Darío de Regoyos

Darío de Regoyos was recorded at birth as Darío de Regoyos y Valdés. The authorities additionally record the headings Darío de Regoyos y Valdés, Dario De Regoyos, Diario de Regoyos Valdés, Diario de Regoyos y Valdés and Dario de Regoyos Valdes. His recorded language was Spanish.

He was the child of Darío de Regoyos y Molenillo.

Darío de Regoyos studied at Royal Academy of Fine Arts of Brussels, Royal Academy of Fine Arts of San Fernando, Carlos de Haes and Joseph Quinaux.

Work by Darío de Regoyos is held by Museo Nacional Centro de Arte Reina Sofía, The Nelson-Atkins Museum of Art, Thyssen-Bornemisza Museum and Carmen Thyssen Museum.

What the record establishes about Darío de Regoyos.

Darío de Regoyos is recorded with the occupation landscape painter. Darío de Regoyos is recorded with the occupation visual artist. Darío de Regoyos is recorded as a citizen of Spain. Impresión de la Concha de San Sebastián II (Impression of La Concha Beach in San Sebastián II) is dated 1894 and held by Museo Nacional Centro de Arte Reina Sofía (inventory AS12043). Retrato de Dolores Otaño (Portrait of Dolores Otaño) is dated 1892 and held by Museo Nacional Centro de Arte Reina Sofía (inventory AS12042). Basque Celebration (dance at El Antiguo, San Sebastián) is dated 1888 and held by Museu Nacional d'Art de Catalunya (inventory 065614-000).

Côte Basque, matin (Basque Coast, Morning) is dated 1895 and held by Museo Nacional Centro de Arte Reina Sofía (inventory AS12045). Irún por la tarde (Irún in the Evening) is dated 1901 and held by Museo Nacional Centro de Arte Reina Sofía (inventory AS12055). The village of Quevedo. Valle de Toranzo is dated 1910 and held by Museu Nacional d'Art de Catalunya (inventory 065617-000). Good Friday Early Morning in Orduña is dated 1903 and held by Museu Nacional d'Art de Catalunya (inventory 065615-000). El gallinero (The Hen House) is dated 1912 and held by Museo Nacional Centro de Arte Reina Sofía (inventory AS12044). Barcelona Seen from Vallvidrera is dated 1912 and held by Museu Nacional d'Art de Catalunya (inventory 010262-000).

Snowy Landscape by Night. Haarlem is dated 1886 and held by Thyssen-Bornemisza Museum (inventory (CTB.1995.27)). The Downpour. Santoña Bay is dated 1900 and held by Museu Nacional d'Art de Catalunya (inventory 065613-000). Pancorbo: Passing Train is dated 1901 and held by Museu Nacional d'Art de Catalunya (inventory 017453-000). Sant Feliu de Torelló is dated 1912 and held by Museu Nacional d'Art de Catalunya (inventory 065616-000). The Passing of the Train is dated 1902 and held by Carmen Thyssen Museum (inventory Inv. CTB.1995.36). The Road to Tona is dated 1912 and held by Museu Nacional d'Art de Catalunya (inventory 065618-000).

Azul, San Sebastian is dated 1900 and held by Minneapolis Institute of Art (inventory 2012.113). Almond Trees in Blossom is dated 1902 and held by Carmen Thyssen Museum (inventory CTB.1987.19). The Concha, Night-time is dated 1906 and held by Carmen Thyssen Museum (inventory CTB.1996.54). Blast Furnaces in Bilbao is dated 1908 and held by Fundación Banco Santander (inventory 274). El Darro is dated 1910 and held by National Museum of Fine Arts, Argentina (inventory 6136). Good Friday in Castile is dated 1904 and held by Bilbao Fine Arts Museum (inventory 82/130).

Darío de Regoyos worked at Netherlands. Darío de Regoyos is recorded as having studied at Royal Academy of Fine Arts of Brussels, Royal Academy of Fine Arts of San Fernando and Carlos de Haes.

The circumstances in which Darío de Regoyos stands.

Darío de Regoyos is also recorded as Darío de Regoyos y Valdés; Dario De Regoyos; Diario de Regoyos Valdés; Diario de Regoyos y Valdés; Dario de Regoyos Valdes; Dario de Regoyos. Darío de Regoyos is associated with symbolist painting. Darío de Regoyos is associated with Impressionism. Darío de Regoyos is associated with pointillism.

The identifiers under which Darío de Regoyos may be traced in institutional catalogues.

Darío de Regoyos is established in the international name authorities as Social Networks and Archival Context w6961dbh, Bibliothèque nationale de France 12062477v, Getty Union List of Artist Names 500018340, Gemeinsame Normdatei (GND) 11935909X, Library of Congress n82239166, ISNI 0000000081352323, IdRef 028881095 and VIAF 56631255.

38 works under this name are catalogued by Wikidata Query Service and Open Library. Their recorded dates run from 1881 to 1924.

