Godfred Christensen
Illustration — Godfred Christensen • Illustration — Landscape with View of the Inlet at Vejle (1896) Polycarpus Godfred Berry Wildenradt Christensen (23 July 1845, Copenhagen - 15 November 1928, Copenhagen) was a Danish landscape painter.
Also recorded as Polycarpus Godfred Benjamin Christensen · Polycarpus-Godfred-Benjamin-Wildenradt Christensen · Polycarpus Godfred Berry Wildenradt Christensen
Godfred Christensen

Vilhelm Tillge · Royal Library, Copenhagen · Public domain
- Born
- 1845 · Copenhagen.
- Died
- 1928 · Copenhagen.
- Nationality
- Kingdom of Denmark
- Occupation
- painter
- Education
- Royal Danish Academy of Fine Arts
- Teachers
- F.C. Kiærskou
- Honours
- Knight of the Order of the Dannebrog
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Godfred Christensen • Illustration — Landscape with View of the Inlet at Vejle (1896) Polycarpus Godfred Berry Wildenradt Christensen (23 July 1845, Copenhagen - 15 November 1928, Copenhagen) was a Danish landscape painter.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Godfred Christensen. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q4993057 · wikipedia · Godfred Christensen
In this article
Biography
Godfred Christensen studied at Royal Danish Academy of Fine Arts. Training under F.C. Kiærskou is recorded. Places of work recorded in the authority are Copenhagen. Work by Godfred Christensen is recorded in the collections of Statens Museum for Kunst and Hirschsprung Collection. Distinctions recorded are Knight of the Order of the Dannebrog.
Christensen was born Copenhagen, the son of Mads Christensen and Anna Kirstine Wissing. After a short time at the Copenhagen Technical College, he enrolled at the Royal Danish Academy of Fine Arts and studied there until 1867. He also took lessons from the landscape painter F.C. Kiærskou and, in 1865, was awarded the Neuhausen Prize (De Neuhausenske Præmier) for his painting A Freestanding Beechwood. A trip to Paris in 1869 exposed him to the influence of the Barbizon school. Later, he would be regular guest at the Academy of Vilhelm Kyhn. In 1870, the Academy awarded him the Sødring Prize (Den Sødringske Opmuntringspræmie), established in 1862 by the bequest of Frederik Sødring, (1809–1862) which he used to pursue his studies in North Zealand. The following year, he received the Neuhausen Prize again for one of the paintings he produced there: Landscape with Lush Foreground. This honor resulted in a travel stipend from the Academy that enabled him to visit Germany and Italy, beginning in 1873. Upon his return in 1875, he held an exhibition of works he had created in Capri and Rome. This was followed by trips to Switzerland and the Pyrenees, where he tried his hand at rendering mountainous landscapes. Later, in Denmark, he would create landscapes and seascapes. After 1880, he remained in Denmark. In 1881, he became a member of the Academy and, in 1882, married Johanne Louise Sødring (1854-1933), daughter of Christopher Hansen Sødring and Julie Weber Rosenkilde. He became a Titular Professor in 1888 and appointed Knight of the Order of the Dannebrog in 1892.
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
Elsewhere in Paintings
18,623 published records in this field, each with its sources named.
- GnosisArtist
- Gôbara KotôArtist
- Godawari DuttaArtist
- Godela HabelArtist
- Godfrey BlowArtist
- Godfried GuffensArtist
- Godfried MaesArtist
- Godfried SchalckenArtist
Best supported in this field
For owners
Own a work by Godfred Christensen?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.