Edward Lamson Henry

The authorities additionally record the headings E. L. Henry, Edward Henry, Edward Lawson Henry, Eduard Lamson Henry and E.L. Henry. His recorded language was English.

Work by Edward Lamson Henry is held by Art Institute of Chicago, The Nelson-Atkins Museum of Art, Metropolitan Museum of Art and Detroit Institute of Arts.

What the record establishes about Edward Lamson Henry.

The Attack on Chew's House during the Battle of Germantown, 1777 is dated 1878 and held by Art Institute of Chicago (inventory 1982.770). In The Shenandoah Valley (Off the Main Road) is dated 1897 and held by New Britain Museum of American Art (inventory 1945.03.02). The Meeting of General Washington and Rochambeau is dated 1873 and held by Virginia Museum of Fine Arts (inventory 60.52.7). St. John's Church, Varick Street, New York is dated 1914 and held by New York Historical (inventory 1985.16). Old Hook Mill, Easthampton is dated 1880 and held by Smithsonian American Art Museum (inventory 1979.5.4). People and Stage Coach Train is dated 1892 and held by Vanderbilt Museum of Art (inventory 1979.0115).

Country Breakfast is dated 1884 and held by New Britain Museum of American Art (inventory 1959.13). The Country Store is dated 1885 and held by Smithsonian American Art Museum (inventory 1979.5.5). Barnyard in Pennsylvania is catalogued and held by Art Institute of Chicago (inventory 1990.486). The John Hancock House is dated 1865 and held by Yale University Art Gallery (inventory 1948.99). The King of the Montauks is dated 1880 and held by Detroit Institute of Arts (inventory 47.37). A Carriage Ride is dated 1885 and held by Metropolitan Museum of Art (inventory 1979.490.12).

A Country School is dated 1890 and held by Yale University Art Gallery (inventory 1948.98). The Widower is dated 1873 and held by Smithsonian American Art Museum (inventory 1979.5.6). A Holiday is dated c. 1915 and held by The Art Institute of Chicago (inventory 1915.560). Teatime is dated 1890 and held by New Britain Museum of American Art (inventory 2009.38). Interior is dated 1870 and held by Smithsonian American Art Museum (inventory 1979.5.9). The Coming Train is dated 1880 and held by Toledo Museum of Art (inventory 1950.70).

Capital and Labor is dated 1881 and held by New York Historical (inventory 1940.5). New Britain Museum of American Art records 3 objects associated with this heading. Going to Town is catalogued and held by The Phillips Collection (inventory 0901). The Old Westover House is dated 1869 and held by Q214867 (inventory 2014.136.3). Sunday Morning is dated 1898 and held by Gilcrease Museum (inventory 0126.1221).

The Art Institute of Chicago catalogues 1 work under this heading. Wikidata Query Service catalogues 26 works under this heading. Open Library catalogues 3 works under this heading.

The identifiers under which Edward Lamson Henry may be traced in institutional catalogues.

Edward Lamson Henry is established in the international name authorities as Wikidata Q2605527.

30 works under this name are catalogued by Wikidata Query Service, Open Library and The Art Institute of Chicago. Their recorded dates run from 1865 to 1915.

