Giovanni Pietro Gnocchi
Giovanni Pietro Gnocchi was an Italian painter, active during the late 16th century in Lombardy in a late-Renaissance or Mannerist styles.
Giovanni Pietro Gnocchi

Bibliothèque nationale de France · Public domain
- Born
- 1550 · Milan.
- Died
- 1609
- Occupation
- painter
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wikidata · Q19904090 · wikipedia · Giovanni Pietro Gnocchi
In this article
Biography
Biography
He was born in Milan, and a pupil of Aurelio Luini. His altarpiece depicting the Madonna and child with Saints Margherita d'Antiochia, Sant'Ambrogio (?), San Domenico, Santa Liberata e Santa Faustina is in the Museo Civici of Como. He was active in Como in 1577–1579.

Chapel of Saint Christopher (1587), the fourth one on the right side, in the Basilica of S. Vittore al Corpo (Milan, Italy). Photo by Giovanni Dall'Orto, June 12 2026.
Giovanni Dall'Orto

Chapel of Saint Christopher (1587), the fourth one on the right side, in the Basilica of S. Vittore al Corpo (Milan, Italy). Photo by Giovanni Dall'Orto, June 12 2026.
Giovanni Dall'Orto
Life and career
Dated record
Life and career
The full dated record · 2 entries
1550
Giovanni Pietro Gnocchi born at Milan.
1609
Giovanni Pietro Gnocchi died.
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Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Giovanni Pietro Gnocchi, revision 1370412658 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
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