Edith Woodman Burroughs

She also worked under the names Woodman, Edith and Burroughs, Mrs. Bryson. The authorities additionally record the headings Edith Burroughs and Burroughs, Edith Woodman, 1871-1916. Her recorded language was English.

She married Bryson Burroughs.

Edith Woodman Burroughs studied at Art Students League of New York. She trained under Jean Antoine Injalbert and Luc-Olivier Merson.

Work by Edith Woodman Burroughs is held by Metropolitan Museum of Art, Oakland Museum of California, R. W. Norton Art Gallery and The Newark Museum of Art.

What the record establishes about Edith Woodman Burroughs.

Edith Woodman Burroughs is recorded as a citizen of United States. Edith Woodman Burroughs is recorded with the occupation sculptor. Grolier Club Memorial of Edgar Allen Poe is dated 1909 and held by Metropolitan Museum of Art (inventory 09.116). At the Threshold is dated 1920 and held by Metropolitan Museum of Art (inventory 20.76). John La Farge is dated 1908 and held by Metropolitan Museum of Art (inventory 10.199). Roger Fry is dated 1911 and held by Metropolitan Museum of Art (inventory 16.125).

Metropolitan Museum of Art records 4 objects associated with this heading.

The identifiers under which Edith Woodman Burroughs may be traced in institutional catalogues.

Edith Woodman Burroughs is established in the international name authorities as Social Networks and Archival Context w6z04d2w, Getty Union List of Artist Names 500524280, Library of Congress nr2002020232, ISNI 0000000052701213 and VIAF 24536534.

4 works under this name are catalogued by Wikidata Query Service. Their recorded dates run from 1908 to 1920.

At the Threshold, dated 1920, held by Metropolitan Museum of Art, inventory 20.76. John La Farge, dated 1908, held by Metropolitan Museum of Art, inventory 10.199. Roger Fry, dated 1911, held by Metropolitan Museum of Art, inventory 16.125. Grolier Club Memorial of Edgar Allen Poe, dated 1909, held by Metropolitan Museum of Art, inventory 09.116.

Work associated with this heading is recorded in 1 named public collection.

Metropolitan Museum of Art: 4 recorded objects, read from the institution's own published catalogue.

5 scholarly publications naming this subject were located in the registry of record.

Burroughs, Edith (Mrs), Benezit Dictionary of Artists, 2011. Photo of Edith Segal and Allison Burroughs in Segal’s Black and White. Riverby / by John Burroughs, 1895. Pepacton, by John Burroughs., 1881. Pepacton, by John Burroughs., 1909.

Bibliographic registers publish measured figures for this heading: 6 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 16 further registers were consulted and returned nothing for this heading.

Edith Woodman Burroughs studied at Art Students League of New York. training under Jean Antoine Injalbert and Luc-Olivier Merson is recorded. the recorded working language is English.

The field of work recorded is art of sculpture and visual arts.

Membership is recorded of National Academy of Design.

Work by Edith Woodman Burroughs is recorded in the collections of Metropolitan Museum of Art, Oakland Museum of California, R. W. Norton Art Gallery, The Newark Museum of Art and Brookgreen Gardens.