Rip Taylor

Rip Taylor was recorded at birth as Charles Elmer Taylor. The authorities additionally record the headings Prince of Pandemonium, King of Confetti and Charles E. Taylor. His recorded language was English.

8 works under this name are catalogued by The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1712 to 1997.

Hampton Court by Tram, dated March 28, 1929, color lithograph on cream wove paper, held by The Art Institute of Chicago, inventory 1929.593. Hysteria, dated 1997, 16 mm color film transferred to digital video (projection, silent); 8 min. loop edition number two of three, held by The Art Institute of Chicago, inventory 2007.39. Gas Works, dated n.d., etching in black on white wove paper, held by The Art Institute of Chicago, inventory 1959.881. For Christmas Shop Between 10 and 4, dated 1924, color lithograph on cream wove paper, held by The Art Institute of Chicago, inventory 1925.111. The Butterfly, dated 1920, color aquatint on tan japanese paper, held by The Art Institute of Chicago, inventory 1934.25. Private thoughts upon a Christian life; or, Necessary directions for its beginning and progress upon earth, in order to its final perfection in the beatifick vision. Part II. By the Right Reverend Father in God, William Beveridge, D.D. late lord bishop of St. Asaph. Written by him in his Riper Years, and printed from his original manuscripts, dated 1712, held by Wellcome Collection. Private thoughts upon a christian life: or, necessary directions for its beginning and progress upon earth, in order to its final perfection in the beatifick vision. Part II. By the Right Reverend Father in God, William Beveridge, D. D. late Lord Bishop of St. Asaph. Written by him in his riper years, and Printed from his Original Manuscripts, dated 1719, held by Wellcome Collection. An inn at Bristol: people having breakfast before taking the stage coach. Stipple print after E.V. Rippingille, 1824., dated [1824?], held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 5 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 4 recorded objects, read from the institution's own published catalogue.

Bibliographic registers publish measured figures for this heading: 22 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 3 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 3 means 3 genuinely separate publishers of record. 17 further registers were consulted and returned nothing for this heading.