Doris Lee
Doris Emrick Lee (February 1, 1905 – June 16, 1983) was an American painter known for her figurative painting and printmaking. She won the Logan Medal of the Arts from the Chicago Art Institute in 1935. She is known as one of the most successful female artists of the Depression era in the United States.
Also recorded as Doris Emrick Lee
Doris Lee

Doris Lee · This image is available from the United States Library of Congress 's Prints and Photographs division under the digital ID highsm.24943. This tag does not indicate the copyright status of the attache · Public domain
- Name
- Doris Emrick Lee
- Born
- 1 February 1905
- Birthplace
- Aledo, Illinois, U.S.
- Died
- 16 June 1983
- Place of death
- Clearwater, Florida, U.S.
- Spouse
- * Russell Lee,
- Field
- Painting, printmaking
- Training
- Kansas City Art Institute, California School of Fine Arts
- Awards
- Logan Medal of the Arts
- Nationality
- United States
- Occupation
- painter · artist · muralist
- Education
- Rockford University · San Francisco Art Institute · Kansas City Art Institute
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Documentary evidence
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wikidata · Q518922 · wikipedia · Doris Lee
In this article
Biography
Biography
Doris Lee studied at Rockford University, San Francisco Art Institute and Kansas City Art Institute. The recorded working language is English. Work by Doris Lee is recorded in the collections of Art Institute of Chicago, The Nelson-Atkins Museum of Art, Metropolitan Museum of Art, National Museum of Women in the Arts and Smithsonian American Art Museum.

Mural "Country Post," by Doris Lee at the Ariel Rios Federal Building, Washington, D.C.
Carol M. Highsmith · This image is available from the United States Library of Congress 's Prints and Photographs division under the digital ID highsm.24944. This tag does not indicate the copyright status of the attache
Key facts
Key facts
• Name — Doris Emrick Lee • Born — 1 February 1905 • Birthplace — Aledo, Illinois, U.S. • Died — 16 June 1983 • Place of death — Clearwater, Florida, U.S. • Spouse — * Russell Lee, • Arnold Blanch • Field — Painting, printmaking • Training — Kansas City Art Institute, California School of Fine Arts • Patrons — Works Progress Administration, Michigan State University, Colorado Springs Fine Art Center • Awards — Logan Medal of the Arts
Biography and career
Biography and career
Lee was born in Aledo, Illinois and attended Ferry Hall School, a preparatory school for girls in Lake Forest, Illinois, from 1920 to 1922. She graduated from Rockford College in 1927 and studied with the American Impressionist and Ashcan School painter Ernest Lawson at the Kansas City Art Institute in 1929. At the institute, she also met painter, Arnold Blanch whom she later married after her 1939 divorce from Russell Lee. Lee also attended the California School of Fine Arts in San Francisco in 1930. After her schooling, Lee moved to Woodstock, New York and established herself as an artist in that community and settled there for the remainder of her artistic career. • Illustration — General Store and Post Office (1938), mural by Doris Emrick Lee at the Clinton Federal Building, Washington, D.C. During the 1930s, she was commissioned to create several murals by the United States Treasury Department in Washington, DC. In 1937, Lee painted two murals in the Main Post Office in Washington, DC, and another in the Summerville, Georgia, Post Office. That same year the Metropolitan Museum of Art acquired her 1936 painting Catastrophe for its permanent collection. Her 1935 painting "Noon", was referenced in Vladimir Nabokov's book Lolita. During the 1930s and 1940s she created a number of lithographs for the Associated American Artists. During the late 1940s and early 1950s, Lee undertook several commissions for Life magazine, including articles and illustrations on travel to such places as North Africa, Mexico, and Cuba. During this time, her work became much more stylized with more concern to color and pure forms. She taught at Michigan State University and was invited to attend Colorado Springs Fine Arts Center as a guest artist. During the 1960s, Lee retired from painting and later died in Clearwater, Florida, in 1983. In addition to the Art Institute of Chicago, the Rhode Island School of Design, and The Metropolitan Museum of Art, Lee's work can be found in many public collections, including the Whitney Museum of American Art, Phillips Collection, Washington, DC, Cleveland Museum of Art, Pennsylvania Academy of the Fine Arts, National Museum of Women in the Arts, and the Greenville County Museum of Art, Greenville, South Carolina. A traveling retrospective entitled "Simple Pleasures: The Art of Doris Lee", is planned for 2021-2023, and a related exhibit is at the Wigmore Fine Art Gallery in Manhattan in January 2022.
Thanksgiving
Thanksgiving
In 1935, Doris Lee's bustling scene of women preparing a Thanksgiving feast became the object of national headlines when it was first exhibited at the Chicago Art Institute and won the prestigious Logan Medal of the Arts. The themes of Thanksgiving, rural customs, and family life, which Lee painted in a deliberately folksy manner, would have had great appeal to a country still in the midst of the national devastation of the Great Depression. Her painting offered a quaint model of domesticity that appealed to those who were tired of the complication of modern life in the 1930s. To a generation exhausted with the trials of economic hard times, the return to a simpler past became more desirable as the search for a new national identity continued. Her work received public and critical acclaim for its earthy qualities and sense of humor. One critic described her paintings as "fresh, with the charm of innocence". Thanksgiving celebrates the joys of family ties. The bustling kitchen is filled with life and love as a group of women prepares the annual feast. Yet Josephine Logan, the donor of the prize, condemned the work's broad, exaggerated style and founded the conservative Society for Sanity in Art movement in response. This controversy only brought Lee fame, and Thanksgiving has been recognized as one of the most popular nostalgic views of this American ritual.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Aledo.
Birth place
Clearwater.
Death place
Awards
Lee was awarded the Logan Medal of the Arts at the 46th American Exhibition of Painting and Sculpture at the Art Institute of Chicago.
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Doris Lee, revision 1328298105 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.The Phillips Collection. Made in the U.S.A.: American art from the Phillips Collection 1850-1970. Yale University Press; The Phillips Collection. 2013. 9780300196153.
- 2.Manhattan., D. Wigmore Fine Art, Inc. is an American art gallery located in Midtown. Doris Lee D. Wigmore Fine Art. www.dwigmore.com.
- 3.Smith, Roberta. Offering a Painter for History's Reconsideration. The New York Times. April 7, 2008.
- 4.Lowery Stokes Sims, Doris Emrick Lee 1904-1983 #16, The Landscape in Twentieth-Century American Art, Selections from the Metropolitan Museum of Art, Rizzoli, NY 1991, p. 57, 56.
- 5.Mendelsohn, Meredith. Doris Lee, Unjustly Forgotten, Gets a Belated but Full Blown Tribute. The New York Times. December 30, 2021.
- 6.Nabokov, Vladimir. The annotated Lolita. Vintage. 403. 1991. 9780307788085.
- 7.Doris Lee National Museum of Women in the Arts. nmwa.org.
- 8.Thanksgiving The Art Institute of Chicago. www.artic.edu.
- 9.Art: Proletarian Gloom. Time. 26. 19. November 4, 1935.
References
Citations
References
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reference work
Secondary witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 29 August 2026.
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