Niklāvs Strunke
Niklāvs Strunke (1894–1966) was a Latvian painter and graphic artist. One of the most original artists of the Latvian modernist generation, he also worked in stained glass and scenography. He wrote about art.
Also recorded as Nicolaas Strunke · Niklavs Strunke
Niklāvs Strunke
- Name
- Niklāvs Strunke
- Born
- 6 October 1894
- Birthplace
- Flag of Russia.svg Gostynina, Russian Empire (now)
- Died
- 13 October 1966
- Place of death
- Italy Rome, Italy
- Field
- painting
- Movement
- cubism, expressionism, constructivism
- Nationality
- Russian Empire · Latvia
- Occupation
- artist · illustrator · painter · draftsperson · scenographer
- Education
- Imperial Academy of Arts
- Honours
- Order of the Three Stars and 4th Class
- Languages
- Latvian · Russian
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Documentary summary
Niklāvs Strunke (1894–1966) was a Latvian painter and graphic artist. One of the most original artists of the Latvian modernist generation, he also worked in stained glass and scenography. He wrote about art.
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wikidata · Q18193873 · wikipedia · Niklāvs Strunke
In this article
Biography
Biography
(also under the pseudonym Palmenu Klavs). Niklāvs Strunke was born 6 October 1894 in Gostynin, Russian Empire, to the family of a non-commissioned officer in the army of the Russian Empire. In 1903 he moved to Valmiera to live with his father's sister, and in 1909 he graduated from Liepiņš Progymnasium there. He moved to St. Petersburg with his father, and studied 1909–11 at the school of the Imperial Society for the Encouragement of the Arts under Nikolai Roerich and Ivan Bilibin.
Niklāvs Strunke studied at Imperial Academy of Arts. The recorded working language is Latvian and Russian. Work by Niklāvs Strunke is recorded in the collections of Tate, Latvian National Museum of Art and National Gallery. Distinctions recorded are Order of the Three Stars, 4th Class.
Key facts
Key facts
• Name — Niklāvs Strunke • Born — 6 October 1894 • Birthplace — Flag of Russia.svg Gostynina, Russian Empire (now) • Died — 13 October 1966 • Place of death — Italy Rome, Italy • Field — painting • Movement — cubism, expressionism, constructivism
Biography
Biography
In 1910, he trained at the Jan Zionglinsky Studio and Mikhail Bernstein Art Studio (1911–1913) for a few months, both of which belonged to the “left-wing Cubist trend.” He earned a master of painting, made illustrations for A. Lāčs, began to illustrate fairy tales, and returned to St. Petersburg, where he studied at the Sherwood and Bernstein Art Studio in 1914. Strunke studied graphic techniques with Vasily Matt in the workshop of the St. Petersburg Academy of Arts in 1915.
First World War
First World War
In 1915 Strunke volunteered for the Equestrian Intelligence Division of the 6th Latvian Rifle Regiment. In 1917, Strunke was in Cēsis, then in Valka, and returned to St. Petersburg. From there he arrived in Vilnius with foreign documents. After founding the Latvian SPR at the beginning of 1919, he returned to Riga, where he worked as a graphic artist, created book covers and drew a sketch for the Moscow Latvian Theater. He joined the innovative, French-oriented Expressionist Group, which became the Riga Artists' Group (abandoned in 1920). In 1919, the May 1 festival was held in Riga. He improved his skills at Riga People's University. In 1923 he went to Berlin (he created paintings, drawings and book illustrations), in 1923 he participated in the Great Berlin Art Exhibition. In the autumn of 1923, he went to Rome, Florence, and Capri. Strunke lived in Italy until July 1925. In 1926, he went to Italy for the second time, lived in Florence, and produced watercolors, oil paintings, and illustrations for fairy tales. In 1933, Strunk was awarded the Order of the Three Stars (Level IV Officer). In 1940, he organized his own 25th-anniversary retrospective exhibition.
World War II
World War II
In 1944, Niklāvs Strunke fled to Sweden. He held solo exhibitions in Karlstad (1945), Malmö (1947) and Lund (1948). He participated in the exhibition of Estonian and Latvian artists in Stockholm (1946) and in the exhibition of the Hamburg Song Festival (1964).
