Ethel Reed
Ethel Reed (March 13, 1874 – March 1, 1912) was an American graphic artist. In the 1890s, her works received critical acclaim in America and Europe. In 2016, they were on exhibit in the Metropolitan Museum of Art and Museum of Modern Art in New York, the National Museum of American History in Washington, D.C, the Fine Arts Museums of San Francisco, the Frederick R. Weisman Art Museum of the University of Minnesota in Minneapolis, and the Nelson-Atkins Museum of Art in Kansas City.
Ethel Reed

F. Holland Day · Public domain
- Name
- Ethel Reed
- Born
- 13 March 1874
- Birthplace
- Newburyport, Massachusetts
- Died
- 1 March 1912
- Place of death
- London, United Kingdom
- Nationality
- United States.
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In this article
Key facts
Key facts
• Name — Ethel Reed • Born — 13 March 1874 • Birthplace — Newburyport, Massachusetts • Died — 1 March 1912 • Place of death — London, United Kingdom • Style — Graphic arts
Early life and career
Early life and career
Reed was born in Newburyport, Massachusetts on March 13, 1874. She was the daughter of a local photographer Edgar Eugene Reed and Mary Elizabeth Mahoney, an immigrant from County Cork, Ireland. Her father died of tuberculosis in 1892, and Reed and her mother consequently suffered hardship. After they moved to Boston in 1890, she studied briefly at the Cowles Art School in 1893, and after 1894 began to receive public notice for her illustrations. Reed's youthful beauty and cleverness caught the attention of a Newburyport artist Laura Hills, who became a mentor. During her time in Boston, she achieved national fame as a poster artist while still in her early 20s. She did many series of posters and book illustrations during a span of less than two years. In the mid-1890s she was engaged to fellow artist Philip Leslie Hale, whose father Edward Everett Hale was a prominent Bostonian. However, the engagement was broken off. In 1896, she traveled Europe with her mother. In 1897, they settled in London where Reed worked as an illustrator, in particular for The Yellow Book, a quarterly literary periodical which was co-founded by Aubrey Beardsley. She had two children with different lovers. Reed was acquainted with important literary and artistic figures of her day, including the writer Richard le Gallienne, the architects Bertram Goodhue and Ralph Adams Cram, and the photographer Fred Holland Day. She was the model for Day's photographs Chloe and The Gainsborough Hat. She also modeled at least three times for portraits by Frances Benjamin Johnston. In her short career, Reed achieved recognition as one of the preeminent illustrator artists of her time.
Later life and death
Later life and death
Reed was unable to find work after moving to Europe; she turned to drugs and alcohol after years of disappointment. Her circumstances in England are difficult to trace, and certain records of her final years have yet to surface. However, according to research, she died in her sleep in 1912. Her biographer has asserted that alcoholism and the use of sleeping medications contributed to her death.
Recognition after death
Recognition after death
In March 2022, Poster House opened Ethel Reed: I Am My Own Person, a show featuring poster and magazine cover illustrations Reed designed in the late 19th and early 20th centuries.
Identity
Identity
Ethel Reed is recorded as graphic designer, lithographer, graphic artist and illustrator.

Circa 1895 platinum print of a photograph of graphic designer Ethel Reed by Frances Benjamin Johnston. Head-and-shoulders portrait, facing front, wearing hat and fur coat or cape, with right hand under collar.
Frances Benjamin Johnston / Adam Cuerden · This image is available from the United States Library of Congress 's Prints and Photographs division under the digital ID ppmsca.38271. This tag does not indicate the copyright status of the attache

