Euan Uglow

His instructors included William Coldstream, whose meticulous method of painting from life involved repeated, careful measurements. Uglow continued his studies under Coldstream at the Slade School of Art until 1954, and later taught there. Uglow's adaptation of Coldstream's method of painting included the use of a metal instrument of his own design with which he could take the measure of an object or interval to compare against other objects or intervals in his field of vision. Uglow's finished paintings display the many small horizontal and vertical markings with which he recorded these coordinates so that they could be verified against reality. Public collection holding Uglow's works include the Tate Gallery, the Metropolitan Museum of Art, and the National Museum of Wales.

Euan Uglow studied at Slade School of Fine Art, Camberwell College of Arts and Strand School. The recorded working language is English. Places of work recorded in the authority are London. Work by Euan Uglow is recorded in the collections of Tate, Yale Center for British Art, National Portrait Gallery, Art Gallery of South Australia and National Museum Cardiff.

• Birth Name — Euan Ernest Richard Uglow • Born — 10 March 1932 • Birthplace — London, England • Died — 31 August 2000 • Place of death — London, England • Occupation — Painter • Field — Nude and still-life painting • Training — Camberwell School of Art

Euan Uglow was born in 1932 in London. As a child, he lived in Tulse Hill in south London, where his father was an accountant. Uglow went to the local grammar school in Tulse Hill, Strand School. Afterwards he studied at Camberwell School of Art from 1948 to 1950, during a time when Camberwell students studied under artists such as Victor Pasmore, Lawrence Gowing, John Minton, Kenneth Martin and William Coldstream. Uglow was influenced by Coldstream while at Camberwell, although he believed that another tutor there, the painter Claude Rogers, was more significant in his development. Nonetheless, when Coldstream left Camberwell to teach at the Slade School of Art in 1951, Uglow followed him, and remained a student at the Slade until 1954. Refusing compulsory military service, Uglow was registered as a conscientious objector in 1954, and spent two years undertaking community work, assisting in the restoration of a war-damaged church by Christopher Wren in the City of London, redecorating the house of the artist Patrick George, and helping on a farm in Surrey. Success in art was not immediate, and he did not sell a painting until eight years after leaving art school. During this time he took a variety of part-time teaching jobs, most notably at the Slade from 1961, an institution with which he was to be associated for the rest of his life. In 1962, he was at the centre of a storm at the municipal art gallery in Bradford, Yorkshire, when a local councillor, Horace Hird, had one of Uglow's paintings, German Girl, removed from an Arts Council exhibition at the gallery. Hird claimed the painting "offended decency". Despite this, Uglow was generally a shy artist who shunned publicity as well as honours, including an offer to become a member of the Royal Academy in 1961. However, he did become a trustee of the National Gallery in London in 1991, although, in his own words, he was generally ignored by the other trustees. Uglow's first solo show was in 1961 at the Beaux Arts Gallery, but his slow and methodical working method did not lead to a large number of solo shows. In 1969, he exhibited drawings at the Gardener Centre at Sussex University, in 1974 at the Whitechapel Art Gallery in London and then periodically at the Browse & Darby Gallery in London. He also took part in numerous group shows, including an exhibition of the London Group. He won the John Moores Painting Prize, awarded in Liverpool, in 1972. In 1981, he took part in the exhibition Eight Figurative Painters at the University of Yale Center for British Art in New Haven, Connecticut, United States, and in 1984 in The Hard Won Image at the Tate Gallery, London. In 1992, he featured in the exhibition British Figurative Painting of the 20th Century at the Israel Museum in Jerusalem, and in 2000 in the exhibition Encounters at the National Gallery in London. In 2002, a posthumous retrospective was organised by the Arts Council for England, entitled Spotlight on Euan Uglow, which toured around Britain. In 2003, there was a retrospective titled Euan Uglow: Controlled Passion, Fifty Years of Painting at the Abbot Hall Gallery, in Kendal. In 1980, Uglow was invited by the artist Stass Paraskos to become the first artist-in-residence at the new Cyprus College of Art arts centre in village of Lempa on the island of Cyprus. He has work in the collections of the Arts Council of England, the British Council, the National Museum of Wales, the Ferens Art Gallery in Hull, Glasgow Art Gallery, the Metropolitan Museum of Art in New York, Southampton City Art Gallery, the British Government Art Collection, the Tate Gallery and The Hepworth in Wakefield. Uglow died of liver cancer at his home in Wandsworth, London, in 2000, aged 68.