Deborah Stratman
Deborah Stratman (born 1967) is a Chicago-based artist and filmmaker who explores landscapes and systems. Her body of work spans multiple media, including public sculpture, photography, drawing and audio. • Illustration — Deborah Stratman in FIC Valdivia, Chile 2017
Deborah Stratman

Daniel Vásquez G · CC BY-SA 4.0
- Born
- 1967 · Washington and D.C.
- Nationality
- United States
- Occupation
- artist · film director · screenwriter
- Honours
- Guggenheim Fellowship
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Deborah Stratman (born 1967) is a Chicago-based artist and filmmaker who explores landscapes and systems. Her body of work spans multiple media, including public sculpture, photography, drawing and audio. • Illustration — Deborah Stratman in FIC Valdivia, Chile 2017
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Deborah Stratman. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q19868218 · wikipedia · Deborah Stratman
In this article
Biography
Biography
Stratman's work has been exhibited internationally at venues including the 2004 Whitney Biennial, Museum of Modern Art, the Centre Georges Pompidou, Hammer Museum, Witte de With, Walker Art Center, Yerba Buena Center, ICA London, MCA Chicago, Walker Art Center, Wexner Center for the Arts, Museum of the Moving Image NY, Robert Flaherty Film Seminar, Anthology Film Archives, Pacific Film Archives, Los Angeles Film Forum, San Francisco Cinemateque, REDCAT Los Angeles, Gene Siskel Film Center, Harvard Film Archives, Her work has screened extensively at Film Festivals such as Rotterdam Int’l Film Festival, Oberhausen Short Film Festival, Ann Arbor Film Festival, Images Festival, Toronto Int’l Film Festival, New York Film Festival, and the Sundance Film Festival, and many others. Deborah Stratman is currently an Associate Professor in the School of Art & Art History at the University of Illinois at Chicago. She earned her MFA from California Institute of the Arts (1995), and her BFA from The School of the Art Institute of Chicago (1990).
Other projects
Other projects
Stratman has completed a number of installations, public sculptures, and other projects, including collaborations with Steven Badgett. Her installation, "Tactical Uses of a Belief in the Unseen" (2010) was an Artforum Critic's Pick. The installation "draws on urban crowd control strategies that were used by the Central Intelligence Agency's Audio Harassment Division during the Vietnam War." Her work "Ball and Horns (aka Desert Resonator and Range Trumpet)", (2011 – ongoing) in collaboration with Steven Badgett, is permanently installed at the Center for Land Use Interpretation's Desert Research Station in Hinkley, California. While for "FEAR (Decade)" (2004–2014) Stratman set up a toll-free phone number where she invited the public to share what they were most afraid of. The responses were recorded, edited, and compiled onto an audio CD and broadcast over the radio on WLUW (88.7 fm). The FEAR hotline closed in 2014. In 2014 she participated in Chicago Film Archives' CFA Media Mixer project with Olivia Block. Together they created the 5-minute film, Second Sighted, utilizing solely films from CFA's collections. Stratman has screen credits for her camera work on Thom Andersen's films Los Angeles Plays Itself (2003) and Get Out of the Car (2010).
