Gottfried Heinrich Stölzel

• Illustration — Court chapel of Friedenstein Palace, where, from late 1719, most of Stölzel's sacred music was first performed • Illustration — Court chapel of Sondershausen Palace According to an 18th-century source Stölzel would have composed eight double cantata cycles. Stölzel composed twelve complete annual cycles of sacred cantatas, which amounts to 1,358 cantatas. 1,215 of these are at least partially extant, 605 surviving with music. Additionally, Stölzel set cantatas to secular texts. Among his extant compositions are a Brockes Passion of 1725, two Christmas Oratorios, made of cantatas, and a Deutsche Messe (German Mass), a Lutheran Mass consisting of Kyrie and Gloria, in German, set for four-part choir, strings and basso continuo. Extant instrumental works include four concerti grossi, many sinfonias, and a concerto for oboe d'amore. He also wrote for organ and harpsichord. His five operas, Diomedes (1718), Narcissus, Valeria, Artemisia, and Orion, have not survived. Stölzel is reputed to have composed over 18 orchestral suites alone (none survive), as well as 90 serenatas (vocal pieces performed as "table music"). Half of Stölzel's output, never engraved, is lost. Out of what had to have been thousands of compositions in Gotha, only twelve manuscripts survive there today. The archive at Schloss Sondershausen retains many of his manuscripts, found in a box behind the organ in 1870.

Georg Pölchau collected manuscripts of Stölzel's music, many of these ending up in the Berlin State Library. Pölchau edited Stölzel's Missa canonica for thirteen real voices for publication in 1818. Pölchau offered a copy of this edition to Carl Friedrich Zelter, leader of the Sing-Akademie zu Berlin. In 1832 Pölchau published a selection of Stölzel's choral music. In the first half of the 19th century one of Stölzel's masses was copied by Johann Gottfried Schicht, and, with the orchestral part arranged for organ by Carl Ferdinand Becker, performed in Leipzig. Becker also arranged some of Stölzel's music for organ solo. The pieces from the Anna Magdalena and Wilhelm Friedemann Bach notebooks, "Bist du bei mir" and Partita di Signore Steltzeln, were published by the Bach Gesellschaft in the second half of the 19th century. Stölzel's solo cantata Die Rose bleibt der Blumen Königin was published in 1884. Arnold Schering published Stölzel's Concerto Grosso a quattro Chori in 1907. The aria BWV 200 was first published, as a composition by Johann Sebastian Bach, in 1935. The trio sonata in F minor for 2 violins or oboes and basso continuo was published in 1937. In 1938 Wolfgang Schmidt-Weiss wrote a thesis about Stölzel's instrumental music, which was published as a book in 1939. The 1940s and 1950s saw a number of score publications: • In 1942 a trio sonata for flute, violin and continuo was published. • In 1948 Merseburger published the cantata Aus der Tiefe rufe ich (H. 442). • A Sonata for oboe, horn, violin and continuo was published around 1952. • The Concerto for Oboe, strings & continuo in D major was published in 1953, with a piano reduction by G. Müller. • Hans Albrecht prepared the Christmas cantata Kündlich gross ist das gottselige Geheimnis for publication in 1953, and edited the chorale and aria Lob und Dank for publication in 1954. • A trio sonata for Flute, Violin and Harpsichord was published in 1955. • Around the mid-1950s Josef Bachmair edited two trio sonatas for two violins and continuo: the Sonata V and the Sonata in B-flat major. • Around the same time Gotthold Frotscher published the trio sonatas in D major for flute, violin and continuo, and in G major for two flutes and continuo. The New Bach Edition republished the three Bach-related pieces in the second half of the 20th century. The Concerto for Oboe and Violin in F major was published in 1963. In the 1970s Jean Thilde published, in a series named after Maurice André, several compositions of the baroque era in an arrangement for trumpet, including, by Stölzel, the D major oboe concerto (1972), the F major double concerto (in 1975 with a piano reduction of the orchestral material and in 1976 with the orchestral score), a sonata in D major after the "Sonata V" for two violins (1976), a concertino in E minor (1976), a concerto in C (1976), and a concerto in B-flat (1976). In 1965 Fritz Hennenberg wrote a two-volume thesis about Stölzel's cantatas. In 1976 an updated version of that thesis was published in one volume as Das Kantatenschaffen von Gottfried Heinrich Stölzel. An Urtext edition of the G minor Oboe Concerto was published in 1979. The cantata Ich bin beide was published in 1981. Stölzel's O wie ist die Barmherzigkeit des Herrn so groß was published in 1989. Two sonatas, Nos. 3 and 4 of the eight sonatas à quattro for oboe, violin, horn and basso continuo collection, were published in 1993. Hofmeister published the fifth Sonata à Quattro for oboe, violin, horn and basso continuo in 2001. Stölzel's Ave Regina, Sind wir denn Kinder, Ehre sei Gott, and a new edition of the 1725 cantata Kündlich groß ist das gottselige Geheimnis were published in 2003. Stölzel's 1725 setting of the Brockes-Passion was also published in the first decade of the 21st century. The 1772 St. John Passion pasticcio which included four movements by Stölzel was published as Vol. 7.1 in Series IV of C. P. E. Bach's complete works. The German Te Deum was published in 2010. In the 21st century facsimiles of large portions of Stölzel's work became available on websites such as those of the Berlin State Library and the Saxon State and University Library Dresden.

