Peder Severin Krøyer

Peder Severin Krøyer studied at Royal Danish Academy of Fine Arts. Training under Frederik Ferdinand Helsted, Wilhelm Marstrand and Léon Bonnat is recorded. Laurits Andersen Ring, Vilhelm Hammershøi and Harald Slott-Møller are recorded as having studied under Peder Severin Krøyer. The recorded working language is Swedish. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Denmark and Netherlands. Works named in the authority record are Hip, Hip, Hurrah!, Summer Evening on Skagen's Southern Beach, Summer Evening at Skagen. Work by Peder Severin Krøyer is recorded in the collections of Nationalmuseum, Metropolitan Museum of Art, Museum of Fine Arts Ghent (MSK), The Museum of National History at Frederiksborg Castle and Drachmanns Hus. Distinctions recorded are Legion of Honour, Thorvaldsen Medal and Knight of the Order of the Dannebrog.

• Name — Peder Severin Krøyer • Birth Name — Peder Severin Krøyer • Born — 23 July 1851 • Birthplace — Stavanger, Sweden-Norway • Died — 21 November 1909 • Place of death — Skagen, Denmark • Field — Painting • Training — Royal Danish Academy of Art • Movement — Impressionism • Works — Summer Evening at Skagen. The Artist's Wife and Dog by the Shore From Copenhagen Stock Exchange • Patrons — Heinrich Hirschsprung

• Illustration — Portrait of Krøyer by Laurits Tuxen

Krøyer was born in Stavanger, Norway, on 23 July 1851 to a single mother, Ellen Cecilie Gjesdal. He was raised by Gjesdal's sister, Bertha Cecilie (born 1817) and brother-in-law, the Danish zoologist Henrik Nikolai Krøyer, after his mother was judged unfit to care for him. Krøyer moved to Copenhagen to live with his foster parents soon afterward. Having displayed artistic talent at age 9, he enrolled in the Royal Danish Academy of Fine Arts at age 12.[2] In 1870, at the age of 19, Krøyer completed his studies at the Royal Academy, where he had studied with Frederik Vermehren.

• Illustration — Hip, Hip, Hurrah!, 1888 His official debut as a painter was in 1871 at Charlottenborg with a portrait of a friend, the painter Frans Schwartz. He exhibited regularly at Charlottenborg throughout his life. In 1874 Heinrich Hirschsprung bought his first paintings from Krøyer — four watercolours of fishermen — establishing a lifelong patronage and friendship. Krøyer soon became a regular member of a group of artists who would frequent Hirschsprung's home in Copenhagen and his summer home outside the city. Hirschsprung's collection of art forms the basis of the Hirschsprung Museum in Copenhagen.[3]

In 1877, Krøyer received a 2-year travel scholarship from the Royal Academy, and financial aid from Hirschsprung allowed him to extend his travels by another 2 years. Between 1877 and 1881, Krøyer travelled extensively in Europe, meeting artists, studying art, and developing his skills and outlook. He stayed in Paris and studied under Léon Bonnat, and undoubtedly came under the influence of contemporary impressionists – Claude Monet, Alfred Sisley, Edgar Degas, Pierre-Auguste Renoir and Édouard Manet. He continued to travel throughout his life, constantly drawing inspiration from foreign artists and cultures. Hirschsprung provided financial support during the early travels, and Krøyer continued exhibiting in Denmark throughout this period.

• Illustration — Paul Gustav Fischer: P. S. Krøyer at the easel painting Boys bathing, 1893 In 1882 he returned to Denmark. He spent June–October at Skagen, then a remote fishing village on the northern tip of Denmark, painting themes from local life, as well as depictions of the artistic community there. He would continue to be associated with the developing art and literary scene at Skagen. Other artists at Skagen included writers Holger Drachmann, Georg Brandes and Henrik Pontoppidan, and artists Michael Ancher and Anna Ancher. Krøyer divided his time between rented houses in Skagen during the summer, a winter apartment in Copenhagen where he worked on his large commissioned portraits, and travel outside of the country.

