Francisco de Salinas
Illustration — Francisco de Salinas. Francisco de Salinas (1513, Burgos – 1590, Salamanca) was a Spanish music theorist and organist, noted as among the first to describe meantone temperament in mathematically precise terms, and one of the first (along with Guillaume Costeley) to describe, in effect, 19 equal temperament. In his De musica libri septem of 1577 he discusses 1/3-, 1/4- and 2/7-comma meantone tunings.
Francisco de Salinas

Al pie de la imagen figuran los datos de su autor. · Libro «Retratos de Españoles ilustres» publicado por la Real Imprenta de Madrid. Según la información brindada en el prólogo, las imágenes contenidas y los textos fueron realizados por distintos autor · Public domain
- Born
- 1513 · Burgos.
- Died
- 1590 · Salamanca.
- Nationality
- Spain
- Occupation
- musicologist · composer · music theorist
- Fields
- music theory
- Education
- University of Salamanca
- Languages
- Latin
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Illustration — Francisco de Salinas. Francisco de Salinas (1513, Burgos – 1590, Salamanca) was a Spanish music theorist and organist, noted as among the first to describe meantone temperament in mathematically precise terms, and one of the first (along with Guillaume Costeley) to describe, in effect, 19 equal temperament. In his De musica libri septem of 1577 he discusses 1/3-, 1/4- and 2/7-comma meantone tunings.
Admitted source layer · organised and presented by VALÉORINE
Note VALÉORINE
Francisco de Salinas (1513–1590) was a Spanish composer, music theorist and musicologist. Born in Burgos, the composer died in Salamanca.
Francisco de Salinas studied at University of Salamanca. The composer worked for University of Salamanca. Francisco de Salinas was active in music theory. Languages used include Latin.
Composed from admitted, traceable facts · 27 September 2026
VALÉORINE
Reference Check
Propose documentary evidence for Francisco de Salinas. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Evidence Panel
not yet certified
- Identity
- resolved
- Independent source families
- 0
- Admitted assertions
- 0
- Open conflicts
- 0
Authority files
wikidata · Q2663398 · wikipedia · Francisco de Salinas
In this article
Biography
Biography
The 19th-century musicologist Alexander John Ellis maintained that Salinas really meant to characterize 1/6-comma meantone, and made a mistake due to his blindness. Others point out that Salinas's descriptions of his tuning as "languid" but not "offensive to the ear" seem to apply to 1/3-comma meantone, not to 1/6-comma meantone, which in any case has a much sharper fifth than musicians of Salinas's own time preferred. Salinas was also interested in just intonation, and advocated a 5-limit just intonation scale of 24 notes he called instrumentum perfectum.
• Illustration — Organ of Francisco de Salinas at the Old Cathedral of Salamanca. Salinas was born in Burgos in 1513, the son of the treasurer to emperor Charles I. He was blind from the age of eleven. He studied humanities, singing and organ at the University of Salamanca. He then entered the service of a relative, archbishop Pedro Sarmiento de Salinas, and accompanied him when Sarmiento followed emperor Charles to Rome in 1538. Sarmiento was elevated to the cardinalate that year, and Salinas took the holy orders and was granted an annual pension by Pope Paul III. Salinas lived in Rome for the next 23 years. In 1553, he became the organist at the court of Naples, where he was under the patronage of the then Viceroy of Naples, the Duke of Alba. While in Naples, he befriended Diego Ortiz, who served there as Kapellmeister; he also became acquainted with Orlando di Lasso and Tomás Luis de Victoria. In 1559, he returned to Spain and took up a position as organist at the Cathedral of Sigüenza, where he worked until moving to a similar position at the Cathedral of León in 1561. In 1567 he took up the professorship of music at the University of Salamanca, where he met the celebrated poet Fray Luis de León, also a professor at the university. In 1571, alongside Fray Luis de León and Diego de Castilla (then the rector of the University of Salamanca), he formed part of the jury for the literary prize that had been organised to celebrate the Spanish victory at the Battle of Lepanto and the birth of prince Ferdinand. Fray Luis de Leon admired Salinas greatly, and in 1577 wrote a famous ode, the Oda a Francisco Salinas, in homage to the musician. Most of Salinas' work was published while he worked at Salamanca. In 1577 he authored his treatise De Musica libri septem, where he described meantone temperament for the first time. He taught Vicente Espinel, who later said of Salinas that he was "the most learned man in speculative music that the world has known since antiquity." Although by all accounts a highly reputed organist, all of his own compositions have been lost. He died at Salamanca in 1590.
Identity
Identity
Francisco de Salinas is recorded as musicologist, composer and music theorist.
Life and career
Dated record
Life and career
The full dated record · 1 entries
1590
Francisco de Salinas died in 1590 at Salamanca.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Burgos.
Birth place
Salamanca.
Death place
Literature
Scholarly footprint
A count of publications is evidence of attention, not of standing, and is given here only as a measure.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Todas las músicas, la música. El País. 14 February 2013.
- 2.Pascual Barea, Joaquín, "Los certámenes de poesía latina en la España del Renacimiento". Acta Conventus Neo-Latini Budapestinensis. Tempe: Arizona Center for Medieval and Renaissance Studies, 2010, 1-30 (pp. 2-6 y 11-16).
- 3.Woodward, Leslie James. "Fray Luis de León's" Oda a Francisco Salinas"." Bulletin of Hispanic Studies (Liverpool) 39, no. 2 (1962): 69.
- 4.A. Daniels, The De musica libri VII of Franciscus d.S.(diss., Univ. of Southern Calif., 1962).
- 5.Conant, Isabel Pope. "Vicente Espinel as a Musician." Studies in the Renaissance 5 (1958): 133-144.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q2663398: Francisco de SalinasWikimedia Foundation
Partially resolvedreference work
Partially resolved
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Studied at
1- University of SalamancaOrganisation
Established from a fact already recorded on a verified source.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 15 August 2026.
Elsewhere in Music memorabilia
42,307 published records in this field, each with its sources named.
- Francisco de CaroPerson
- Francisco De Paula AguirrePerson
- Francisco de PeñalosaPerson
- Francisco de Sá NoronhaPerson
- Francisco de SantiagoPerson
- Francisco EscuderoPerson
- Francisco FelicianoPerson
- Francisco Ferreira DrummondPerson
Best supported in this field
For owners
Own a work by Francisco de Salinas?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.