Eugene Thacker

Thacker worked across philosopher, literary critic, journalist, artist and theorist and 5 further recorded occupations. This article rests on 13 catalogued compositions, 30 published texts, 4 issued recordings, 1 digitised documents and 12 scholarly references drawn from named institutional registers. Every statement below returns to a source shown in the evidence panel; where the record is silent or divided, the article says so instead of resolving it.

Eugene Thacker studied at Rutgers University and University of Washington. The field of work recorded is continental philosophy, comparative literature and media studies. Arthur Schopenhauer, Friedrich Nietzsche and Emil Cioran are recorded as an influence. Places of work recorded in the authority are Atlanta. Employment is recorded with The New School and Georgia Tech. Works named in the authority record are Horror of Philosophy.

• Name — Eugene Thacker • Education — * University of Washington (BA) • Rutgers University (PhD) • Region — Western philosophy • Era — Contemporary philosophy • School Tradition — * Continental philosophy • Speculative realism • Institutions — Parsons School of Design • Main Interests — * Pessimism • Nihilism • Antihumanism • Anti-foundationalism • Collapsology • Horror fiction • Horror film • Philosophy of religion • Philosophy of technology • Weird fiction • Notable Ideas — * Cosmic pessimism • Dark media • Biomedia • Website — https: eugenethacker.com/

Thacker was born and grew up in the Pacific Northwest.[2] He received a Bachelor of Arts degree from University of Washington, and a Master of Arts and Doctor of Philosophy in comparative literature from Rutgers University.[3] Prior to teaching at The New School, he was a professor at Georgia Institute of Technology in the school of literature, media, and communication.[4]

Thacker's work has been associated with philosophical nihilism, pessimism, and to contemporary philosophies of speculative realism and collapsology.[5] His short book Cosmic Pessimism defines pessimism as "the philosophical form of disenchantment": "Pessimism is the night-side of thought, a melodrama of the futility of the brain, a poetry written in the graveyard of philosophy."[6] Thacker's book Infinite Resignation was published by Repeater Books. The book combines several genres of writing, and consists of fragments, aphorisms, and poetic prose that mixes the personal and philosophical. Thacker engages with writers like Thomas Bernhard, E.M. Cioran, Osamu Dazai, Søren Kierkegaard, Clarice Lispector, Giacomo Leopardi, Fernando Pessoa, and Schopenhauer. The New York Times notes: "Thacker has thrown a party for all of these eloquent cranks in Infinite Resignation, and he is an excellent host… This book provides a metric ton of misery and a lot of company."[7] Thacker's After Life is a book of philosophy published by the University of Chicago Press. In it, Thacker argues that philosophies of life operates by way of a split between "Life" and "the living," resulting in a "metaphysical displacement" in which life is thought via another metaphysical term, such as time, form, or spirit: "Every ontology of life thinks of life in terms of something-other-than-life...that something-other-than-life is most often a metaphysical concept, such as time and temporality, form and causality, or spirit and immanence"[8] Thacker traces this theme in Aristotle, Dionysius the Areopagite, John Scottus Eriugena, negative theology, Immanuel Kant, and Georges Bataille.[9] After Life also includes comparisons with Islamic, Japanese, and Chinese philosophy. Thacker's follow-up essay "Darklife: Negation, Nothingness, and the Will-to-Life in Schopenhauer" discusses the ontology of life in terms of negation, eliminativism, and "the inverse relationship between logic and life."[10] Thacker argues that Schopenhauer's philosophy posits a "dark life" in opposition to the "ontology of generosity" of German Idealist thinkers such as Hegel and Schelling. Thacker has also written in a similar vein on the role of negation and "nothingness" in the work of mystical philosopher Meister Eckhart.[11] Ultimately Thacker argues for a skepticism regarding "life": "Life is not only a problem of philosophy, but a problem for philosophy.[12]

Eugene Thacker was born in 2000. Thacker held the nationality of United States. Thacker was educated at Rutgers University. Thacker worked as philosopher, literary critic, journalist and artist, and the authority record catalogues a further 6 occupations under the same name, among them theorist, writer, composer, docent, author and musician. Thacker worked in Atlanta. Thacker was employed by The New School and Georgia Tech. Thacker is placed by the collections within nihilism, pessimism, speculative realism, collapsology and antihumanism.

