Giuseppe Servolini
Giuseppe Servolini, also known as Sorbolini (1748–1834) was an Italian painter active mainly in Florence. There are works by Servolini in the church of Santa Maria Maddalena dei Pazzi. He frescoed a Madonna, child, and St John the Baptist for the Oratory of the Confraternita Di San Niccolò Del Ceppo in Florence.
Giuseppe Servolini
After Giuseppe Servolini · Royal Collection RCIN 613903 · Public domain
- Born
- 1748
- Died
- 1834
- Occupation
- painter
Encyclopédie VALÉORINE
Le dossier documentaire
Chaque énoncé est lu dans les notices d’autorité des institutions nommées. Choisissez « Preuve » à côté d’un énoncé pour voir la notice d’où il est tiré, l’endroit précis et la date de lecture.
Giuseppe Servolini (1748 – 1834) figure comme peintre dans les notices d'autorité de la Deutsche Nationalbibliothek.
Vie
Giuseppe Servolini naquit en 1748 à Florence et mourut en 1834 à Florence.
Institutions citées
Deutsche Nationalbibliothek
Non précisé par les sources citées: nationalité
Chaîne de lecture complète (JSON)Reference Check
Propose documentary evidence for Giuseppe Servolini. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
Documentary evidence
Documentary basis
Authority files
wikidata · Q21055375 · wikipedia · Giuseppe Servolini
In this article
Biography
He became a professor at the Accademia del Disegno in Florence in 1791. He painted a wooden crucifix for the church of Santa Felicita, Florence, He also frescoed the Pompeian rooms in the first floor of the Palazzina Reale delle Cascine in Florence. Along with the painter Giovanni Orlandini, he helped redecorate (repainting) the mosaic interior of the Baptistery of Florence in 1782.
Identificatie Titel(s): Portret van Marie Louise, prinses van Spanje
Carlo Faucci / Giuseppe Servolini
Cathedral (Arezzo) - Interior
Sailko
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Giuseppe Servolini, revision 1365090362 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Federigo Fantozzi. Nuova guida ovvero descrizione storico-artistico-critica della città e contorni di Firenze. Ducci. 297. 1847.
- 2.Miklós Boskovits. The Mosaics of the Baptistery of Florence. Giunti. 32. 2007.
- 3.H. C. Wilson. A new guide of Florence and its vicinity: with excursions to Fiesole. A. Bettini. 99. 1857.
- 4.Giovanni Batta Befani. Memorie storiche dell'antichissima Basilica di San Giovanni Battista di Firenze. Tip. della Pia Casa di Patronato. 210. 1884.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 21 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Giuseppe SantiArtist
- Giuseppe SartoriArtist
- Giuseppe Sauli D'IglianoArtist
- Giuseppe SciutiArtist
- Giuseppe SimonelliArtist
- Giuseppe SogniArtist
- Giuseppe TominzArtist
- Giuseppe TrescaArtist
Best supported in this field
For owners
Own a work by Giuseppe Servolini?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.