Éva Marton
Éva Marton (born 18 June 1943) is a Hungarian dramatic soprano, particularly known for her operatic portrayals of Puccini's Turandot and Tosca, and Wagnerian roles.
Also recorded as Eva Marton
Éva Marton
Sir Morosus · CC BY-SA 4.0
- Name
- Éva Marton
- Born
- 18 June 1943
- Birthplace
- Budapest, Hungary
- Occupation
- Opera singer (soprano)
- Full name
- Heinrich Éva.
- Nationality
- Hungary.
- Fields
- opera.
- Education
- Franz Liszt Academy of Music.
- Honours
- Kossuth Prize, Hazám-díj, Prima Primissima Prize, Hungarian Order of Saint Stephen, honorary doctor of University of Szeged and Order of Saint Stephen of Hungary.
- Languages
- Hungarian.
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Documentary evidence
Documentary basis
Authority files
wikidata · Q240652 · wikipedia · Éva Marton
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The documentary record
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Institutions cited
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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Biography
Biography
Éva Marton studied at Franz Liszt Academy of Music. The recorded working language is Hungarian. Subjects and genres recorded for the work are opera. Employment is recorded with Franz Liszt Academy of Music. Distinctions recorded are Kossuth Prize, Hazám-díj, Prima Primissima Prize and Hungarian Order of Saint Stephen.
Key facts
Key facts
• Name — Éva Marton • Born — 18 June 1943 • Birthplace — Budapest, Hungary • Occupation — Opera singer (soprano) • Website — martoneva.hu
Vocal training and early years
Vocal training and early years
Marton was born in Budapest, where she studied voice at the Franz Liszt Academy. She made her professional debut as Kate Pinkerton in Puccini's Madama Butterfly at Hungary's Margaret Island summer festival. At the Hungarian State Opera, she made her debut as Queen of Shemaka in Rimsky-Korsakov's The Golden Cockerel in 1968. In 1972, she was invited by Christoph von Dohnányi to make her debut as the Countess in The Marriage of Figaro at the Frankfurt Opera. That same year, she sang Matilde in Rossini's William Tell in Florence, conducted by Riccardo Muti. She also returned to Budapest to sing Odabella in Verdi's Attila. In 1973, Marton made her debut at the Vienna State Opera in Puccini's Tosca. In 1977, she sang at the Hamburg State Opera, in the role of the Empress in Richard Strauss's Die Frau ohne Schatten, and made her San Francisco Opera debut in the title role of Verdi's Aida. In 1978, Marton made her debut at La Scala in Milan as Leonora in Verdi's Il trovatore. She debuted at the Lyric Opera of Chicago in 1979 as Maddalena in Giordano's Andrea Chénier. In 1981, she performed at the Munich Opera Festival in the title role of Die ägyptische Helena by Richard Strauss with Wolfgang Sawallisch conducting. She sang the role of Leonore in Beethoven's Fidelio in 1982 and 1983, both performances conducted by Lorin Maazel.
Wagnerian roles
Wagnerian roles
In 1976, she made her Metropolitan Opera debut in New York in the role of Eva in Richard Wagner's Die Meistersinger von Nürnberg. At the Bayreuth Festival she sang both Elisabeth and Venus in Tannhäuser in 1977–1978. In 1982, Marton performed the role of Elisabeth in Tannhäuser at the Metropolitan Opera. Of that performance, The New York Times wrote: The arrival on the scene of a fully matured Wagnerian singer is always good news, however long we must wait between dispatches from the front. The news today is that Eva Marton has arrived. The Hungarian artist, portraying Elisabeth for the first time with the Metropolitan Opera in Monday night's Tannhäuser, showed that she has the vocal and temperamental qualities to become the opera world's next important dramatic soprano. She may, in fact, already be there. The timbre is right, the sheer staying power is impressive and the instincts are those of a born actress. Marton later became a frequent interpreter of the role of Brünnhilde in Wagner's Der Ring des Nibelungen. Between 1982 and 1985, she performed the role in the Ring cycle with the San Francisco Opera. A decade later she performed in the complete Zubin Mehta-led Ring cycle at the Lyric Opera of Chicago in 1996. In 1998, she appeared in a new production of Lohengrin at the Hamburg State Opera, portraying Ortrud.
