Daniel Lezama
Daniel Lezama (born in 1968 in Mexico City) is a contemporary Mexican artist based in Mexico City. He is known for his sometimes disturbing fantastic compositions constituted by highly realistic representations of Mexican people juxtaposed in strange dream-like situations and with strong symbolic meanings connected to Mexican history and traditions.
Daniel Lezama

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- Born
- 1968 · Mexico City.
- Nationality
- Mexico
- Occupation
- painter
- Languages
- Spanish
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Daniel Lezama, artista e pittore, nacque nel 1968.
Vita
La nascita è registrata dalla Bibliothèque nationale de France e dalla Deutsche Nationalbibliothek.
Istituzioni citate
Bibliothèque nationale de France · Deutsche Nationalbibliothek
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Documentary basis
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In this article
Early life
Early life
Daniel Lezama was born in Mexico City in 1968. His father was a commercial painter and together with his family, he lived in Mexico, Texas and Paris and grew up in close contact with the visual arts. Lezama studied in the Escuela Nacional de Artes Plasticas (Academia de San Carlos) of the Universidad Nacional Autonoma de Mexico where he graduated in 1997.
Career and style
Career and style
He started his formal artistic career in 1995 and has had a productive career since then. His style has been influenced by multiple artists including Rubens, Goya, Caravaggio, Velazquez, Hopper and Orozco, among others. In his paintings, Lezama uses realistic looking representation to create unreal scenes inspired by delicate historical and contemporary Mexican social and psychological themes from his own very personal point of view. Many of his paintings gather groups of unrelated people in unexpected settings that result in representations that resemble surrealistic art. While he is fairly successful and has exhibited widely, his work creates conflicting reactions that has made some gallery owners hesitant to display it and collectors to own it. Lezama's compositions often bring together groups of people in strange, surrealistic circumstances. While his images represent everyday characters, in his compositions they are converted into history, myths and legends. Each image in the composition has a singular significance but the composition connects all the characters together. The peculiar physical characteristics and mindset of people in Mexican society are highlighted in Lezama's compositions. He has defined elements of his style as "figurative" since his representations seem real but they are not, "naturalist" because he creates from the imagination instead of using models and "allegorical" because his work can be subjected to multiple interpretations. Moreover, he points out that he does not paint what he likes but what he must as he tries to paint daily. While in his early career he made use of preliminary sketches before producing the final painting, now he paints directly on large canvases. Besides extensive paintings has also been producing sculptures.
Personal life
Personal life
Lezama currently resides and works in downtown Mexico City. He considers himself a "reflective hedonist". He travels daily from his home in Mexico City to his studio, which is located near El Zocalo in the center of the city, in order to separate his artistic endeavors from his private life.
Exhibitions
Exhibitions
Lezama's work has been shown in over 20 solo exhibitions and more than 60 collective exhibitions both in Mexico and abroad. For instance: 2022 Centro Cultural Taller Popular, Oaxaca, Mexico (Solo). 2022 Museo de Arte Moderno, Mexico City, Mexico (Solo). 2020 The Mexican Museum, San Francisco, California (Solo – Online). 2012 Spinnerei, Leipzig, Germany (Collective).
Recognition and reception
Early in his career, he was awarded the acquisition prize during the X Rufino Tamayo Biennale in Mexico in 2001 for his work Niña Muerta (Dead Girl), a decision that was hotly contested and controversial. He has received multiple recognitions and sponsorships since then. While some galleries and collectors have condemned and/or refused his work, others have sought it and acquired it.
Collections
Collections
His works can be found in a number of museum collections and private collector's homes in Mexico and abroad. For instance: Museum, in San Francisco, California.
Documents and archives
Primary material
Documents and archives
reference work
- “Daniel Lezama”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
authority record
- Wikidata, structured authority record Q5798487: Daniel Lezama
General reference · Wikidata
Text attribution
Licensing
Text attribution
Part of the biographical narrative on this page reuses licensed material. Its origin, revision and licence are recorded here.
The biographical narrative on this page is based on the Wikipedia article Daniel Lezama, revision 1372520467 (EN edition), by its contributors. VALÉORINE has edited that text and built its own documentary record around it. The reused material is available under CC BY-SA 4.0, and this page's reuse of it is offered under the same licence. Everything else on this page — the chronology, the holdings, the evidence, the plates and the connections — is VALÉORINE's own record. Sources and licences.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Artist Daniel Lezama's controversial works. Los Angeles Times.
- 2.Demos, Editorial. La Jornada – Consigue Daniel Lezama montar una exposición individual en Oaxaca. www.jornada.com.mx.
- 3.Lopez Casas, Cristina. La Evolucion del Arte Fantastico en Mexico: Daniel Lezama. Brumal: Revista de investigación sobre lo Fantástico. IV. 2. 45–80. 2016. 10.5565/rev/brumal.325.
- 4.Lomeli, Ana Maria. Al Filo – Daniel Lezama Interview – ADN Opinion (Spanish). Youtube. December 3, 2022.
- 5.Anonymous. X Rufino Tamayo Painting Biennial. Art Nexus. December 3, 2022.
- 6.Molinari, Aleph. Tropical Melancholia, A Conversation with Daniel Lezama. Materia. August 3, 2021.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Secondary witnessauthority record
General reference
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 19 August 2026.
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