Dmitry Kardovsky
Dmitry Nikolayevich Kardovsky (5 September 1866 – 9 February 1943) was a Russian draughtsman and painter during the Modernist period, particularly known for his illustrations and stage designs.
Also recorded as Dmitri Nikolaevich Kardovsky · Dmitrij Nikolaevič Kardovskij · Dmitry Nikolayevich Kardovsky · Dmitry Nicolajevich Kardovsky
Dmitry Kardovsky

Ilya Repin · Public domain
- Name
- Dmitry Kardovsky
- Born
- 5 September 1866
- Birthplace
- Osurovo, Yaroslavl Governorate, Russian Empire
- Died
- 9 February 1943
- Place of death
- Pereslavl-Zalessky, RSFSR
- Education
- Moscow State University Imperial Academy of Arts
- Training
- * Pavel Chistyakov
- Nationality
- Russian Empire · Soviet Union
- Occupation
- painter · typographer · teacher · illustrator · artist
- Fields
- visual arts
- Honours
- Honored art worker of the Russian Soviet Federative Socialist Republic
- Languages
- Russian
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Dmitry Nikolayevich Kardovsky (5 September 1866 – 9 February 1943) was a Russian draughtsman and painter during the Modernist period, particularly known for his illustrations and stage designs.
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wikidata · Q2363284 · wikipedia · Dmitry Kardovsky
In this article
Biography
Biography
Dmitry Kardovsky studied at Moscow Imperial University, Faculty of Law, Higher Art School at the Imperial Academy of Arts and Imperial Academy of Arts. Olga Zhudina, Lev Kramarenko and Pavel Shillingovsky are recorded as having studied under Dmitry Kardovsky. The recorded working language is Russian. The field of work recorded is visual arts. Places of work recorded in the authority are Soviet Union. Employment is recorded with Higher Art School at the Imperial Academy of Arts. Distinctions recorded are Honored art worker of the Russian Soviet Federative Socialist Republic.

Dmitry Kardovsky, D.N. Kardovskiy by Olga Della-Vos-Kardovskaya
Olga Della-Vos-Kardovskaya · Self-photographed
Key facts
Key facts
• Name — Dmitry Kardovsky • Born — 5 September 1866 • Birthplace — Osurovo, Yaroslavl Governorate, Russian Empire • Died — 9 February 1943 • Place of death — Pereslavl-Zalessky, RSFSR • Resting Place — Goritsky Monastery, Pereslavl-Zalessky • Education — Moscow State University Imperial Academy of Arts • Training — * Pavel Chistyakov • Ilya Repin • Anton Ažbe
Biography
Biography
He was born near Pereslavl-Zalessky in the Yaroslavl province. After studying law at Moscow University, he then studied at the Imperial Academy of Arts in St Petersburg from 1892, under Pavel Chistyakov and Ilya Repin. Kardovsky moved to Munich in 1896 with Igor Grabar and studied at the private studio of Anton Ažbe. He returned to St. Petersburg in 1900 and received his diploma from the academy in 1902. He was appointed as professor of the academy in 1907. Kardovsky explored various styles, including Impressionism and Jugendstil, but was more concerned with faithful representation than formal experiment. From 1902, he was prolific as a book illustrator, and worked mainly on the Russian literary classics by Chekhov, Gogol, Lermontov and Tolstoy. He also dabbled with political caricature, providing illustrations for the radical journals Zhupel (Bugbear) and Adskaya Pochta from 1905 to 1906. In 1934 Isaak Brodsky, a disciple of Ilya Repin was appointed director of the National Academy of Arts and the Leningrad Institute of Painting, Sculpture and Architecture. Brodsky invited Kardovsky among the most distinguished painters and pedagogues to teach at the academy. The system of master's workshops was restored at the Department of Painting. Students were assigned to one of the workshops after they completed their second-year courses. Professor Kardovsky had their own workshops. He also taught at the Moscow School of Painting, Sculpture and Architecture, where one of his students was Grigor Vahramian Gasparbeg. He was an admirer of Mikhail Vrubel, whose posthumous exhibition he organized in 1912. Kardovsky died in Pereslavl-Zalessky in 1943. • Illustration — Lady with a Cat, the so-called Marya Anastasievna Chroustchova, 1900; Solomon R. Guggenheim Museum
Family
Family
Dmitry was married to fellow painter, Olga Della-Vos, from April 1899. They had one daughter together, Yekaterina (1900–1985).
Identity and origins
Identity and origins
The authorities additionally record the headings Dmitri Nikolaevich Kardovsky, Dmitrij Nikolaevič Kardovskij, Dmitry Nikolayevich Kardovsky and Dmitry Nicolajevich Kardovsky. His recorded language was Russian. He married Olga Della-Vos-Kardovskaya. One child is recorded: Ekaterina Dmitrievna Kardovskaya.
Life and career
Dated record
Life and career
The full dated record · 2 entries
1866
Dmitry Kardovsky born at Osurovo.
1943
Dmitry Kardovsky died at Pereslavl-Zalessky.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Osurovo.
Birth place
Pereslavl-Zalessky.
Death place
Students at the St Petersburg Academy of Arts
• The Latvian-born painter Frédéric Fiebig trained under his guidance in 1906. • The Socialist Realist artist Serafima Ryangina trained under Kardovsky between 1912–18 and 1921–23.