Turandot
Turandot
Marton first sang the title role of Puccini's last opera Turandot at the Vienna State Opera in 1983. It became a role with which she has been closely identified. Since 1983, she has performed the role over a hundred times including at the Metropolitan Opera, La Scala, Arena di Verona, San Francisco Opera, Lyric Opera of Chicago, Washington Opera, Opera Company of Boston under Sarah Caldwell (in 1983), Barcelona, and Houston Grand Opera. She has also portrayed Turandot in six television and video productions, including a Vienna State Opera production directed by Harold Prince featuring José Carreras as Calaf, a Metropolitan Opera production created by Franco Zeffirelli featuring Placido Domingo as Calaf, and a production designed by David Hockney filmed at the San Francisco Opera with Michael Sylvester as Calaf. She also sang the role at the Aurora Opera House in Gozo, Malta. She has recorded Turandot twice, conducted first by Lorin Maazel (again with Carreras as Calaf) and later Roberto Abbado (with Ben Heppner as Calaf).
Recent years
Recent years
Marton's new roles in this millennium include Isolde in Wagner's Tristan und Isolde at Hamburg State Opera in 2000, and Kundry in Parsifal in Barcelona and Lisbon in 2001. In 2003, she sang the English-language role of Morgan Le Fay in the premiere of Isaac Albeniz's Merlin in Madrid. In 2006 and 2007, she performed in a concert version of Giordano's Fedora at the Miskolc Opera Festival, in Elektra by Richard Strauss at the Deutsche Oper am Rhein in Düsseldorf, and in Janáček's Jenůfa in Hamburg, in the role of the Kostelnicka. She performed the role of Klytemnestra in Elektra in Barcelona (Spain) in February and March 2008, and sang Klytämnestra in a staged performance of Elektra in Grand Théâtre de Genève in November 2010. She also keeps a small studio at the Liszt Academy of Music in Budapest, Hungary. Marton received the Persian Golden Lioness Lifetime Achievement Award in operatic music from the World Academy of Arts, Literature and Media (WAALM) in 2006. Marton has also worked as a voice teacher. Between 2005 and 2013 she was head of the voice department at the Franz Liszt Academy of Music where she is now a professor emeritus.
Videography
Videography
• The Metropolitan Opera Centennial Gala, Deutsche Grammophon DVD, 00440–073–4538, 2009
Opera, Concert: Video and DVD
Opera, Concert: Video and DVD
1./ Isaac Albéniz: Merlin – Morgan le Fay (2003. Madrid, Teatro Real – Live World Premier) VHS and DVD BBC / Opus Arte B0001RVRX6 Live. Éva Marton, Carol Vaness, Stuart Skelton, David Wilson-Johnson Conductor: José de Eusebio, Production: John Dew 2./ Erkel: Bánk bán – Gertrudis (2001, Movie Film) FHS and DVD - Warner Music Hungary 0927 44606 Andrea Rost, Éva Marton, Atilla Kiss B., Dénes Gulyás, Lajos Miller, Sándor Sólyom-Nagy, Attila Réti, Kolos Kováts Orchestra for Hungarian Millennium, Hungarian National Chorus, Honvéd Male Chorus, - Conductor: Tamás Pál, Production: Csaba Káel, Cinematographer: Vilmos Zsigmond 3./ Umberto Giordano: Andrea Chénier – Maddaléna (1985. Milano, Teatro alla Scala) VHS and DVD: Warner Vision NVC Arts 3984 26655-2 Live. Éva Marton, José Carreras, Piero Cappuccilli Conductor: Riccardo Chailly, Production: Lamberto Puggelli 4./ Almicare Ponchielli: