Girolamo P. Nerli

Grace Joel and Jane Eyre are recorded as having studied under Girolamo P. The field of work recorded is painting. Work by Girolamo P. Nerli is recorded in the collections of National Gallery of Victoria, Auckland Art Gallery, National Galleries Scotland, Art Gallery of New South Wales and Museum of New Zealand Te Papa Tongarewa.

• Name — G. P. Nerli • Birth Name — Girolamo Pieri Pecci Ballati Nerli • Born — 12 February 1860 • Birthplace — Siena, Italy • Died — 24 June 1926 • Known for — Painting

Born in Siena in Italy to an Italian aristocrat, Marchese Ferdinando Pieri Pecci Ballati Nerli, his full name was Girolamo Pieri Pecci Ballati Nerli. The fourth of six children, he was not a 'Marchese' as he was sometimes styled, or a 'Count', but a 'patrizio di Siena', a minor distinction marking the great antiquity of his family. His father married Henrietta Medwin, an Englishwoman. Her father Thomas Medwin was a minor literary figure in Byron's circle; Medwin was a second cousin on both parents' side of Shelley. Girolamo studied art in Florence under Antonio Ciseri and Giovanni Muzzioli and was a younger member of the Italian Macchiaioli school, the 'patch painters', an Italian movement anticipating French impressionism. • Illustration — Street scene on a rainy night, c. 1889 He migrated to Australia in 1885, first settling in Melbourne, where he shared a studio with fellow Italian Ugo Catani and the Portuguese-born Artur Loureiro. Upon relocating to Sydney in 1886, Nerli exhibited with the Art Society of New South Wales (ASNSW). He caused a sensation there later that year with his exhibition of paintings of bacchanalian orgies, and at an 1888 show his portrait of actress Myra Kemble attracted much attention. The free brushwork and unfinished appearance of his works were as exciting to connoisseurs as the subjects were to the general public. Nerli also joined the ASNSW's en plein air sketch club. It was likely through this club that he met the young painter Charles Conder, who was later acknowledged as having been influenced by Nerli's style. Conder subsequently became a leading member of the impressionistic Heidelberg School movement alongside Tom Roberts and Arthur Streeton. The degree to which Nerli influenced the movement as a whole is a matter of contention, but his "delicacy of touch, decorative placement, and choice of subject matter" were shared by Conder and Streeton in particular, and he is known to have visited their "artists' camps" in both Melbourne and Sydney. Late in 1889 he went to Dunedin in New Zealand for the New Zealand and South Seas Exhibition where he encountered the artist Alfred Henry O'Keeffe. He went back to Australia in 1890. • Illustration — Portrait of Robert Louis Stevenson, 1892 In 1893 Nerli returned to Dunedin where he set himself up as a private art teacher. 'Signor Nerli' remained in the city just over three years bringing, new vigour to the circle presided over by W.M. Hodgkins and a cosmopolitan glamour to Dunedin's second, bohemian circle of younger painters. He taught Frances Hodgkins, inspired O'Keeffe and reportedly had an affair with Grace Joel, a young woman artist he may also have known in Melbourne. In 1893 Nerli was elected to the council of the Otago Art Society and in 1894 set up the Otago Art Academy with J.D. Perrett and L.W. Wilson in Dunedin's Octagon. Its life classes employing a professional nude model were so successful that the government run Dunedin School of Art had to hire Nerli for the same purpose. It seems this was the means by which painting from the nude was inaugurated at the school. Late in 1896 Nerli left Dunedin suddenly, stayed briefly in Wellington and went on to Auckland. He opened a studio there and exhibited at the Auckland Society of Arts in April 1897. He then eloped with Marie Cecilia Josephine Barron whom he married in Christchurch New Zealand, in March 1898. She was a Spinster of 23, and he said he was a Bachelor and Artist of 38; he gave his name as Girolamo Pieri Ballati Pecci Nerli, but the surname in the index was "Pecci". The couple immediately sailed for Australia settling first in Sydney and then Melbourne. Nerli and his wife returned to Europe in 1904 where the artist spent the rest of his life, struggling against declining fortunes, between London and Nervi, Genoa in Italy. He died childless in Nervi on 24 June 1926.

• Works in the collection of the Museum of New Zealand Te Papa Tongarewa • Illustration — The voyagers • Illustration — An old woman (study) • Illustration — Market day in Rome • Illustration — Girl in sunbonnet • Illustration — Untitled (Bay landscape)