Edward Laning

Edward Laning studied at University of Chicago, Art Students League of New York and School of the Art Institute of Chicago. The recorded working language is English. The field of work recorded is painting. Max Weber is recorded as an influence. Work by Edward Laning is recorded in the collections of The Nelson-Atkins Museum of Art, Metropolitan Museum of Art, Smithsonian American Art Museum and Whitney Museum of American Art. Distinctions recorded are Guggenheim Fellowship.

• Name — Edward Laning • Born — April 26, 1906 • Birthplace — Petersburg, Illinois, United States • Died — May 1981 • Place of death — New York City • Known for — Painting • Training — Art Institute of Chicago, University of Chicago, Art Students League • Notable Works — "The Story of the Recorded Word" • Spouse — Mary Fife Laning

Laning was born in 1906 in Petersburg, Illinois. He studied at the Art Institute of Chicago (1923–1924) and the University of Chicago, (1925–1927). He also studied at the Art Students League with Max Weber, Boardman Robinson, John Sloan and Kenneth Hayes Miller (1927–1930). On August 26, 1933, he married the painter and printmaker Mary Fife, whom he had met at the Art Students League.

Laning died in 1981 in New York, survived by his wife, artist Mary Fife Laning.

Laning's works have been displayed at the Art Institute of Chicago (1945), the Carnegie Institute (1945), and the Virginia Museum of Fine Arts (1944–45). His works can be viewed at the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Richmond Professional Institute. In addition, his works can be seen at the New York Public Library and U.S. post offices in Rockingham, North Carolina and Bowling Green, Kentucky. In assessing his works, the Smithsonian Institution writes: In his work, Laning expressed his disenchantment with the political and social uncertainties of post-Depression America and his perception of the degradation of American values; in several paintings he used fire as a symbol of impending societal destruction.

• Fourteenth Street (1931) • 1929 Crash (1929?) • Pantheon (1937) • New York Public Library murals (1937): • The Story of the Recorded Word • Learning to Read • History of the Written Word • The Role of the Immigrant in the Industrial Development of American (1937) • The Past as Connecting Threads in Human Life, triptych, USPO, Rockingham, North Carolina (1937) • The Escape • Coney Island Beach Scene (1938) • Prometheus (1942) • Armor in Alaska (1943) • Kiska Raid (1943) • Florence August 1944 (1944) • Saturday Afternoon at Sportsmans Park (c. 1945) • The Building (c. 1955) • Union Pacific (north side mural at Union Station) (1980) • Central Pacific (south side mural at Union Station) (1980)

• Sketchbooks of Reginald Marsh, compiled by Edward Laning (1973)

• Perspective for Artists (1967) • The Act of Drawing (1971) • The Sketch Books of Reginald Marsh

In 1931, Laning's work formed part of the first major show at the newly formed Whitney Museum of American Art. He painted murals for the Works Progress Administration during the Great Depression as well as a post office mural in Rockingham, North Carolina (1937). In 1935, he painted the Ellis Island murals (chosen over Japanese-American artist Hideo Noda): It was a great relief to PWA, to the College Art Association, to Architects Harvey Wiley Corbett and Chester Holmes Aldrich and to Edward Laning last week to learn that Commissioner of Immigration & Naturalization Rudolph Reimer at Ellis Island had finally approved Artist Laning's designs for murals for the dining hall at New York's immigrant station. Cheered, Muralist Laning and his two assistants, James Rutledge and Albert Soroka, hustled to get his cartoons on tempera and gesso panels as soon as possible. In 1937, he painted murals in the New York Public Library, including his most famous work, The Story of the Recorded Word. In 1980, Laning came to Ogden, Utah, to personally oversee the installation of his two 50-foot by 12-foot murals in the Grand Lobby of the historic Ogden Railway Station. The northern side depicts the Union Pacific company coming from Omaha, Nebraska, and the southern side depicts the Central Pacific coming from Sacramento, California. The National Academy of Design of New York City granted $100,000 to Union Station as his commission.

• Hello, the Boat! by Phyllis Crawford with pictures by Edward Laning (1938)