La Gioconda – Gioconda (1986, Wien, Staatsoper) VHS ARTHAUS 100 232 (PAL), DVD ARTHAUS 100 233 Live. Éva Marton, Plácido Domingo, Ludmilla Semtschuk, Matteo Manuguerra, Margarita Lilowa, Kurt Rydl Conductor: Ádám Fischer, Production / Bühnenbild / Kostüme: Filippo Sanjust 5./ Giacomo Puccini: Tosca – Tosca (1984, Arena di Verona) VHS and DVD: NVC Arts 4509 99219-2 Live. Éva Marton, Giacomo Aragall, Ingvar Wixell Conductor: Daniel Oren, Production: Sylvano Bussotti 6./ Giacomo Puccini: Tosca – Tosca (1985, Sydney, Opera House) VHS and DVD: KULTUR VIDEO 1213 (NTSC) Live. Éva Marton, Lamberto Furlan, John Shaw Conductor: Alberto Erede, Production: John Copley 7./ Giacomo Puccini: Turandot - Turandot (1983, Wien, Staatsoper) VHS and DVD: Arthaus Musik 107319 Live. Éva Marton, José Carreras, Katia Ricciarelli Conductor: Lorin Maazel, Production: Harold Prince 8./ Giacomo Puccini: Turandot - Turandot (1987, New York, Metropolitan Opera House) VHS and DVD: DG UCBG 1007; DG 073 058-9 Live. Éva Marton, Plácido Domingo, Leona Mitchell, Paul Plishka Conductor: James Levine, Production / Set designer: Franco Zeffirelli 9./ Giacomo Puccini: Turandot - Turandot (1993, San Francisco, War Memorial Opera House) VHS and DVD: ARTHAUS 100 088 (PAL) Live. Éva Marton, Lucia Mazzaria, Michael Sylvester, Kevin J. Langan Conductor: Donald Runnicles, Production and Design: David Hockney, Stage Director: Peter McClintock 10./ Richard Strauss: Elektra - Elektra (1989, Wien, Staatsoper) VHS and DVD ARTHAUS 100 016; ARTHAUS 100 049 Live. Eva Marton, Cheryl Studer, Brigitte Fassbaender, James King, Franz Grundheber Conductor: Claudio Abbado, Production: Harry Kupfer 11./ Richard Strauss: Die Frau ohne Schatten – Färberin (1992, Salzburger Festspiele) VHS and DVD: DECCA 071 425-9 Live. Cheryl Studer, Éva Marton, Andrea Rost, Elizabeth Norberg Schulz, Marjana Lipovšek, Thomas Moser, Herbert Lippert, Robert Hale, Bryn Terfel Conductor: Sir Georg Solti, Production: Götz Friedrich 12./ Giuseppe Verdi: Il trovatore - Leonora (1988, New York, Metropolitan Opera House) VHS and DVD DG 073 002-9 (NTSC) Live. Éva Marton, Dolora Zajick, Luciano Pavarotti, Sherrill Milnes, Jeffrey Wells Conductor: James Levine, Production: Fabrizio Melano 13./ Richard Wagner: Lohengrin - Elsa (1986, New York, Metropolitan Opera House) VHS and DVD: DG 073 4176; DG 6727 Live. Éva Marton, Leonie Rysanek, Peter Hofmann, Leif Roar, Anthony Raffell, John Macurdy Conductor: James Levine, Production: August Everding 14./ Richard Wagner: Tannhäuser – Elisabeth (1982, New York, Metropolitan Opera House) VHS and DVD: DG 073 4171; DG B 0006580-09 Live. Richard Cassilly, Eva Marton, Bernd Weikl, Tatiana Troyanos, John Macurdy Conductor: James Levine, Production: Otto Schenk 15./ Éva Marton in Concert - 20. Anniversary Gala Concert - 3. IX. 1988. Budapest, Congress Center -MTV Live. Éva Marton, Hungarian State Symphony Orchestra, Conductor: Julius Rudel
Opera Gala Video and DVD
Opera Gala Video and DVD
1./New York, Metropolitan Opera House – Centennial Gala 1983. 10. 22.) VHS and DVD: DG 001326309 Live. Éva Marton: G. Puccini: Turandot – Turandot „In questa reggia…” Cond.: James Levine 2./ José Carreras e le grandi voci festeggiano l’Arena – La grande notte a Verona (1988. 08. 08., Arena di Verona) VHS and DVD: Arthaus Music 101403 Live. Éva Marton: G. Puccini: Manon Lescaut – Act IV. Aria of Manon Lescaut