Filmography
Filmography
• My Alchemy, 1990, 16mm, 7 minutes • Upon a Time, 1991, 16mm, 10 minutes • A Letter, 1992, video, 7 minutes • Possibilities, Dilemmas, 1992, video, 10 minutes • the train from l.a. to l.a., 1992, video, 8 minutes • In Flight: Day No. 2,128, 1993, 16mm, 2 minutes • Palimpsest, 1993, 16mm, 3 minutes • Waking, 1994, video, 7 minutes • Iolanthe, 1995, video, 4:30 minutes • On The Various Nature Of Things, 1995, 16mm, 25 minutes • From Hetty To Nancy, 1997, 16mm, 44 minutes • The BLVD, 1999, video, 64 minutes • Untied, 2001, 16mm, 3 minutes • In Order Not To Be Here, 2002, 16mm, 33 minutes • Energy Country, 2003, video, 14:30 minutes • Kings Of The Sky, 2004, video, 68 minutes • How Among The Frozen Words, 2005, video, 44 seconds • It Will Die Out In The Mind, 2006, video, 3:50 minutes • The Magician's House, 2007, 16mm, 5:45 minutes • The Memory, 2008, video, 2 minutes • O'er The Land, 2009, 16mm, 51:40 minutes • Kuyenda N’kubvina, 2010, video, 40:00 minutes • FF, 2010, video, 2:45 minutes • Shrimp Chicken Fish, 2010, video, 5:13 minutes • Ray's Birds, 2010, 16mm, 7:07 minutes •...These Blazeing Starrs!, 2011, 16mm, 14:16 minutes • Village, silenced, 2012, video, 4:55 mins • The Name is not the Thing named, 2012, video, 10:30 mins • Musical Insects, 2013, video, 6:30 mins • Immortal, Suspended, 2013, HD video, 5:50 mins • Hacked Circuit, 2014, HD video, 15:05 mins • Second Sighted, 2014, video, 5 mins • The Illinois Parables, 2016, 16mm, 60 mins • Xenoi, 2016, video, 15:20 mins • Siege, 2017, 4-channel HD video, 7 mins • Optimism, 2018, Super 8 transferred to HD video, 14:43 mins • Vever (for Barbara), 2019, 16mm transferred to HD video, 12 mins • For the Time Being, 2021, HD video, 6:40 mins • Laika, 2021, HD video, 4:33 mins • Last Things, 2023, 35mm, 50 mins • Otherhood, 2023, 16mm transferred to HD video, 3 mins

Deborah Stratman en FIC Valdivia 2017
Daniel Vásquez G
Filmmaking
She credits Barbara Loden's Wanda, Jon Jost, Robert Nelson, Hollis Frampton, Jean Rouch, Straub-Huillet and Agnès Varda as key influences. Stratman's filmmaking style comes out of an experimental documentary tradition, though more recent films have incorporated staging and re-enactment. She typically directs, shoots, edits and designs the sound for each production. Her films, rather than telling stories, pose a series of problems – and through their at times ambiguous nature, allow for a complicated reading of the questions being asked. Much of her work points to the relationships between physical environments and the very human struggles for power and control that are played out on the land. Most recently, they have questioned elemental historical narratives about faith, freedom, sonic subterfuge, expansionism and the paranormal.
Primary material
Documents and archives
reference work
- “Deborah Stratman”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q19868218: Deborah Stratman
General reference · Wikidata
Awards
Stratman's multi-disciplined art practice has been recognized and supported by a number of prestigious granting organizations and awards. She has received the United States Artists (USA) Fellowship (2015), the Herb Alpert Award in the Arts (2014), Creative Capital Award (2012), Guggenheim Fellowship (2003), Fulbright Fellowship (1995–96). Stratman's films and videos have won numerous awards at film festivals, including: Special Jury Prize, 50th Ann Arbor Film Festival, Ann Arbor, Michigan: Ray's Birds. 2011; New Vision Award, CPH:DOX International Documentary Film Festival: O’er the Land. 2009; Ken Burns Award for Best of the Festival, 47th Ann Arbor Film Festival: O’er the Land. 2009; Best International On Screen (Film) Award, 22nd Images Festival: O’er the Land. 2009
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1."UIC Faculty Directory"
- 2.Interview with Aily Nash, "Volumes and Pressures", Brooklyn Rail, 2012
- 3.Deborah Stratman at Cleve Carney Art Gallery. artforum.com.
- 4.CFA Media Mixer 2014: Meet this Year's Artists – Chicago Film Archives.
- 5.Second Sighted » Ann Arbor Film Festival.
- 6.The Illinois Parables.
- 7.Deborah Stratman: Xenoi. April 2017.
- 8.P y T H a G O R a S F I L M.
- 9.Optimism.
- 10.Vever (For Barbara).
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 20 August 2026.
Elsewhere in Film memorabilia
37,604 published records in this field, each with its sources named.
- Deborah RaffinPerson
- Deborah ScrantonPerson
- Deborah SeccoPerson
- Deborah SheltonPerson
- Deborah TwissPerson
- Deborah WalleyPerson
- Deborah WarnerPerson
- Deborra-Lee FurnessPerson
Best supported in this field
For owners
Own a work by Deborah Stratman?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.