seeber had experience with photography from an early age. In the summer of 1896, he saw the first films of the Lumière Brothers and became fascinated by this new technology.
Guido Seeber

Bundesarchiv, N 1275 Bild-289 / CC-BY-SA 3.0 · This image was provided to Wikimedia Commons by the German Federal Archive (Deutsches Bundesarchiv) as part of a cooperation project. The German Federal Archive guarantees an authentic representation · CC BY-SA 3.0 de
- Born
- 1879 · Chemnitz.
- Died
- 1940 · Berlin.
- Nationality
- German Reich
- Occupation
- cinematographer · filmmaker · designer · editor · inventor · writer · teacher · manufacturer
- Languages
- German
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Documentary summary
Illustration — Guido Seeber. • Illustration — Grave of Guido Seeber in Friedhof Heerstraße, Berlin-Westend Guido Seeber (22 June 1879 in Chemnitz – 2 July 1940 in Berlin) was a German cinematographer and pioneer of early cinema. Seeber's father, Clemens, was a photographer and therefore Seeber had experience with photography from an early age. In the summer of 1896, he saw the first films of the Lumière Brothers and became fascinated by this new technology.
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wikidata · Q86332 · wikipedia · Guido Seeber
In this article
Selected filmography
Selected filmography
He bought a film camera and devoted himself to the development of cinematography and of sound films. In 1908 he became technical manager of the film company Deutsche Bioscop and in 1909 directed his first film. His pioneering work as a cinematographer from this time on laid the foundations which other cameramen of German silent film such as Karl Freund, Fritz Arno Wagner and Carl Hoffmann were able to build. In addition to his technical talents with the camera (he developed several special effects techniques), his use of perspective and skillful contrasts between light and dark are noteworthy. His main collaborators were the directors Urban Gad, Lupu Pick, Georg Wilhelm Pabst und Paul Wegener and among his most important accomplishments are the shots of the Doppelgänger in Wegener's Der Student von Prag (The Student of Prague) of 1913 and the moving camera shots in the films of Lupu Pick, particularly Sylvester (1923), which can be seen as anticipating the so-called "unchained camera" of Friedrich Wilhelm Murnau's The Last Laugh (1924). Seeber created several animated works, including an advertisement entitle Kipho or Du musst zur Kipho (You Must Go to Kino-Photo) for a film and photography exhibition in Berlin in 1925. Seeber continued to work into the sound era, but his work from this period is less significant. He had suffered a stroke in 1932 and after this he largely retired from active camera operation. However, he continued to be involved in the film industry, taking over the management of UFA's animation department in 1935 and publishing several books for amateur filmmakers.
• The Traitress (1911) • Die Augen des Ole Brandis (1913) • The Wandering Image (1920) • Impostor (1921) • Fridericus Rex (1922) • Old Heidelberg (1923) • William Tell (1923) • Adam and Eve (1923) • The Hobgoblin (1924) • Countess Donelli (1924) • Garragan (1924) • Wood Love (1925) • In the Valleys of the Southern Rhine (1925) • Living Buddhas (1925) • Secrets of a Soul (1926) • A Girl of the People (1927) • Rhenish Girls and Rhenish Wine (1927) • Weekend Magic (1927) • Circle of Lovers (1927) • Robert and Bertram (1928) • Darling of the Dragoons (1928) • Give Me Life (1928) • The Insurmountable (1928) • Youth of the Big City (1929) • Gentlemen Among Themselves (1929) • The Black Domino (1929) • Tempo! Tempo! (1929) • Queen of Fashion (1929) • Hungarian Nights (1929) • Foolish Happiness (1929) • Danube Waltz (1930) • Storm in a Water Glass (1931) • The Woman They Talk About (1931) • My Heart Longs for Love (1931) • The Beggar Student (1931) • Peace of Mind (1931) • Three from the Unemployment Office (1932) • Distorting at the Resort (1932) • Two Lucky Days (1932) • Two Good Comrades (1933) • A Woman With Power of Attorney (1934) • Don't Lose Heart, Suzanne! (1935)
Life and career
Dated record
Life and career
The full dated record · 2 entries
1879
Guido Seeber born at Chemnitz.
1940
Guido Seeber died at Berlin.
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Chemnitz.
Birth place
Berlin.
Death place
Primary material
Documents and archives
scholarly publication
- 2. Modern Magicians: Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2021
Scholarly · Crossref registry · 2021
- Modern Magicians: Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2021
Scholarly · Crossref registry · 2021
- Modern Magicians: Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2025
Scholarly · Crossref registry · 2025
reference work
- Wikidata, structured authority record Q86332: Guido Seeber
Reputable secondary · Wikidata
- “Guido Seeber”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Literature
Literature
Literature
Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2021
Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2025
Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer's Kipho Film, October, 2010
Scholarly footprint
Literature
Scholarly footprint
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Notes from the source article
Cited by Wikipedia
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Bibliography printed in the source article · 3
- Herbst, Helmut. Drei Bildbeschreibungen und eine Liste. Der Filmpionier Guido Seeber. pp. 15–41 in C. Müller und H. Segeberg (ed.) Die Modellierung des Kinofilms. Munich, 1998.
- Stiftung Deutsche Kinemathek (publ.) Das wandernde Bild. Der Filmpionier Guido Seeber. Berlin, 1979.
- Castan, Joachim. Max Skladanowsky oder der Beginn einer deutschen Filmgeschichte., Stuttgart, 1995. . Highly interesting the relationship between Skladanowsky and Seeber.
References
Citations
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scholarly publication
2. Modern Magicians: Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2021Crossref registry
Institutional witnessscholarly publication
Modern Magicians: Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2021Crossref registry
Institutional witnessscholarly publication
Modern Magicians: Guido Seeber and Eugen Schüfftan, Special Effects and German Silent Film, 2025Crossref registry
Institutional witnessreference work
Secondary witnessreference work
Secondary witness
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