Life and work
Life and work
Éva Marton was born on 18 June 1943 in Budapest. Marton held the nationality of Hungary. Marton was educated at Franz Liszt Academy of Music, which Marton left in 1968. Marton worked as opera singer, university teacher, voice teacher and singer, and the authority record catalogues a further 1 occupations under the same name, among them musician. Marton was employed by Franz Liszt Academy of Music. The fields Marton worked in include opera. Marton played the voice. Marton worked in Hungarian.
Documentary record
Éva Marton, recorded as a singer, musician and opera singer, was born on 18 June 1943 in Budapest. The birth is recorded by the Bibliothèque nationale de France and the Deutsche Nationalbibliothek.
Life and career
Dated record
Life and career
Explore 1943–2016
The full dated record · 8 entries
1943
Born at Budapest.
1997
Receives Kossuth Prize.
2009
Receives honorary doctor of University of Szeged.
2012
Recorded as member of: Hungarian Art Academy.
2013
Receives Hazám-díj.
2013
Receives Prima Primissima Prize.
2015
Receives honorary citizen of Budapest.
2016
Receives Hungarian Order of Saint Stephen.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Éva Marton was born in Budapest.
Birthplace
Budapest.
Birth place
Catalogued output
Compositions
La fanciulla del West — 15 catalogued parts. "Was bluten muß? "Was willst du, fremder Mensch?" (Elektra). "Was willst du?
Atto I. Son qui!” (Tosca, Cavaradossi)
Ah, das Gesicht!" (Chrysothemis, Elektra)
Dein eigenes Genick" (Elektra, Klytämnestra)
"Es geht ein Lärm los" (Elektra, Chrysothemis)
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
La fanciulla del West: Atto II. “Vieni fuori!…” … “Or son sei mesi che mio padre morì…” (Minnie, Johnson)
Die Legende von der heiligen Elisabeth, Erster Teil: Einleitung
La fanciulla del West: Atto III. “E anche tu lo vorrai, Joe” (Minnie, Sonora, minatori)
Atto IV. "La luna immobile" (Elena, Pantalis, Faust)
Lichter!" (Aegisth, Elektra)
"Nun muß es hier von uns geschehn" (Elektra, Chrysothemis)
"Wie stark du bist" (Elektra, Chrysothemis)
The complete catalogue · 60
Atto I. Son qui!” (Tosca, Cavaradossi)
Ah, das Gesicht!" (Chrysothemis, Elektra)
Dein eigenes Genick" (Elektra, Klytämnestra)
"Es geht ein Lärm los" (Elektra, Chrysothemis)
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard)
La fanciulla del West: Atto II. “Vieni fuori!…” … “Or son sei mesi che mio padre morì…” (Minnie, Johnson)
Die Legende von der heiligen Elisabeth, Erster Teil: Einleitung
La fanciulla del West: Atto III. “E anche tu lo vorrai, Joe” (Minnie, Sonora, minatori)
Atto IV. "La luna immobile" (Elena, Pantalis, Faust)
Lichter!" (Aegisth, Elektra)
"Nun muß es hier von uns geschehn" (Elektra, Chrysothemis)
"Wie stark du bist" (Elektra, Chrysothemis)
Atto III. “Dio di pieta!” (Margherita, Faust)
Atto I. “Ah, quegli occhi!…” – “Quale occhio al mondo” (Tosca, Cavaradossi)
Atto I. “Oh mio bel nido insozzato di fango!” (Tosca, Scarpia)
Atto I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)
"Seid ihr von Sinnen?" (Pfleger, Elektra)
Orest ist tot!" (Chrysothemis, Elektra, junger Diener, alter Diener)
Atto I. “Gente là dentro!” … “Voi!
