Edith Hayllar

Together, residing in an estate in Wallingford, England, all four girls followed a Victorian system of four to ten art classes a day to ensure proper mastery of basic art techniques such as proportions. In addition to their rigorous training schedule, the girls spent the rest of their time at the estate engaging in relaxing activities such as outdoor sports, plain air painting, and gardening. These leisurely domestic scenes became the subject of the sisters’ most renowned paintings. Edith Hayllar’s paintings, unlike other female artists at the time, did not challenge the terms of "feminine dependency" but rather played an integral role in shaping the representation of women and domesticity together by painting scenes of women in domestic interiors with their families. Hayllar’s painting style emphasized symmetry and orderliness, showing women running a well-organized household and clearly delineating a woman’s role at any given time in their lives. • Illustration — Summer Shower Hayllar had paintings shown almost every year from the 1880s–1890s at the Institute for Oil Painters and Dudley’s Gallery. In the year 1881 she had her first piece exhibited at the Royal Society of British Artists in London and then a year later, in 1882, another piece was shown in the Royal Academy of Arts. Bruce MacKay in approximately 1900.

• Name — Edith Hayllar • Died — 1948 • Field — Painting • Movement — Neoclassicism • Spouse — Bruce MacKay • Illustration — Feeding the Swans