On a trip to Paris in 1888 he encountered Marie Martha Mathilde Triepcke, whom he had known in Copenhagen. They fell in love and, after a whirlwind romance, married on 23 July 1889 at her parents' home in Germany. Marie Krøyer, who was also a painter, became associated with the Skagen community, and after their marriage was often featured in Krøyer's paintings. The couple had one child, a daughter named Vibeke, born in January 1895. They were divorced in 1905 following a prolonged separation.

Krøyer's eyesight failed him gradually over the last ten years of his life until he was totally blind. Ever the optimist, he painted almost to the end, in spite of health obstacles. In fact, he painted some of his last masterpieces while half-blind, joking that the eyesight in his one working eye had become better with the loss of the other eye. His health declined rapidly after 1900 due to syphilis, and he had been committed to mental hospitals several times since. Krøyer died in 1909 in Skagen at 58 years of age.

• Illustration — Summer Evening on Skagen's Southern Beach with Anna Ancher and Marie Krøyer, P. S. Krøyer, 1893 Krøyer's best known and best-loved work is entitled Summer Evening on Skagen's Southern Beach with Anna Ancher and Marie Krøyer (Sommeraften ved Skagen Sønderstrand med Anna Ancher og Marie Krøyer), 1893. He painted many beach scenes featuring both recreation life on the beach (bathers, strollers), and local fishermen. Another popular work is Midsummer Eve Bonfire on Skagen Beach (Sankthansbål på Skagen strand), 1906. This large-scale work features a great crowd of the artistic and influential Skagen community gathered around a large bonfire on the beach on Saint John's Eve (Midsummer Eve). Both of these works are in the permanent collection of the Skagens Museum which is dedicated to that community of artists, including those who gathered around Krøyer, a great organizer and bon vivant.

• Illustration — Messalina, 1881 • Illustration — The Hirschsprung family portrait, 1881 • Illustration — In the store when there is no fishing, 1882 • Illustration — Artists' Luncheon at Skagen, 1883 • Illustration — Fishermen hauling nets, North Beach, Skagen, 1883 • Illustration — Summer Day on Skagen's Southern Beach 1884 • Illustration — Committee for the French Art Exhibition in Copenhagen 1888, 1888 • Illustration — Osteria in Ravello, 1890 • Illustration — Loggia in Ravello, 1890 • Illustration — Marie Krøyer, 1891 • Illustration — Summer Evening at Skagen. The Artist's Wife and Dog by the Shore, 1892 • Illustration — A breakfast. The artist, his wife and the writer Otto Benzon, 1893 • Illustration — Roses, 1893 • Illustration — From Copenhagen Stock Exchange, 1895 • Illustration — The Benzon daughters, 1897 • Illustration — Summer Evening at Skagen Beach – The Artist and his Wife, 1899 • Illustration — Midsummer Eve Bonfire on Skagen Beach, 1906

The authorities additionally record the headings P.S. Krøyer, Peter Severin Krøyer, Soren Kroyer, Søren Krøyer and Peter Severin Kroyer. His recorded language was Swedish. He was the child of Henrik Nikolai Krøyer. He married Marie Krøyer. One child is recorded: Vibeke Krøyer.

Works recorded as notable number 7: Hip, Hip, Hurrah!, Summer Evening on Skagen's Southern Beach, Summer Evening at Skagen. The Artist's Wife and Dog by the Shore, Roses, Midsummer Eve Bonfire on Skagen Beach, The Men of Industry and The Hirschsprung family portrait. His recorded genre is portrait.

View towards Gammelholm with the tower of the Nikolaj church in the background. The Neruda Quartet, showing some of the spectators to the left. Two ladies in the garden. Marie Krøyer and her mother. Summer evening at the South beach, Skagen. Recorded as having received Legion of Honour, Thorvaldsen Medal and Knight of the Order of the Dannebrog. Summer Evening at Skagen. Career and activity. His work is associated with Impressionism. He belonged to Skagen Painters and Grez colony. He worked at Denmark and Netherlands.