Edward Francis Burney

The authorities additionally record the headings Edward Francesco Burney, Edward Francisco Burney, Mr. Burney, Birney and Burney. His recorded language was English.

He was the child of Richard Burney and Elizabeth Humphries.

Work by Edward Francis Burney is held by Tate, National Portrait Gallery, Yale Center for British Art and Jersey Museum and Art Gallery.

What the record establishes about Edward Francis Burney.

Illustration for The New Doll: Let me Have It in my Own Hands is catalogued and held by Yale Center for British Art (inventory B1979.12.915). Illustration for The New Doll: It's Mine, You may Look at It is catalogued and held by Yale Center for British Art (inventory B1979.12.916). Illustration for The New Doll: Sewing Clothes for the Doll is dated 1825 and held by Yale Center for British Art (inventory B1979.12.917). Telemachus and Mentor Landing on the Island of Calypso is catalogued and held by Yale Center for British Art (inventory B1979.12.922). Female Figures and Putti Playing Musical Instruments is catalogued and held by Yale Center for British Art (inventory B1979.12.932). Study for the Figures of Demitrius and Two Workmen is catalogued and held by Yale Center for British Art (inventory B1979.12.945).

Designs for Illustrations to Beethoven's Works is catalogued and held by Yale Center for British Art (inventory B1979.12.930). Designs for Illustrations to Mozart's Operas is catalogued and held by Yale Center for British Art (inventory B1979.12.926). Study for the Kneeling Figure of Priscilla is catalogued and held by Yale Center for British Art (inventory B1979.12.942). Six Studies of Mother and Daughter Playing is catalogued and held by Yale Center for British Art (inventory B1979.12.939). Illustration for- The New Doll: Untitled is dated 1826 and held by Yale Center for British Art (inventory B1979.12.918). Ilustration for The New Doll: Untitled is dated 1825 and held by Yale Center for British Art (inventory B1979.12.919).

Allegory of Painting and Literature is catalogued and held by Yale Center for British Art (inventory B1979.12.933). Gross Study for St. Paul at Ephesus is catalogued and held by Yale Center for British Art (inventory B1979.12.940). Landscape with Church is catalogued and held by Yale Center for British Art (inventory B1979.12.1032). Fools Planting a Tree is catalogued and held by Yale Center for British Art (inventory B1979.12.936). Heavenly Orchestra is catalogued and held by Yale Center for British Art (inventory B1979.12.928). Apollo and Phaeton is catalogued and held by Yale Center for British Art (inventory B1979.12.952).

Wikidata Query Service catalogues 40 works under this heading. Wellcome Collection catalogues 8 works under this heading. Open Library catalogues 3 works under this heading.

The circumstances in which Edward Francis Burney stands.

View at Chelsea of the Annual Sculling Race for Doggett's Coat and Badge is catalogued and held by Yale Center for British Art (inventory B2001.2.695). The Elegant Establishment for Young Ladies (study for) is catalogued and held by Yale Center for British Art (inventory B1975.4.1896). Battle of Jersey, the Death of Major Peirson is dated 1781 and held by Jersey Museum and Art Gallery (inventory SJA/0000/00209). John Gilpin in the Uxbridge Passage Boat is dated 1820 and held by Yale Center for British Art (inventory B1977.14.5214). Edward Francis Burney is also recorded as Edward Francesco Burney; Edward Francisco Burney; Mr. Burney; Birney; Burney. Preparatory drawing for The Waltz is dated 1820 and held by Yale Center for British Art (inventory B1975.4.1045).

Unique Specimens of Mineralogy is catalogued and held by Yale Center for British Art (inventory B1975.4.1047). Allegory of Napoleonic Battles is catalogued and held by Yale Center for British Art (inventory B1975.4.100). Amateurs of Tye-Wig Music (‘Musicians of the Old School’) is dated 1820 and held by Tate (inventory T07278). River Landscape with Castle is catalogued and held by Yale Center for British Art (inventory B1979.12.1018). Frances d'Arblay ('Fanny Burney') is dated 1784 and held by National Portrait Gallery (inventory NPG 2634). Caricature Self-Portrait is catalogued and held by Yale Center for British Art (inventory B1975.4.96).

Boarding the Ferry is catalogued and held by Yale Center for British Art (inventory B1979.12.995). Bathampton Mill is catalogued and held by Yale Center for British Art (inventory B1979.12.996). Musicians is catalogued and held by Yale Center for British Art (inventory B1979.12.1023).

The identifiers under which Edward Francis Burney may be traced in institutional catalogues.

Edward Francis Burney is established in the international name authorities as Social Networks and Archival Context w615514z, Bibliothèque nationale de France 135693131, Getty Union List of Artist Names 500009888, Gemeinsame Normdatei (GND) 136693989, Library of Congress n82164713 and Libraries Australia 1077350.

46 works under this name are catalogued by Wikidata Query Service and Wellcome Collection. Their recorded dates run from 1784 to 1826.