Creative work
Creative work
In addition to the impressions of Cubism and Constructivism, Strunke was interested in Italian art and Latvian folk art. He participated in the exhibitions of the Riga Artists' Group. He painted still lifes, portraits, and landscapes, and made a significant contribution to book graphics: • Anna Brigadere's "Son of Power" in 1923, • "Black Tales" in 1925, • Man Entering a Room, 1927, • Vilis Plūdonis "Hedgehog Coat" in 1927, • A. Chuck's "Umurkumurs" in 1932, Between 1920 and 1944, Strunke drew the covers of more than 700 books, illustrated about 30 novels, poetry or fairy tales, worked as a decorator at the National Theater, the Workers' Theater, the National Opera (scenery for about 40 performances), and worked in applied art (glass paintings). In Riga and Sigulda, about 50 drawings for porcelain painting for the J. Jessen porcelain factory in Riga. He wrote critiques and reflections on art. Solo exhibitions in Stockholm were held in 1927, 1952 and 1962. Niklāvs Strunke died October 13, 1966, in Rome.
Identity
Identity
Niklāvs Strunke is recorded as artist, illustrator, painter, draftsperson and scenographer.
Life and career
Dated record
Life and career
Explore 1894–1966
The full dated record · 4 entries
1894
Niklāvs Strunke born at Gostynin.
1923
Automatic Doors is dated 1923.
1924
Capri is dated 1924.
1966
Niklāvs Strunke died at Rome.
Places
Named by the record
Places
Only places the record itself states, plotted where the house gazetteer settles their coordinates. Nothing is inferred from a name or a nationality.
Gostynin.
Birth place
Rome.
Death place
Primary material
Documents and archives
reference work
- Wikidata, structured authority record Q18193873: Niklāvs Strunke
Reputable secondary · Wikimedia Foundation
- “Niklāvs Strunke”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
scholarly publication
- Strunke, Niklàvs, Benezit Dictionary of Artists, 2011
Scholarly · Crossref registry · 2011
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
Bibliography printed in the source article · 7
- Dzintra Andrušaite. Niklavs Strunke. Versija par Palmēnu Klāvu (Version of the Palmenian Clave). - Valters and Rapa: Riga, 2002., - 227 pages,
- Māksla un arhitektūra biogrāfijās, (Art and architecture in biographies). / red. A. Vanaga - Riga, 2000 - 3 vol.
- Siliņš J. Latvijas māksla 1915—1940, (Latvian Art 1915—1940). - Stockholm, 1988 - Vol.
- Latviešu futūrists un tradīciju noliedzējs Niklāvs Strunke — jaunatklātās teorētisko uzskatu liecības (Latvian Futurist and anti-traditionalist Niklāvs Strunke — newly discovered theoretical statements) // Materiāli par latviešu un cittautu kultūru LatvijāLatvian Futurist and anti-traditionalist Niklāvs Strunke - newly discovered theoretical statements // Materials on Latvian and non-Latvian culture in Latvia / Ed. by Inguna Daukste-Silasproģe. - Science: Riga, 2003. - P. 101—109.
- Ginta Gerharde-Upeniece, Originality in Latvian Art: Between Confirmation and Destruction. The Routledge Companion to Expressionism in a Transnational Context. August 2018.
- Aija Brasliņa.International Yearbook of Futurism Studies. Volume 1: Issue 1. Modernists in Berlin and Rome in the 1920s: Encounters with secondo futurismo. DOI: https://doi.org/10.1515/9783110237771.231. 16 Nov 2011, De Gruyter
- Suzanne Pourchier-Plasseraud. Arts and a Nation: The Role of Visual Arts and Artists in the Making of the Latvian Identity, 1905–1940. On the Boundary of Two Worlds. BRILL, 2015.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
scholarly publication
Strunke, Niklàvs, Benezit Dictionary of Artists, 2011Crossref registry
Institutional witnessreference work
Wikidata, structured authority record Q18193873: Niklāvs StrunkeWikimedia Foundation
Secondary witnessreference work
Secondary witness
People, houses and institutions
Knowledge graph
People, houses and institutions
Teachers, collaborators, publishers and institutions recorded against this person, each on a stated basis.
Studied at
1- Imperial Academy of ArtsOrganisation
Established from a fact already recorded on a verified source.
Further particulars
Held on the record
Further particulars
Open the remaining particulars
The authorities additionally record the headings Nicolaas Strunke and Niklavs Strunke. His recorded languages were Latvian and Russian. 2 children are recorded: Laris Strunke and Zanza Lidums. Strunke received Order of the Three Stars, 4th Class.
Identity and origins
Recognition and collections
Work by Niklāvs Strunke is
Tate, Latvian National Museum of Art and National Gallery
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 16 August 2026.
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