Cavaradossi” (Cavaradossi, Angelotti, Tosca)
Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca)
Du wolltest mich nicht deinen Mund küssen lassen, Jochanaan" (Salome)
La fanciulla del West: Atto I. “Oh, signor Johnson, siete rimaste indietro” (Minnie, Johnson)
“O mio babbino caro” (Lauretta)
"Ob ich nicht höre?" (Elektra, Chrysothemis)
Atto III. “Con onor muore … Tu?
Piccolo Iddio” (Butterfly, Pinkerton)
Atto III. “Sorge il dì!” (Mefistofele, Margherita, Faust)
La fanciulla del West: Atto II. “Ugh… Neve!… Va!
Riposati sul fieno” (Wowkle, Minnie, Johnson)
"Läßt du den Bruder nicht nach Hause, Mutter?" (Elektra, Klytämnestra)
Atto III. “Lontano sui flutti d’un ampio oceano” (Margherita, Faust)
2 in C minor "Resurrection": V. Im Tempo des Scherzos
La fanciulla del West: Atto I. “Come voi, leggermi in cor non so” (Minnie, Nick, Johnson)
Atto IV. "Forma ideal" (Faust, Elena, Mefistofele, Pantalis, Nereo, Coro)
La fanciulla del West: Atto I. “Mister Johnson, un valzer?” (Harry, Johnson, Minnie, tutti)
La fanciulla del West: Atto I. La posta!” (Nick, Postiglione, Ashby, Minnie, minatori)
Atto I. “Or tutto è chiaro” … “Mario!
Mario!” (Scarpia, Tosca, Sagrestano)
La fanciulla del West: Atto III. “Le tue parole sono di Dio” (Sonora, Johnson, Minnie, tutti)
Atto II. Or gli perdono!” (Tosca)
"Sie fahren dahin wie die Schärfe des Schwerts" (Elektra, Chrysothemis)
Seht doch, dort!" (Klytämnestra, Elektra, Vertraute, Schleppträgerin)
La bohème: Atto I, no
Mi chiamano Mimì” (Mimì)
Es rührt sich niemand!" (Elektra, Orest, Der Pfleger, Klytämnestra)
La bohème: Atto III. No
“Donde lieta uscì” (Mimì)
Atto IV. Trionfi ad Elena" (Coro, Elena)
La fanciulla del West: Atto I. “Chi c’è per farmi i ricci?” (Johnson, Minnie, Rance)
"Von jetzt an will ich deine Schwester sein" (Elektra, Chrysothemis)
Atto III. “L’altra notte in fondo al mare” (Margherita, Faust, Mefistofele)
Atto II. “Colma il tuo cor” (Faust, Margherita, Mefistofele, Marta)
Atto I. “Or lasciami al lavoro” (Cavaradossi, Tosca)
La fanciulla del West: Atto II. “Una parola sola” … “lo so, lo so!
Ma non vi avrei rubato!” (Johnson, Minnie)
Atto I. “Mia gelosa!” (Tosca, Cavaradossi)
Atto II. “Come tu mi odii!” (Tosca, Scarpia)
La fanciulla del West: Atto III. “Non vi fu mai chi disse ‘Basta!’ Quando per voi” (Minnie, Sonora)”
La fanciulla del West: Atto I. “Dove eravamo?” (Minnie, Harry, Trin, Joe, Billy, Nick)
A further 31 recorded entries stand behind this article and are held on the record.