The North Dutch Church, Fulton and William Streets, New York, dated 1869, held by Metropolitan Museum of Art, inventory 15.30.66. Saint George's Church, New York, dated 1875, held by Metropolitan Museum of Art, inventory 33.136.2. A Carriage Ride, dated 1885, held by Metropolitan Museum of Art, inventory 1979.490.12. The 9:45 Accommodation, dated 1867, held by Metropolitan Museum of Art, inventory 39.47.1. The Attack on Chew's House during the Battle of Germantown, 1777, dated 1878, held by Art Institute of Chicago, inventory 1982.770. Barnyard in Pennsylvania, held by Art Institute of Chicago, inventory 1990.486. The Country Store, dated 1885, held by Smithsonian American Art Museum, inventory 1979.5.5. Interior, dated 1870, held by Smithsonian American Art Museum, inventory 1979.5.9. Old Hook Mill, Easthampton, dated 1880, held by Smithsonian American Art Museum, inventory 1979.5.4. The Widower, dated 1873, held by Smithsonian American Art Museum, inventory 1979.5.6. Going to Town, held by The Phillips Collection, inventory 0901. The Meeting of General Washington and Rochambeau, dated 1873, held by Virginia Museum of Fine Arts, inventory 60.52.7. The Old Westover House, dated 1869, held by Q214867, inventory 2014.136.3. A Country School, dated 1890, held by Yale University Art Gallery, inventory 1948.98. The John Hancock House, dated 1865, held by Yale University Art Gallery, inventory 1948.99. The King of the Montauks, dated 1880, held by Detroit Institute of Arts, inventory 47.37. The Coming Train, dated 1880, held by Toledo Museum of Art, inventory 1950.70. Sunday Morning, dated 1898, held by Gilcrease Museum, inventory 0126.1221. People and Stage Coach Train, dated 1892, held by Vanderbilt Museum of Art, inventory 1979.0115. The Message, dated 1893, held by Fogg Museum, inventory 2003.279. The Invalid, dated 1869, held by Fogg Museum, inventory 2005.189. St. John's Church, Varick Street, New York, dated 1914, held by New York Historical, inventory 1985.16. Capital and Labor, dated 1881, held by New York Historical, inventory 1940.5. Country Breakfast, dated 1884, held by New Britain Museum of American Art, inventory 1959.13. In The Shenandoah Valley (Off the Main Road), dated 1897, held by New Britain Museum of American Art, inventory 1945.03.02. Teatime, dated 1890, held by New Britain Museum of American Art, inventory 2009.38. Through Siberia. E.L. Henry's country life. The works of E.L. Henry. A Holiday, dated c. 1915, oil on canvas, held by The Art Institute of Chicago, inventory 1915.560.

Work associated with this heading is recorded in 12 named public collections.

Metropolitan Museum of Art: 4 recorded objects, read from the institution's own published catalogue. Smithsonian American Art Museum: 4 recorded objects, read from the institution's own published catalogue. New Britain Museum of American Art: 3 recorded objects, read from the institution's own published catalogue. Art Institute of Chicago: 2 recorded objects, read from the institution's own published catalogue. Yale University Art Gallery: 2 recorded objects, read from the institution's own published catalogue. Fogg Museum: 2 recorded objects, read from the institution's own published catalogue. Harvard Art Museums: 2 recorded objects, read from the institution's own published catalogue. New York Historical: 2 recorded objects, read from the institution's own published catalogue. The Phillips Collection: 1 recorded object, read from the institution's own published catalogue. Virginia Museum of Fine Arts: 1 recorded object, read from the institution's own published catalogue. The Metropolitan Museum of Art: 256 recorded objects, read from the institution's own published catalogue. The Art Institute of Chicago: 2 recorded objects, read from the institution's own published catalogue.

4 scholarly publications naming this subject were located in the registry of record.

Henry, Edward Lamson, Benezit Dictionary of Artists, 2011. Ballin, Henry Edward, Benezit Dictionary of Artists, 2011. Mattson, Henry Edward, Benezit Dictionary of Artists, 2011. “A Kind of Traveling Gazette”: Edward Lamson Henry’s <em>The Latest Village Scandal</em>, Gossip, and History at the Dawn of Sensational Journalism, Panorama, 2018.

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 6 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 6 means 6 genuinely separate publishers of record. 12 further registers were consulted and returned nothing for this heading.

Edward Lamson Henry studied at Pennsylvania Academy of the Fine Arts. the recorded working language is English.

The field of work recorded is painting. Subjects and genres recorded for the work are genre.

Work by Edward Lamson Henry is recorded in the collections of Art Institute of Chicago, The Nelson-Atkins Museum of Art, Metropolitan Museum of Art, Detroit Institute of Arts and Toledo Museum of Art.