Fuyuhiko Kitagawa
松本政利 · 映画評論(1941年4月号) · Public domain
- Born
- 1900 · Shiga Prefecture.
- Died
- 1990
- Nationality
- Japan · Empire of Japan
- Occupation
- poet · film critic · journalist · writer · novelist
- Education
- University of Tokyo
- Languages
- Japanese
In this article
Key facts
• Name — Fuyuhiko Kitagawa • Born — 1900 7 3 • Birthplace — Shiga • Died — 1990 4 12 • Resting Place — Tama Cemetery • Occupation — Poet, film critic Fuyuhiko Kitagawa (3 July 1900 – 12 April 1990) was a Japanese poet and film critic. His real name was Tadahiko Taguro. While born in Shiga Prefecture, he was raised in Manchukuo in China due to his father's work on the South Manchurian Railway, and then graduated from Tokyo University. He began publishing his own poetry in Manchukuo in 1924 and his work was influenced by that colonial context. His work was praised by Riichi Yokomitsu, and he became a prominent figure in modernist poetry in Japan, pursuing especially prose poetry. Culver describes Kitagawa as instrumental in the early history of Surrealism in Japan through his Japanese translation of Andre Breton's first Manifesto of Surrealism, which appeared in 1929 in Shi to shiron (詩と詩論), nos. 4–5. Kitagawa was also a well-known film critic, one who especially praised the work of Mansaku Itami (the father of Juzo Itami), calling it a new, realistic "prose cinema" (sanbun eiga) in opposition to the old "poetic cinema" (inbun eiga) of Sadao Yamanaka, Daisuke Itō, and others. He was a champion of neorealism in the postwar era. He was a standard-bearer of the Scenario-Literature-Movement. He, Shuzo Takiguchi, Akira Asano and other members formed a group called 'Ten Scenario-Researchers'. They advocated the movement from a standpoint considering a scenario a literary genre.

北川冬彦(『現代日本詩人全集』)
『現代日本詩人全集: 全詩集大成 第8巻』東京創元社、1954年1月30日
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The biographical narrative on this page is based on the Wikipedia article Fuyuhiko Kitagawa, revision 1370845657 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
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Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Omura, Daiju. 北川冬彦. 歴史が眠る多磨霊園 (Tama Cemetery, where history rests).
- 2.Gardner, William O. Colonialism and the Avant-Garde: Kitagawa Fuyuhiko's Manchurian Railway. Stanford Humanities Review. 7. 1. 1999.
- 3.Kodansha. Kitagawa Fuyuhiko. Nihon jinmei daijiten.
- 4.Kitagawa Fuyuhiko. Rekishi ga nemuru Tama Reien.
- 5.Culver, Annika A. Colonial Manchuria in the Surrealist Imagination: The Poetry and Prose of Kitagawa Fuyuhiko as Modernist History. Proceedings of the Association for Japanese Literary Studies. 4. 264–277 [264]. 2003. 10.26812/pajls.v4i.1027.
- 6.The page57 of Kitagawa's book 'Charms Of Scenarios(Shinario No Miryoku シナリオの魅力)' published by Shakai-Shiso-Kenkyukai-Shuppambu(1953), in an essay titled 'Future of Scenario-Literature-Movement(シナリオ文学運動の将来性)'
- 7.On page 18 about The Call of the Wild (1935 film) directed by William A. Wellman of Reports on pure cinema and page 62 of Charms of scenarios
- 8.aozora-bunko
- 9.Charms of Scenarios
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