Teaching
The work is documented at Franz Liszt Academy of Music and Hungarian Art Academy.
Official Opera Gala and Concert Recordings
Official Opera Gala and Concert Recordings
1./ José Carreras e le grandi voci festeggiano l’Arena – La grande notte a Verona (8. VIII. 1988. Arena di Verona) CD POLYPHON 836 447 Live. José Carreras & Éva Marton, Montserrat Caballé, Ghena Dimitrova, Ileana Cotrubas, Orquesta Sinfonica di Madrid, Conductors: José Collado, Carlo Franci 2./ Le donne di Puccini – Puccini-Gala (12. XI. 1994. München) CD: NIGHTINGALE CLASSICS 7063197 Live. Éva Marton, Gabriela Beňačková, Edita Gruberova, Gwyneth Jones Münchner Rundfunkorchester, Conductor: García Navarro 3./ Let's Save the Liszt Academy! HUNGAROTON HCD 31841 Live. (Concerts in Budapest / Hungarian State Opera, Franz Liszt Academy of Music/, 1995, 1997, 1998) Éva Marton, Éva Pánczél, Bartók String Quartet, Conductor: Ervin Lukács, János Kovács
Recordings and discography
Primary material
Recordings and discography
The discography assembled here shows how Marton's work has been published in sound, not what Marton made. 21 sound issues are catalogued, carrying dates from 1982 to 2016. An issue is a published recording, distinct from the composition it carries, from a printed score of that composition and from any single performance of it; none of the entries below is counted in the catalogue of compositions above, and several of them carry the same work in different readings. The 1990s are the densest decade of publication, with 11 issues. The performers and issuing labels are as the discographic register states them; where it names no performer the article names none.
4 and "Ah Perfido"
1982
Gurrelieder
1992
Mefistofele
1991
Götterdämmerung
1992
Salome
1991
Zubin Mehta Conducts Richard Strauss
2016
Arias by the World’s Favourite Sopranos
1991
Tosca
1990
Salome (Höhepunkte) / Vier letzte Lieder / Malven
1985
La fanciulla del West
1992
Turandot - Highlights
1990
Turandot
1984
Siegfried
1991
Die Walküre
1988
Elektra
1990
Operatic Arias And Scenes
1984
Die Legende von der heiligen Elisabeth
1985
Bluebeard's Castle
1988
La Wally
2016
Primary material
Documents and archives
reference work
- “Éva Marton”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q240652: Éva Marton
General reference · Wikidata
Institutional memberships
Where the work is held
Institutional memberships
Marton is recorded as a member of Society of Immortals and Hungarian Art Academy (from 2012). Membership is stated by the bodies' own records and is not read here as evidence of office or of any particular role within them.
Honours and awards
Where the work is held
Honours and awards
They run from 1997 to 2016.
7 honours stand against the name
Order of Saint Stephen of Hungary
Kossuth Prize, dated 1997. Honorary doctor of University of Szeged
2009
Hazám-díj
2013
Prima Primissima Prize, dated 2013. Honorary citizen of Budapest
2015
Hungarian Order of Saint Stephen
2016
Authority records
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Éva Marton, revision 1376861060 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.J. Warrack and E. West, The Oxford Dictionary of Opera (1992).
- 2.Marton Éva hivatalos honlapja
- 3.Donal Henahan, MET OPERA: EVA MARTON, The New York Times, 1 December 1982.
- 4.Henahan, Donal. OPERA: 'RING' FINALE IN SAN FRANCISCO. The New York Times. 1985-06-11. 0362-4331.
- 5.Video recordings | Eva Marton.
- 6.Recordings | Eva Marton.
- 7.Merlin (Albeniz) Madrid 2003 Skelton Marton Vaness.
- 8.Eva Marton - Calendar
- 9.Franz Liszt Academy of Music. ÉVA MARTON: Professor emeritus.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 17 August 2026.
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