Gaetano Gandolfi

Gaetano and his older brother Ubaldo were among the leading artists in Italy during their lifetime. This reputation was earned by the excellent quality of their work, which lead to numerous major commissions from courts all over Europe.[1]

Training under Felice Torelli is recorded. Pietro Bettelini is recorded as having studied under Gaetano Gandolfi. The recorded working language is Italian. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Bologna. Works named in the authority record are Allegory of Justice. Work by Gaetano Gandolfi is recorded in the collections of Städel Museum, Museo del Prado, Art Institute of Chicago, The Nelson-Atkins Museum of Art and Finnish National Gallery.

Gaetano was born in San Matteo della Decima, near Bologna on an estate in the Po Valley that his father managed on behalf of a landowner. He followed in the footsteps of his older brother, Ubaldo, and enrolled at the Accademia Clementina in Bologna, where he won several prizes for portraiture and sculpture.[2] The Gandolfi family produced a number of prominent artists, including Gaetano's older brother, Ubaldo and his sons Giovanni Battista and Ubaldo Lorenzo, as well as his own son Mauro and grandchildren Democrito (who was a pupil of Antonio Canova) and Clementina. The Gandolfi family are considered to be the last representatives of the grand manner of the Bolognese school of painting, which had established itself almost two centuries earlier with the group of painters trained by the Carracci.The Bolognese school of painting focused on realistic depictions of human anatomy and drawing from live models.[3] • Illustration — Allegory of Beauty In his autobiography, Gaetano claimed Felice Torelli (1667–1748) as his master. Other sources mention Ercole Graziani the Younger (1688–1765) and Ercole Lelli. These masters instilled in Gaetano the importance of anatomical precision in his works. He travelled to England in 1788. Tiepolo and the original style of his older brother Ubaldo were important influences on his work. Later in his career, Gaetano's art became increasingly neoclassical. At this time, both stylistically and thematically, he seemed well acquainted with the work of Corrado Giaquinto and the artistic currents in France in the 1760s. Gaetano died in Bologna, playing pétanque on the grounds of the church of Sant'Egidio, probably of a heart attack. There is another tradition which claims he was hit in the head by a bullet. Among his pupils was Serafino Viani from Reggio.[4]

• Illustration — The Marriage at Cana, 1766, Walters Art Museum, Baltimore • Illustration — Liberation of St Peter, c. 1770, Yale University Art Gallery, New Haven • Illustration — Judgement of Solomon, mid-1770s • Illustration — Bust portrait of a young woman with her hair up, 1777 • Illustration — Bust of bearded old man with bowed head, 1777 • Illustration — Joseph's Dream, c. 1790 • Illustration — Reclining Male Nude, 1750, Cleveland Museum of Art

Today, Gaetano's work is held in the permanent collections of several museums worldwide, including the Cooper Hewitt,[5] the Detroit Institute of Arts,[6] the Norton Museum of Art,[7] the Snite Museum of Art,[8] the University of Michigan Museum of Art,[9] the British Museum,[10] the LACMA,[11] the Museum of Fine Arts, Budapest,[12] the Toledo Museum of Art,[13] the Victoria and Albert Museum,[14] and the Clark Art Institute.[15]