Frances d'Arblay ('Fanny Burney'), dated 1784, held by National Portrait Gallery, inventory NPG 2634. Amateurs of Tye-Wig Music (‘Musicians of the Old School’), dated 1820, held by Tate, inventory T07278. Allegory of Napoleonic Battles, held by Yale Center for British Art, inventory B1975.4.100. Unique Specimens of Mineralogy, held by Yale Center for British Art, inventory B1975.4.1047. The Elegant Establishment for Young Ladies (study for), held by Yale Center for British Art, inventory B1975.4.1896. Caricature Self-Portrait, held by Yale Center for British Art, inventory B1975.4.96. View near Bristol, held by Yale Center for British Art, inventory B1979.12.1017. River Landscape with Castle, held by Yale Center for British Art, inventory B1979.12.1018. Watley, held by Yale Center for British Art, inventory B1979.12.1020. Musicians, held by Yale Center for British Art, inventory B1979.12.1023. Madonna and Child, held by Yale Center for British Art, inventory B1979.12.1031. Landscape with Church, held by Yale Center for British Art, inventory B1979.12.1032. Illustration for The New Doll: The Doll brought Home, dated 1825, held by Yale Center for British Art, inventory B1979.12.913. Illustration for The New Doll: How Pretty it Is, held by Yale Center for British Art, inventory B1979.12.914. Illustration for The New Doll: Let me Have It in my Own Hands, held by Yale Center for British Art, inventory B1979.12.915. Illustration for The New Doll: It's Mine, You may Look at It, held by Yale Center for British Art, inventory B1979.12.916. Illustration for The New Doll: Sewing Clothes for the Doll, dated 1825, held by Yale Center for British Art, inventory B1979.12.917. Illustration for- The New Doll: Untitled, dated 1826, held by Yale Center for British Art, inventory B1979.12.918. Ilustration for The New Doll: Untitled, dated 1825, held by Yale Center for British Art, inventory B1979.12.919. Illustration for The New Doll: Untitled, dated 1825, held by Yale Center for British Art, inventory B1979.12.920. Telemachus and Mentor Landing on the Island of Calypso, held by Yale Center for British Art, inventory B1979.12.922. Designs for Illustrations to Mozart's Operas, held by Yale Center for British Art, inventory B1979.12.926. Heavenly Orchestra, held by Yale Center for British Art, inventory B1979.12.928. Designs for Illustrations to Beethoven's Works, held by Yale Center for British Art, inventory B1979.12.930. Female Figures and Putti Playing Musical Instruments, held by Yale Center for British Art, inventory B1979.12.932. Allegory of Painting and Literature, held by Yale Center for British Art, inventory B1979.12.933. Pastoral, held by Yale Center for British Art, inventory B1979.12.934. The Arts, held by Yale Center for British Art, inventory B1979.12.935. Fools Planting a Tree, held by Yale Center for British Art, inventory B1979.12.936. Erato and Pan, held by Yale Center for British Art, inventory B1979.12.937. Theatrical Scene, held by Yale Center for British Art, inventory B1979.12.938. Six Studies of Mother and Daughter Playing, held by Yale Center for British Art, inventory B1979.12.939. Gross Study for St. Paul at Ephesus, held by Yale Center for British Art, inventory B1979.12.940. Study for the Magus, held by Yale Center for British Art, inventory B1979.12.941. Study for the Kneeling Figure of Priscilla, held by Yale Center for British Art, inventory B1979.12.942. Study for the Figure of Grammateus, held by Yale Center for British Art, inventory B1979.12.943. Study for the Figure of St. Paul, held by Yale Center for British Art, inventory B1979.12.944. Study for the Figures of Demitrius and Two Workmen, held by Yale Center for British Art, inventory B1979.12.945. Charity, held by Yale Center for British Art, inventory B1979.12.949. Apollo and Phaeton, held by Yale Center for British Art, inventory B1979.12.952. Thomas Augustine Arne. Etching by J. Heath, 1793, after E.F. Burney., dated June 10 1793, held by Wellcome Collection. Musicians at Vauxhall Gardens playing a variety of instruments including, a tambourine, drum and cymbals. Etching by J. Lee after E. Burney., dated Decr. 1st. 1806, held by Wellcome Collection. A man is sitting in front of a mirror combing his hair. Engraving by C. Warren, after E.F. Burney., dated Augst. 26 1797, held by Wellcome Collection. A bride accompanied by a group of guests as they descend the staircase from a balcony. Engraving by I. Neagle after E. Burney., dated Augt.1 1795, held by Wellcome Collection. Idomeneus prepares to sacrifice his son to Jupiter. Engraving by W. Skelton, 1793, after E.F. Burney., held by Wellcome Collection. The Crucifixion of Christ with the Virgin, Saint John the Evangelist, Saint Mary Magdalene and a view of Jerusalem. Engraving by J. Scott after E. S. Burney., held by Wellcome Collection.

Work associated with this heading is recorded in 4 named public collections.

Yale Center for British Art: 118 recorded objects, read from the institution's own published catalogue. National Portrait Gallery: 1 recorded object, read from the institution's own published catalogue. Tate: 1 recorded object, read from the institution's own published catalogue. Wellcome Collection: 19 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Burney, Edward Francis, Benezit Dictionary of Artists, 2011. Burney, Edward Francesco, Oxford Art Online, 2003. 112. To Charlotte (Francis) Barrett and Charlotte (Burney) (Francis) Broome (17 February 1828), The Letters of Sarah Harriet Burney, 1997. 56. To Henry Barrett with Charlotte (Burney) (Francis) Broome to Charlotte (Francis) Barrett (1 August 1810), The Letters of Sarah Harriet Burney, 1997. 27. To Charlotte Francis and Charlotte (Burney) (Francis) Broome (4 January 1804), The Letters of Sarah Harriet Burney, 1997.

Bibliographic registers publish measured figures for this heading: 3 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 4 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 4 means 4 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.

the recorded working language is English.

The field of work recorded is painting, visual arts and book illustration.

Places of work recorded in the authority are London.

Work by Edward Francis Burney is recorded in the collections of Tate, National Portrait Gallery, Yale Center for British Art and Jersey Museum and Art Gallery.