Emma Reyes
Emma Reyes (July 9, 1919 – July 12, 2003) was a Colombian realism painter and writer. Reyes was considered the "godmother" of Latin American art for the portrayals of her life struggles in her paintings. She was encouraged to write by the Colombian author Abdul Ratti.
Emma Reyes

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- Name
- Emma Reyes
- Born
- 9 July 1919
- Birthplace
- Bogotá, Colombia
- Died
- 12 July 2003
- Place of death
- Ratti
- Nationality
- Colombia
- Occupation
- painter · writer
- Languages
- Spanish
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Documentary summary
Emma Reyes (July 9, 1919 – July 12, 2003) was a Colombian realism painter and writer. Reyes was considered the "godmother" of Latin American art for the portrayals of her life struggles in her paintings. She was encouraged to write by the Colombian author Abdul Ratti.
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Emma Reyes (1919–2003) was a painter and writer, of Colombian nationality. The painter was born in Bogotá and died in Bordeaux.
Languages used include Spanish. Works are held at Banco de la República Art Collection.
Composed from admitted, traceable facts · 01 October 2026
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wikidata · Q28501576 · wikipedia · Emma Reyes
In this article
Biography
Biography
Her work gained recognition after her death, in the 2020s. Reyes is known for her book The Book of Emma Reyes: una sega.
Key facts
Key facts
• Name — Emma Reyes • Born — 9 July 1919 • Birthplace — Bogotá, Colombia • Died — 12 July 2003 • Place of death — Ratti
Biography
Biography
Emma Reyes was born in 1919 in Bogotá. When she was about 6 or 7 years old, her mother abandoned her. Reyes and her sister were sent to a convent. While at the convent, Reyes was not allowed to socialize with the outside world. At age 19, Reyes was able to leave the convent. She got married and had a child. Her child was later killed during a home invasion. Reyes soon fled to Paris to begin here her life of painting. In 1943 she received a scholarship to study in Paris. Reyes died on July 12, 2003, at age 84.
Career
Career
Much of Reyes' artwork draws on her life and the obstacles that she faced living in poverty. Despite the cruelty Reyes experienced in her childhood, she still tried to send positive messages through her works by making colorful images associated with animals and plants. Reyes never received an education and was considered "illiterate." Nevertheless, she wrote letters and put them together as a book. She was mainly known for her writing rather than her paintings.
Works
Works
Many of Reyes' paintings were unnamed. Instead, they were distinguished by what they represented. Most of her early works was a representation of the life she had left behind. "Unknown (Goat)" Reyes utilized vibrant colors and painted mainly plants and animals. Her goal was to use vibrant colors in order to represent her personality. Her paintings such as this one, was done by color pencils and a board. The background of this painting is a pastel yellow with pastel green grass while there's a white cow drinking milk from a blue bucket. "Figurine" This painting portrays a human figure built from garbage that implies children's imagination, but is then destroyed by the evil in the world. "Burning Villages" In this painting, Reyes intended to show loneliness in a town that's corrupted surrounded by economy issues, cruelty, and abandonment. It represents the struggle Reyes and her sister faced. Most of Reyes' works are held in the Essex Collection of Art from Latin America. Her work is also preserved at the Museum of Art and Archeology of Périgord.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Bogotá.
Birth place
Bordeaux.
Death place
Publications
Reyes did not want any changes to the grammar in The Book of Emma Reyes: A Memoir. Since she did not get an education, the errors in her writing represent the struggle she went through writing the book and in addition relating to the struggles she survived in her childhood such as poverty. The book consist of 23 letters as the only format she was capable of writing. The dates of the letters go from 1969 to 1997. It was known that Reyes had a difficult time organizing her thoughts when it came to writing. Her solution was writing letters. The first letter of the book opens up with the most obvious—her childhood—and from there, the book goes through her life.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.MacAdam, Barbara A. Vasari Diary Redivivus: Portrait Medals at the Frick, Arman and Nick Cave, and Emma Reyes's Memoir. ARTnews. 2017-09-14.
- 2.Emma Reyes' still lifes finds new life in two Paris exhibitions. 2025-09-28.
- 3.Reyes, Emma. The Book of Emma Reyes. Penguin. 2017. 9780143108689.
- 4.Fifer, Elizabeth. The Book of Emma Reyes by Emma Reyes. World Literature Today. 7 December 2017.
- 5.Alarcón, Daniel. From Squalor to Salon: The Amazing, Improbable Life of Emma Reyes. literary hub. 8 August 2017.
- 6.Emma Reyes. escala.
- 7.Perigord Museum of Art and Archeology | Musée d'Art et d'Archéologie du Périgord – Périgueux – Maap.
- 8.Meyer, Lily. In Emma Reyes Life Through a Child's Clear Eyes.
Bibliography printed in the source article · 3
- Fajardo-Hill, Cecilia, et al. Radical Women: Latin American Art, 1960-1985. Hammer Museum, University of California, 2017.
- Reyes, Emma, and Daniel Alarcon (2017). The Book of Emma Reyes. Penguin Books.
- The Radical Women Manifesto: Socialist Feminist Theory, Program and Organizational Structure. Red Letter Press, 2001.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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