Giuseppe Costa
Illustration — Giuseppe Costa (date unknown) • Illustration — Necessity and Modesty Giuseppe Costa (6 April 1852, Naples, Kingdom of the Two Sicilies – 9 February 1912, Naples) was an Italian painter; primarily of portraits and genre scenes.
Giuseppe Costa

Giuseppe Costa (1852 - 1912) · Bonhams gallery - uploaded by 0x010C · Public domain
- Born
- 1852 · Naples.
- Died
- 1912 · Naples.
- Nationality
- Kingdom of the Two Sicilies · Kingdom of Italy
- Occupation
- painter
- Fields
- genre · portrait
- Education
- Accademia di Belle Arti di Napoli
Reference Check
Propose documentary evidence for Giuseppe Costa. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q23584291 · wikipedia · Giuseppe Costa
VALÉORINE Encyclopedia
The documentary record
Statements marked “Documentary record” are set in the article beside the passage they confirm. Each is read from the authority records of the institutions named here; select “Prove” to see the record it was read from, where in that record, and when.
Institutions cited
Getty Union List of Artist Names
Complete reading chain (JSON)In this article
Life and work
Giuseppe Costa studied at Accademia di Belle Arti di Napoli. Subjects and genres recorded for the work are genre and portrait. Places of work recorded in the authority are Naples. Work by Giuseppe Costa is recorded in the collections of Musée d'Orsay and Galleria dell'Accademia.
When he was still young, his family moved to Chieti, where he took some private painting lessons. Later, he returned to Naples and enrolled at the Accademia di Belle Arti, where his primary instructor was Domenico Morelli. He also studied portrait painting with Achille Talarico. Beginning in 1875, he held numerous showings at the "Società Promotrice di Belle Arti". He would continue to exhibit there until 1885. He was also a participant in the National Expositions of Milan (1880) and Naples (1906). His final showing was in 1911. Some of his works were purchased by Kings Umberto I and Victor Emmanuel III. He is largely remembered for his genre scenes, including The Userer and His Victims, Two Orphan Girls, Distraction, After Work, Innocuous Love and Necessity and Modesty. Many of his works are preserved at the Galleria dell'Accademia (Napoli).
Documentary record
Giuseppe Costa (1852 – 1912) was an artist. Both events are recorded by the Getty Union List of Artist Names.

Giulio Lepidi-Chioti fu mecenate di artisti e pittori tra cui Giuseppe Costa
Vitadiarte

Necessity and Modesty
Giuseppe Costa · Invaluable
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Giuseppe Costa, revision 1365098061 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Società promotrice di belle arti "Salvator Rosa" Napoli. La Società promotrice di belle arti Salvator Rosa, 1861-1961: Napoli, Padiglione pompeiano, Villa comunale. L'arte tipografica. 1961.
- 2.Società Promotrice di Belle Arti in Napoli. Catalogo degli oggetti d'arte ammessi alla 12ª esposizione aperta il di 14 marzo 1875 nelle sale di S. Domenico Maggiore. stab. tip. del cav. G. De Angelis. 1875.
- 3.Società Promotrice di Belle Arti in Napoli. Catalogo delle opere d'arte ammesse alla 13ª Esposizione aperta il di 16 aprile 1876 nelle sale terrene del R. Istituto di Belle arti. De Angelis e figlio.
- 4.Società Promotrice di Belle Arti in Napoli. Catalogo delle opere d'arte ammesse alla 17ª esposizione, aperta il di 10 aprile 1881 nelle sale del Museo Artistico Industriale. tip. G. de Angelis e f. 1881.
- 5.Società promotrice di belle arti Salvator Rosa. Catalogo delle opere d'arte ammesse alla 21ª esposizione aperta il di 19 aprile 1885 nelle sale della Società. G. De Angelis. 1885.
- 6.cita Galleria dell'Accademia p. 106, tav. LXXXIV .
- 7.cita Patrizia Tosini p. 104 .
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 25 August 2026.
Elsewhere in Paintings
19,456 published records in this field, each with its sources named.
- Giuseppe CaminoArtist
- Giuseppe CanellaArtist
- Giuseppe CasciaroArtist
- Giuseppe CaselliArtist
- Giuseppe CrestadoroArtist
- Giuseppe DallamanoArtist
- Giuseppe De SanctisArtist
- Giuseppe DiottiArtist
Best supported in this field
For owners
Own a work by Giuseppe Costa?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.