Thacker's most widely read book is In the Dust of This Planet, part of the Horror of Philosophy trilogy.[13] In it, Thacker explores the idea of the "unthinkable world" as represented in the horror genre, in philosophies of pessimism and nihilism, and in "darkness" mysticism. Thacker calls the horror of philosophy "the isolation of those moments in which philosophy reveals its own limitations and constraints, moments in which thinking enigmatically confronts the horizon of its own possibility."[14] Thacker distinguishes the "world-for-us" (a human-centric view of the world), and the "world-in-itself" (the world as it exists), from what he calls the "world-without-us": "the world-without-us lies somewhere in between, in a nebulous zone that is at once impersonal and horrific."[15] In this and the other volumes of the trilogy Thacker writes about a wide range of work: H.P. Lovecraft, Algernon Blackwood, Edgar Allan Poe, Dante's Inferno, Les Chants de Maldoror by Comte de Lautréamont, the Faust myth, manga artist Junji Ito, contemporary horror authors Thomas Ligotti and Caitlín Kiernan, K-horror film, and the philosophy of Arthur Schopenhauer, Rudolph Otto, Medieval mysticism (Meister Eckhart, Angela of Foligno, John of the Cross), occult philosophy, and the philosophy of the Kyoto School. These ideas extend to what Thacker calls dark media, or technologies that mediate between the natural and supernatural, and point to the limit of human perception and knowledge.[16] Thacker has written a series of essays on "necrology", the decay or disintegration of the body politic. Thacker writes about plague, demonic possession, and the living dead, drawing upon the history of medicine, biopolitics, political theology, and the horror genre.[17]

Thacker's earlier works adopt approaches from the philosophies of science, technology, and the study of the relation between science and science fiction. Many of his media contributions are developments of Science and Technology Studies. Examples are his book Biomedia,[18] and his writings on bioinformatics, nanotechnology, biocomputing, complex adaptive systems, swarm intelligence, and network theory.[19] Thacker defines biomedia as follows: "Biomedia entail the informatic recontextualization of biological components and processes, for ends that may be medical or nonmedical...biomedia continuously make the dual demand that information materialize itself...biomedia depend upon an understanding of biological as informational but not immaterial."[20] Thacker, along with Alexander Galloway and McKenzie Wark, published the co-authored book Excommunication: Three Inquiries in Media and Mediation. In it the authors ask: "Does everything that exists, exist to be presented and represented, to be mediated and remediated, to be communicated and translated? There are mediative situations in which heresy, exile, or banishment carry the day, not repetition, communion, or integration. There are certain kinds of messages that state 'there will be no more messages'. Hence for every communication there is a correlative excommunication."[21] This approach has been called the "New York School of Media Theory."[22]

Thacker has written an anti-novel titled An Ideal for Living, of which American poet and conceptual writer Kenneth Goldsmith has said: "this an important book...these pages take cues from Burroughs and Gibson, while at the same time presciently pointing to the web-based path writing would take over the next decade."[23] In the 1990s, Thacker, along with Ronald Sukenick and Mark Amerika, founded Alt-X Press, for which he edited the anthology of experimental writing Hard_Code. Thacker is part of the editorial board of underground publisher Schism Press.[24] Thacker is a contributor to The Japan Times Books section, where he has written about the work of Junji Ito, Osamu Dazai, Haruo Sato, Keiji Nishitani, Izumi Kyōka, Edogawa Rampo, and Zen death poetry.[25] He wrote a column for London-based Mute called "Occultural Studies," on topics as the Surrealist poet Robert Desnos, Schopenhauer's philosophy, the horror writing of Thomas Ligotti, and the music of And Also The Trees.[26] He has written Forewords to the English editions of the works of E. M. Cioran, published by Arcade Press.[27][28] He has contributed to limited edition books produced by Fiddleblack Press, Infinity Land Press, Locus+, Mount Abraxis, [NAME], Schism, and Zagava Press.