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q2363284: Dmitry Kardovsky
General reference · Wikidata
reference work
- “Dmitry Kardovsky”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.N. Z., Kardovskij, Dimitrij Nikolajevič, in Ausst. Kat.: Wege zur Moderne und die Ažbe-Schule in München, Museum Wiesbaden 1988, S. 121
- 2.Joseph Brodski, Ilja Repin, Leipzig 1981, S. 172
- 3.N. Z., Kardovskij, Dimitrij Nikolajevič, in Ausst. Kat.: Wege zur Moderne und die Ažbe-Schule in München, Museum Wiesbaden 1988, S. 121
- 4.Kylliki Zacharias, Vom Aussenbild zum Innenbild, Der Blaue Reiter und die Russische Avantgarde, in Ausst. Kat.: Vom Blauen Reiter zur russischen Avantgarde, Berlin-Moskau-München, Galerie Orlando, Zürich 2005, S. 4
- 5.Bernd Fäthke, Elisabeth Ivanowna Epstein, Eine Künstlerfreundschaft mit Kandinsky und Jawlensky, Clemens Weiler zum Andenken, Galleria Sacchetti, Ascona 1989, S. 10
- 6.Brigitte Roßbeck, Marianne von Werefkin, Die Russin aus dem Kreis des Blauen Reiters, München 2010, S. 54, Anm. 102
- 7.Bernd Fäthke, Marianne Werefkin, München 2001, S. 46, Dok. 3
- 8.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 107
- 9.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 108
- 10.Bernd Fäthke, Jawlensky und seine Weggefährten in neuem Licht, München 2004, S. 38 ff
- 11.Katarina Ambrozic, Der Künstler Anton Ažbe (1862–1905), in Ausst. Kat.: Wege zur Moderne und die Ažbe-Schule in München, Museum Wiesbaden 1988, S. 73, Anm. 91a
- 12.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 107
- 13.Jelena Hahl-Koch, Der frühe Jawlensky, in Ausst. Kat.: Alexej Jawlensky 1864–1941, Städtische Galerie im Lenbachhaus, München 1983, S. 43
- 14.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 108
- 15.Rudolf H. Wackernagel, „Ich werde die Leute … in Öl und Tempera beschwindeln, …“. Neues zur Maltechnik Kandinskys, Mit einem Beitrag von Johann Koller und Ursula Baumer (V), Zeitschrift für Kunsttechnologie und Konservierung, Jg. 11/1997, Heft 1, S. 110
- 16.N. B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kandinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 47
- 17.B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kandinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 47
- 18.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 108
- 19.Jelena Hahl-Koch, Der frühe Jawlensky, in Ausst. Kat.: Alexej Jawlensky 1864–1941, Städtische Galerie im Lenbachhaus, München 1983, S. 43
- 20.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 108
- 21.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 108
- 22.Jelena Hahl-Koch, Kandinsky und Kardowskij, Zum Porträt der Maria Krustschoff, Pantheon, Heft XXXII/4, 1974, S. 382
- 23.Jelena Hahl-Koch, Kandinsky und Kardowskij, Zum Porträt der Maria Krustschoff, Pantheon, Heft XXXII/4, 1974, S. 387
- 24.N. Z., Kardovskij, Dimitrij Nikolajevič, in Ausst. Kat.: Wege zur Moderne und die Ažbe-Schule in München, Museum Wiesbaden 1988, S. 121
- 25.N. B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kandinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 47
- 26.N. B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kandinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 48
- 27.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 108 f
- 28.N. B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kansinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 52, Anm. 1
- 29.Grigori J. Sternin, Das Kunstleben Rußlands zu Beginn des zwanzigsten Jahrhunderts, Dresden 1980, S. 98
- 30.Grigori J. Sternin, Das Kunstleben Rußlands zu Beginn des zwanzigsten Jahrhunderts, Dresden 1980, S. 117 ff
- 31.N. Z., Kardovskij, Dimitrij Nikolajevič, in Ausst. Kat.: Wege zur Moderne und die Ažbe-Schule in München, Museum Wiesbaden 1988, S. 121
- 32.N. B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kandinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 52, Anm. 1
- 33.Grigori J. Sternin, Das Kunstleben Rußlands zu Beginn des zwanzigsten Jahrhunderts, Dresden 1980, S. 266
- 34.N. B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kandinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 52, Anm. 1
- 35.Bernd Fäthke, Marianne Werefkin, München 2001, S. 179, Abb. 203
- 36.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 114
- 37.Gisela Kleine, Gabriele Münter und Wassily Kandinsky, Biographie eines Paares, Frankfurt/M. 1990, S. 508
- 38.N. B. Avtonomova, Die Briefe Wasilly Kandinskys an Dmitrij Kardovkij, in Ausst. Kat.: Wasilly Kandinsky, Die erste sowjetische Retrospektive, Gemälde, Zeichnungen und Graphik aus sowjetischen und westlichen Museen, Shirn Kunsthalle Frankfurt 1989, S. 53
- 39.Bernd Fäthke, Jawlensky und seine Weggefährten in neuem Licht, München 2004, S. 188
- 40.Alexej Jawlensky, Lebenserinnerungen, in: Clemens Weiler (Hrsg.), Alexej Jawlensky, Köpfe-Gesichte-Meditationen, Hanau 1970, S. 114
References
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Further particulars
Held on the record
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Open the remaining particulars
Dmitry Kardovsky studied at Moscow Imperial University, Faculty of Law, Higher Art School at the Imperial Academy of Arts and Imperial Academy of Arts. Each of those relationships is stated by the authority record rather than inferred from style.
Dmitry Kardovsky worked in visual arts. He was employed by Higher Art School at the Imperial Academy of Arts. He worked at Soviet Union. Recorded with the occupation painter. Recorded as having studied at Moscow Imperial University, Faculty of Law, Higher Art School at the Imperial Academy of Arts and Imperial Academy of Arts.
Career and activity
Activity and practice
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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