Stölzel enjoyed an outstanding reputation in his lifetime. Shortly after his death some of his compositions were still performed, and Friedrich Wilhelm Marpurg rated him slightly above Bach in his list of prominent composers of the 18th century. By the 19th century he was largely forgotten. From the second half of the 20th century there was an increase of musicological research about the composer, and recordings of his work.

The vocal music that was published as part of the Bach legacy is frequently recorded: • "Bist du bei mir" is by far Stölzel's most often recorded piece of music. • BWV 200 has been recorded over 20 times since 1951. Dietrich Fischer-Dieskau recorded the cantata Aus der Tiefe rufe ich, Herr, zu Dir, H. 442, in the early 1950s, and again, for Deutsche Grammophon, in 1965. Erik van Nevel, conducting the Ricercar Consort, recorded this cantata in 1991. Günter Wand recorded the Concerto grosso a quattro chori in 1956. Carl Schuricht's performance of the work at the Salzburger Festspiele was recorded in 1961. Maurice André performed the D major Oboe Concerto as a trumpet concerto, and recorded it several times, for example in the 1960s for Philips, in 1977 with the English Chamber Orchestra conducted by Charles Mackerras, and in 1983 with the Academy of St. Martin-in-the-Fields conducted by Neville Marriner. In 1971 he recorded Stölzel's Concerto Grosso a Quatri Chori with five other trumpetists, Pierre Pierlot on the oboe and the Jean-François Paillard Chamber Orchestra conducted by Philippe Caillard. In 1980 André recorded the Sonata in D major, reconstructed and orchestrated by Thilde after Stölzel. André Bernard's recording of the D major trumpet concerto appeared in 1973. The Ricercar Consort recorded and released the Sonata à 4 of the Brussels Conservatory in 1988. Stölzel's Brockes Passion, in a performance conducted by Ludger Rémy, was recorded in 1997. Rémy also recorded ten (half) cantatas from the Christmas season 1736–37 in Sondershausen, released as Christmas Oratorio on two CDs: • CD 1 (recorded May 1999): • for the first day of Christmas: • Ach, dass die Hülfe aus Zion über Israel käme • Ehre sei Gott in der Höhe • for the second day of Christmas: • Ich sehe den Himmel offen • Ihr sollt nicht wähnen • for the third day of Christmas: • Kündlich gross ist das gottselige Geheimnis • CD 2 (recorded January 2000): • for the Sunday after Christmas: • Das Alte is vergangen • Das Ende eines Dinges ist besser denn sein Anfang • for New Year's Day: • Alles, was ihr tut mit Worten oder Werken • for Epiphany: • Danksaget dem Vater • Wir haben ein festes prophetisches Wort Rémy's recordings of the 16 chamber cantatas H. WK A 12–27 were released on two CDs, in 2002 and 2004 respectively. C. P. E. Bach's 1772 Johannes-Passion pasticcio, containing some movements by Stölzel, was recorded in 2003. Rémy's Cantatas for Pentecost CD was released in 2004, containing: • Three double cantatas for the Pentecost season of 1737: • Werdet voll Geistes • Siehe da, eine Hütte • Wollte Gott, dass alle das Volk • Daran ist erschienen die Liebe • So denn ihr, die ihr arg seid • Lehre mich tun nach deinem Wohlgefallen • Cantata Er heisset Friedefürst for Quasimodogeniti Sunday 20 April 1732 Two CDs recorded by the Handel's Company conducted by Rainer Johannes Homburg contained the Epistle cantatas and the Gospel cantatas of the 1728 Christmas Oratorio respectively, along with a selection of other works by Stölzel: • Epistle Cantatas CD (released 2005): • Epistle cantatas from the 1728 Christmas Oratorio: • Das Volk, so im Finstern wandelt • Ich sehe den Himmel offen • Wenn dein Wort offenbar wird • Other works included in the recording: • Concerto for Oboe, Strings and Basso Continuo in D major • Deutsche Messe • Cantata Kündlich groß ist das gottselige Geheimnis • Gospel Cantatas CD (released 2007): • Te Deum • Gospel cantatas from the 1728 Christmas Oratorio: • Euch ist heute der Heiland geboren • Denen zu Zion wird ein Erlöser kommen • Herr, du weissest alle Dinge • Cantata Gehet zu seinen Toren ein for New Year Rémy recorded the serenatas Alles, was sonst lieblich heisset (H. WK A 7) and Seid wilkommen, schöne Stunden (H. WK A 11) in 2007. The first decade of the 21st century saw new recordings, and reissues of older recordings, of the Concerto grosso a quatro chori and of the Trumpet Concerto in D major. Lajos Lencsés recorded Stölzel's oboe concerto in G minor in 2008. The nine Quadros (Sonatas à 4) for oboe, horn, violin and continuo were recorded in 2008. A recording of the version for two trumpets of the F major concerto was released in 2015. Chamber music for string instruments and continuo was recorded in 2009: • Sonata in C minor for two violins and basso continuo • Sonata a 4 in G major for violin, viola, violoncello and basso continuo • Sonata in B flat major for two violins and basso continuo • Quadro in E minor for two violins, violoncello and basso continuo • Sonata in D major for two violins and basso continuo • Sonata in E minor for two violins and basso continuo • Quadro in G major for two violins, violoncello and basso continuo The Partia di Signore Steltzeln has been recorded, with inclusion of Bach's Trio BWV 929, on harpsichord, piano and organ. The Enharmonische Claviersonate has been recorded on harpsichord.