España negra (1899). Bathing in Rentería, dated 1900, held by Bilbao Fine Arts Museum, inventory 82/146. Good Friday in Castile, dated 1904, held by Bilbao Fine Arts Museum, inventory 82/130. Victims of the party, dated 1894, held by Abelló Museum. Azul, San Sebastian, dated 1900, held by Minneapolis Institute of Art, inventory 2012.113. Snowy Landscape by Night. Haarlem, dated 1886, held by Thyssen-Bornemisza Museum, inventory (CTB.1995.27). The Downpour. Santoña Bay, dated 1900, held by Museu Nacional d'Art de Catalunya, inventory 065613-000. The village of Quevedo. Valle de Toranzo, dated 1910, held by Museu Nacional d'Art de Catalunya, inventory 065617-000. Sant Feliu de Torelló, dated 1912, held by Museu Nacional d'Art de Catalunya, inventory 065616-000. The Road to Tona, dated 1912, held by Museu Nacional d'Art de Catalunya, inventory 065618-000. Pancorbo: Passing Train, dated 1901, held by Museu Nacional d'Art de Catalunya, inventory 017453-000. Basque Celebration (dance at El Antiguo, San Sebastián), dated 1888, held by Museu Nacional d'Art de Catalunya, inventory 065614-000. Good Friday Early Morning in Orduña, dated 1903, held by Museu Nacional d'Art de Catalunya, inventory 065615-000. Retrato de Dolores Otaño (Portrait of Dolores Otaño), dated 1892, held by Museo Nacional Centro de Arte Reina Sofía, inventory AS12042. Irún por la tarde (Irún in the Evening), dated 1901, held by Museo Nacional Centro de Arte Reina Sofía, inventory AS12055. El gallinero (The Hen House), dated 1912, held by Museo Nacional Centro de Arte Reina Sofía, inventory AS12044. Impresión de la Concha de San Sebastián II (Impression of La Concha Beach in San Sebastián II), dated 1894, held by Museo Nacional Centro de Arte Reina Sofía, inventory AS12043. Côte Basque, matin (Basque Coast, Morning), dated 1895, held by Museo Nacional Centro de Arte Reina Sofía, inventory AS12045. Barcelona Seen from Vallvidrera, dated 1912, held by Museu Nacional d'Art de Catalunya, inventory 010262-000. El Darro, dated 1910, held by National Museum of Fine Arts, Argentina, inventory 6136. Blast Furnaces in Bilbao, dated 1908, held by Fundación Banco Santander, inventory 274. Sierra Nevada, dated 1905, held by Fundación Banco Santander, inventory 273. The Concha, Night-time, dated 1906, held by Carmen Thyssen Museum, inventory CTB.1996.54. Almond Trees in Blossom, dated 1902, held by Carmen Thyssen Museum, inventory CTB.1987.19. The Passing of the Train, dated 1902, held by Carmen Thyssen Museum, inventory Inv. CTB.1995.36. Landscape near Hernani, dated 1900, held by Carmen Thyssen Museum. Storm in the Pyrenees, dated 1885. The Countryside near Ripoll, Catalonia, dated 1912. Self-portrait, dated 1902, held by Fine Arts Museum of Asturias. Outskirts of Brussels, dated 1881, held by Museo del Prado, inventory P008296. Square in Segovia, dated 1882, held by Bilbao Fine Arts Museum, inventory 82/140. Snow and Thaw, dated 1900, held by Meadows Museum. Carrera del Darro, held by Granada Public Library. View of the Alhambra, held by Granada Public Library. España negra. Darío de Regoyos en el Museo de Bellas Artes de Asturias. Darío de Regoyos. La España negra de Verhaeren, dated 1924.

Work associated with this heading is recorded in 10 named public collections.

Museu Nacional d'Art de Catalunya: 8 recorded objects, read from the institution's own published catalogue. Museo Nacional Centro de Arte Reina Sofía: 5 recorded objects, read from the institution's own published catalogue. Carmen Thyssen Museum: 4 recorded objects, read from the institution's own published catalogue. Bilbao Fine Arts Museum: 3 recorded objects, read from the institution's own published catalogue. Fundación Banco Santander: 3 recorded objects, read from the institution's own published catalogue. Granada Public Library: 2 recorded objects, read from the institution's own published catalogue. Abelló Museum: 1 recorded object, read from the institution's own published catalogue. Minneapolis Institute of Art: 1 recorded object, read from the institution's own published catalogue. Thyssen-Bornemisza Museum: 1 recorded object, read from the institution's own published catalogue. National Museum of Fine Arts, Argentina: 1 recorded object, read from the institution's own published catalogue.

6 scholarly publications naming this subject were located in the registry of record.

Regoyos (y Valdés), Darío de, Oxford Art Online, 2003. Darío de Regoyos y la pintura europea en la crisis de 1900, De Arte. Revista de Historia del Arte, 2015. «Extraviado en Bélgica». La trayectoria expositiva de Darío de Regoyos en el área franco-belga (1882-1914), Locus Amoenus, 2024. Regoyos y Valdes, Dario de, Benezit Dictionary of Artists, 2011. «Extraviado en Bélgica». La trayectoria expositiva de Darío de Regoyos en el área franco-belga (1882-1914), Locvs Amoenvs, 2024. Un dibujo «negro» de Darío de Regoyos., Anales de Historia del Arte, 1993.

Bibliographic registers publish measured figures for this heading: 11 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 14 further registers were consulted and returned nothing for this heading.

Darío de Regoyos studied at Royal Academy of Fine Arts of Brussels, Royal Academy of Fine Arts of San Fernando and Carlos de Haes. the recorded working language is Spanish.

The authority associates the name with Impressionism, pointillism and symbolist painting.

Places of work recorded in the authority are Netherlands. Membership is recorded of Les XX and L'Essor.

Work by Darío de Regoyos is recorded in the collections of Museo Nacional Centro de Arte Reina Sofía, The Nelson-Atkins Museum of Art, Thyssen-Bornemisza Museum, Carmen Thyssen Museum and Bilbao Fine Arts Museum.