Lotte Herrlich
Lotte Herrlich (1883–1956) was a German photographer. She is regarded as the most important female photographer of the German naturism. This mainly was during the 1920s, in which the Freikörperkultur (Free Body Culture) was popular within Germany, before the Nazi Party assumed power (1930s), promptly prohibiting it.
Also recorded as Lotte Olga Clara Katharina Herrlich
Lotte Herrlich
Udo Grimberg · Foto: Udo Grimberg, Lizenz: Creative Commons by-sa-3.0 de · CC BY-SA 3.0 de
- Name
- Lotte Herrlich
- Birth Name
- Olga Clara Katharina Herrlich
- Born
- 1883
- Birthplace
- Chemnitz, German Empire
- Died
- 1956
- Place of death
- Eutin, West Germany
- Field
- Photography
- Movement
- Freikörperkultur
- Nationality
- Germany
- Occupation
- photographer
- Fields
- photography · portrait photography · nude
- Languages
- German
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Documentary summary
Lotte Herrlich (1883–1956) was a German photographer. She is regarded as the most important female photographer of the German naturism. This mainly was during the 1920s, in which the Freikörperkultur (Free Body Culture) was popular within Germany, before the Nazi Party assumed power (1930s), promptly prohibiting it.
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wikidata · Q109207 · wikipedia · Lotte Herrlich
In this article
Key facts
Key facts
• Name — Lotte Herrlich • Birth Name — Olga Clara Katharina Herrlich • Born — 1883 • Birthplace — Chemnitz, German Empire • Died — 1956 • Place of death — Eutin, West Germany • Field — Photography • Movement — Freikörperkultur
Life
Life
• Illustration — Lotte Herrlich's grave Lotte Herrlich was born as Olga Clara Katharina Herrlich, at Chemnitz, in 1883. She spent most of her life in Hamburg. Lotte Herrlich began in photography after her son Rolf was born. She started doing family photographs and child portraits for a pastime. Then she continued her self-taught art with portraits and landscapes, nevertheless Lotte found herself particularly engrossed through the years, for portraying the physical development of her son with a collection of naturist photographs. Lotte Herrlich's intense interest of naturistic photography so awoke. Such work was discovered by the Naturistenzeitschrift Die Schönheit (The Beauty, nudist magazine), and it then published Lotte Herrlich's ensuing production: a thousand photographs of children, nine hundred of poses, and still some photographs of landscapes too. Lotte Herrlich shot her naturist and conventional studio photographs mostly within two improvised rooms inside her small home of Hamburg, exploiting lighting and simple furniture, and so portraying the nude bodies, which were mostly of female models. The poses always were calm, ordinary-world scenes, whereas the models seemed resting, instead of posing. Karl Toepfer wrote: "In her interior shots, Herrlich avoided altogether the secretive atmosphere of the studio, the pose, and the cosmetic artifice, with the result that the naked body appeared as an extension of nature into the timeless bourgeois home." Lotte Herrlich's naturism belonged amongst the Freikörperkultur (Free Body Culture, FKK) movement. Such nudity ideals were quite popular particularly in Germany, with its many associations, although this would last until about 1933, when the assuming Nazi regime dissolved them. Until then, Herrlich's work was featured in short lived magazines; Mann Und Weib (Man and woman) and Urania are examples. Her books of naturism were published mainly during the 1920s. The physical development of her son Rolf was captured in thirty pictures that were also published in the 1920s. He would become a professional photographer of nudism too. The two volumes of Seliges Nacktsein (1927) are collection of adolescent nudes. Alessandro Bertolotti wrote: "The cover of the second volumes shows a boy and two girls, hand in hand and dancing a joyful farandole, suggesting – by fluid, undulating outlines similar to those of the bacchic dancers of Jugendstil – the ideal of a fraternal friendship in perfect accord with German sensibility". Lotte Herrlich's production was broader actually, producing other conventional portraits, of clad people, landscapes, domestic animals, and even dolls, and her work can be found in publications of even after the Second War. Particularly, since the 1930s and until the end of her professional career Lotte Herrlich photographed nude children (Kinderkarte), mainly for divers collections of postcards (Kinderköpfe), whose printing was resumed after the war, during the 1950s. Lotte Herrlich died at Eutin, in 1956.
Selected works
Selected works
• "Edle Nacktheit" (1920). Twenty pictures of nude women. • "Rolf" (1924). Thirty shots of Lotte Herrlich's growing son. • "Neue Aktstudien" (1924). Twelve pictures of naturism. • "Seliges Nacktsein" (1927). • "Der schöne nackte Mensch, Bd. 1: Das Weib" (The beautiful naked person, vol 1: The woman. 1928). • "Der weibliche Akt" (1928). Pictures of women.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1883
Lotte Herrlich was born on 1 January 1883.
1956
Lotte Herrlich died on 1 January 1956.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
- Hamburg
Named but not plotted · 2
Chemnitz.
Birth place
Eutin.
Death place
Primary material
Documents and archives
reference work
- “Lotte Herrlich”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q109207: Lotte Herrlich
General reference · Wikidata
References
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References
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reference work
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General reference
People, houses and institutions
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People, houses and institutions
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Born at
1- ChemnitzPlace
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Further particulars
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Further particulars
Open the remaining particulars
Identity and origins. The authorities additionally record the heading Lotte Olga Clara Katharina Herrlich. Her recorded language was German.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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