Eleanor Bond
Eleanor Bond (born 25 March 1948) is a Canadian multimedia artist and art educator who is best known for reworking the Canadian landscape tradition using a new ecological awareness.
Eleanor Bond
- Name
- Eleanor Bond
- Born
- 25 March 1948
- Birthplace
- Winnipeg, Manitoba, Canada
- Training
- School of Art, University of Manitoba, graduated in 1976
- Known for
- Multimedia artist Eleanor Bond (born 25 March 1948) is a Canadian multimedia artist and art educator who is best known for reworking the Canadian landscape tradition using a new ecological awareness.
- Nationality
- Canada
- Occupation
- painter
- Education
- University of Manitoba
- Languages
- English
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Documentary summary
Eleanor Bond (born 25 March 1948) is a Canadian multimedia artist and art educator who is best known for reworking the Canadian landscape tradition using a new ecological awareness.
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Authority files
wikidata · Q5354224 · wikipedia · Eleanor Bond
In this article
Key facts
Key facts
Eleanor Bond studied at University of Manitoba. The recorded working language is English. Employment is recorded with Concordia University. Work by Eleanor Bond is recorded in the collections of National Gallery of Canada, Musée d'art contemporain de Montréal and Canada Council Art Bank.
• Name — Eleanor Bond • Born — 25 March 1948 • Birthplace — Winnipeg, Manitoba, Canada • Training — School of Art, University of Manitoba, graduated in 1976 • Known for — Multimedia artist Eleanor Bond (born 25 March 1948) is a Canadian multimedia artist and art educator who is best known for reworking the Canadian landscape tradition using a new ecological awareness.
Early life
Early life
Eleanor Bond was born in Winnipeg to pharmacist Herbert Bond and teacher Mildred MacFarlane. She graduated from the School of Art, University of Manitoba in 1976. A previous undergraduate degree included studies in English, comparative religion and interior design.
Work
Work
In the early 1980s, Bond produced aerial views of natural sites showing ecological disruption. In her Work Station (1989) and Social Centres (1992) bodies of work, Bond explored the impact of technological advances and urban design on humankind by producing staged, fictitious landscapes and built urban environments. She used lengthy, ironic titles in her earlier work. These large-scale, unstretched canvases suggested that the city is an imaginary place with landscapes that existed as in-between spaces. Recent projects include the Mountain of Shame series of paintings and sculptures (2010) that marked a shift away from the social and architectural and towards the personal. Bond created an emotional topography in which the vulnerabilities of doubt, age and loss are mapped on the surfaces of various media. Bond's work has been widely exhibited in Canada and internationally, including solo shows at the Witte de With Center for Contemporary Art in Rotterdam (1988 and 1995), the Clocktower in New York (1990), the Winnipeg Art Gallery (1992), Museo de Arte Moderna de São Paulo in Brazil (1995), Musée d'art contemporain de Montréal (1998) and Museum of Contemporary Canadian Art in Toronto (2001). Group exhibitions have included shows at The National Gallery of Canada (1989) and the Vancouver Art Gallery (1991) as well as exhibitions at the Museum of Contemporary Art in São Paulo (1987) and the Barbican Centre in London (1991). Bond has been a lecturer, has held studio residencies abroad, and has been actively involved in Plug In ICA in Winnipeg since its inception. Bond's solo show Mountain of Shame, curated by Helga Pakasaar, was the inaugural exhibition that opened the new Plug In ICA gallery in 2010 and toured to the Illingworth Kerr Gallery at the Alberta College of Art & Design (ACAD) in Calgary in 2011. Bond is an associate professor of painting and drawing who works with graduate students at Concordia University. She also maintains an active art studio in the North End, Winnipeg.
Honours and awards
• York Wilson Prize;
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Sloane, Johanne. "Eleanor Bond's Social Centres: Natural Sights and Mitlenial Landscapes". Social Centres. Winnipeg Art Gallery. 1993.
- 2.Wylie, Liz. David Alexander: The Landscape is the Evidence in David Alexander : the shape of place. McGill-Queen`s University Press. 3–6. 2012.
- 3.Borsa, Joan. The Canadian Encyclopedia.
- 4.Sloan, Johanne. "From Pop to Postmodernism". The Visual Arts in Canada: the Twentieth Century. Oxford University Press. 267. 2010. 978-0-19-542125-5.
- 5.Thompson, Grace. Work Station: Eleanor Bond. Gallery 1.1.1, University of Manitoba. 46. 1989. 0-921958-00-5.
- 6.Madill, Shirley. Social Centres: Eleanor Bond. The Winnipeg Art Gallery. 64. 1992. 0-88915-165-2.
- 7.Fung, Amy. Eleanor Bond. Canadian Art.
- 8.Madill, Shirley. Future Cities and Virtual Cities Project.
- 9.Enright, Robert. The Fine Art of Mucking About: Eleanor Bond. Border Crossings magazine.
- 10.Marchand, Sandra Grant. Eleanor Bond. Musee d'art contemporain de Montreal. 43. 1999. 2-551-18959-4.
- 11.Sherlock, Diana. Eleanor Bond and Stephen Andrews: Revealing The Subject. Galleries West.
- 12.Concordia University, Montreal. Eleanor Bond. www.concordia.ca.
- 13.Bovey, Patricia E. Western Voices in Canadian Art. U of Manitoba Press. 189. 2023.
References
Citations
References
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The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 September 2026.
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