Circa 1895 platinum print of a photograph of graphic designer Ethel Reed by Frances Benjamin Johnston. Head-and-shoulders portrait, facing front, wearing hat and fur coat or cape, with right hand under collar.
Frances Benjamin Johnston / Adam Cuerden · This image is available from the United States Library of Congress 's Prints and Photographs division under the digital ID ppmsca.38271. This tag does not indicate the copyright status of the attache
Life and career
Dated record
Life and career
The full dated record · 2 entries
1874
Ethel Reed born at Newburyport.
1912
Ethel Reed died at London.
Works illustrated
• Boston Sunday Herald (1895) • Boston Illustrated (1895) • Lily Lewis Rood, Pierre Puvis de Chavannes: A Sketch (Boston: L. Prang & Co., 1895) • Albert Morris Bagby, Miss Träumerei: A Weimar Idyl (Boston: Lamson, Wolffe & Co., 1895) • Gertrude Smith, The Arabella and Araminta Stories (Boston: Copeland & Day, 1895) • Julia Ward Howe, Is Polite Society Polite? (Boston: Lamson, Wolffe & Co., 1895) • Charles Knowles Bolton, The Love Story of Ursula Wolcott (Boston: Lamson, Wolffe, & Co., 1896) • Mabel Fuller Blodgett, Fairy Tales (Boston: Lamson, Wolffe, & Co., 1896) • Louise Chandler Moulton, In Childhood's Country (Boston: Copeland & Day, 1896) • Time and the Hour, (1896) • Richard Le Gallienne, The Quest of the Golden Girl: A Romance (London: John Lane, 1897) • The Yellow Book, Volumes XII (January 1897) and XIII (April 1897) • Agnes Lee, The Round Rabbit and Other Child Verse (Boston: Copeland & Day, 1898). • The Sketch, Volume 21 (April 6, 1898) • Illustration — Book cover by Ethel Reed • Illustration — Book cover for The House of the Trees and Other Poems • Illustration — Poster for The Quest of the Golden Girl, published in Les Maîtres de l'Affiche
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Ethel Reed, revision 1354472602 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Ethel Reed, The Beautiful Poster Lady Who Disappeared. New England Historical Society. 2018.
- 2.Peterson, William S. The Beautiful Poster Lady: A Life of Ethel Reed. Oak Knoll Press. 2013a. 978-1-58456-317-4.
- 3.Barrie, J. M. A Chat with Miss Ethel Reed. The Bookman. 2. 4. 277–281. 1895.
- 4.Wright, Helena E. Ethel Reed and the poster craze. National Museum of American History. March 23, 2015.
- 5.Ranson, Sadi. A Studio of Her Own: Women Artists in Boston, 1870-1940. Museum of Fine Arts. 55–74. 2001. 978-0-87846-482-1.
- 6.Ethel Reed. World of Art Global Limited.
- 7.Hills, Patricia. Turn-of-the-Century America: Paintings, Graphics, Photographs, 1890-1910. Whitney Museum of American Art. 59–60; 63. 1977.
- 8.Keay, Carolyn. American Posters of the Turn of the Century. St. Martin's Press. 17–18; 30–31; 93. 1975. 978-0-85670-207-5.
- 9.Kiehl, David W. American Art Posters of the 1890s in The Metropolitan Museum of Art, including the Leonard A. Lauder Collection. The Metropolitan Museum of Art. 15–20; 40–41. 1987. 0-87099-501-4.
- 10.Finlay, Nancy. American Art Posters of the 1890s in The Metropolitan Museum of Art, including the Leonard A. Lauder Collection. The Metropolitan Museum of Art. 50–51; 55. 1987. 0-87099-501-4.
- 11.Cate, Philip Dennis. American Art Posters of the 1890s in The Metropolitan Museum of Art, including the Leonard A. Lauder Collection. The Metropolitan Museum of Art. 86; 88; 118. 1987. 0-87099-501-4.
- 12.Kiehl, David W. American Art Posters of the 1890s in The Metropolitan Museum of Art, including the Leonard A. Lauder Collection. The Metropolitan Museum of Art. 164–168. 1987. 0-87099-501-4.
- 13.Townsend, Sloane. Ethel Reed. History of Graphical Design. NC State University. April 8, 2019.
- 14.McAllister, Jim. Essex County Chronicles: Local artist's life still shrouded in mystery. The Salem News. March 1, 2010.
- 15.Peterson, William. Vanished in the Fog: Ethel Reed, the Beautiful Poster Lady. Library of Congress. May 30, 2013b.
- 16.Heller, Stephen. The Daily Heller: Ethel Reed, Poster Woman. Print. March 17, 2022.
- 17.Escalante-De Mattei, Shanti. The Daily Heller: Ethel Reed, Poster Woman. ArtNews. February 28, 2022.
- 18.The Boston Herald: Fashion Supplement, March 24 [1895]. The Metropolitan Museum of Art.
- 19.The Best Guide to Boston [1895]. The Metropolitan Museum of Art.
- 20.Pierre Puvis de Chavannes: A Sketch [1895]. The Metropolitan Museum of Art.
- 21.Miss Träumerei [1895]. The Metropolitan Museum of Art.
- 22.Arabella and Araminta Stories [1895]. The Metropolitan Museum of Art.
- 23.Is Polite Society Polite? [1895]. The Metropolitan Museum of Art.
- 24.In Childhood's Country [1896]. The Metropolitan Museum of Art.
- 25.Time and the Hour [1896]. The Metropolitan Museum of Art.
- 26.The Quest of the Golden Girl [1897]. The Metropolitan Museum of Art.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q4394452: Ethel ReedWikimedia Foundation
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
Elsewhere in Illustration
5,224 published records in this field, each with its sources named.
- Esther PissarroIllustrator
- Ethel Franklin BettsIllustrator
- Ethel Jackson MorrisIllustrator
- Ethel LarcombeIllustrator
- Ethel SpowersIllustrator
- Ethel Watts MumfordIllustrator
- Ettore TitoIllustrator
- Euan DunnIllustrator
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