Charles Henri Ford

What the record establishes about Charles Henri Ford.

Burroughs v. Wellcome, Brief for the Defendant on the Trial of the Action , Trinity Sittings [June] 1889 is dated 1889 and held by Wellcome Collection. Vol. 3. Male and female patients admitted May 1850-June 1853 is dated mid 19th century - late 19th century and held by Wellcome Collection. The young and evil : queer modernism in New York, 1930-1955 / edited by Jarrett Earnest. is dated [2019] and held by Wellcome Collection. Olive Burroughs v. Henry Wellcome and Henry Wellcome v. Olive Burroughs is dated 1895-1905 and held by Wellcome Collection. Burroughs -V- Wellcome [Bundle of High Court Papers] is dated Feb 1888 - Jul 1889 and held by Wellcome Collection. Port of the Alhambra from the Dario is dated n.d. and held by The Art Institute of Chicago (inventory 1922.3674).

Henry Wellcome Letter Book 3 ['Letter Book 3'] is dated Mar 1890 - Nov 1896 and held by Wellcome Collection. Henry Wellcome Letter Book 7 is dated Aug 1903 - Jul 1904 and held by Wellcome Collection. Charles Henri Ford is recorded in the structured authority under the identifier Q1064794. Charles Henri Ford is recorded as film director, photographer, poet, novelist and writer. Armchair is dated 1904–5 and held by The Art Institute of Chicago (inventory 1995.100). Bedcover is dated 1833 and held by The Art Institute of Chicago (inventory 1977.512).

The Art Institute of Chicago records 3 objects associated with this heading. Charles Henri Ford is recorded with the citizenship of United States. Wellcome Collection records 19 objects associated with this heading.

10 works under this name are catalogued by The Art Institute of Chicago and Wellcome Collection. Their recorded dates run from 1833 to 2019.

Port of the Alhambra from the Dario, dated n.d., graphite, heightened with white gouache, on gray wove paper, held by The Art Institute of Chicago, inventory 1922.3674. Armchair, dated 1904–5, brown-stained oak, held by The Art Institute of Chicago, inventory 1995.100. Bedcover, dated 1833, cotton, plain weaves; pieced; appliquéd; some printed; embroidered in buttonhole and herringbone stitches; quilted; backed and overlined with cotton, plain weave, held by The Art Institute of Chicago, inventory 1977.512. Henry Wellcome Letter Book 7, dated Aug 1903 - Jul 1904, held by Wellcome Collection. Henry Wellcome Letter Book 3 ['Letter Book 3'], dated Mar 1890 - Nov 1896, held by Wellcome Collection. The young and evil : queer modernism in New York, 1930-1955 / edited by Jarrett Earnest., dated [2019], held by Wellcome Collection. Burroughs v. Wellcome, Brief for the Defendant on the Trial of the Action , Trinity Sittings [June] 1889, dated 1889, held by Wellcome Collection. Olive Burroughs v. Henry Wellcome and Henry Wellcome v. Olive Burroughs, dated 1895-1905, held by Wellcome Collection. Burroughs -V- Wellcome [Bundle of High Court Papers], dated Feb 1888 - Jul 1889, held by Wellcome Collection. Vol. 3. Male and female patients admitted May 1850-June 1853, dated mid 19th century - late 19th century, held by Wellcome Collection.

Work associated with this heading is recorded in 2 named public collections.

The Art Institute of Chicago: 3 recorded objects, read from the institution's own published catalogue. Wellcome Collection: 19 recorded objects, read from the institution's own published catalogue.

7 scholarly publications naming this subject were located in the registry of record.

Charles Henri Ford Letters, 2024. Introduction: Water From a Bucket, or, the Hidden Modernist History of Charles Henri Ford, Charles Henri Ford : Between Modernism and Postmodernism. Conclusion: I Will Be What I Am, or, the Camp Modernist Legacy of Charles Henri Ford, Charles Henri Ford : Between Modernism and Postmodernism. Charles Henri Ford : Between Modernism and Postmodernism, 2017. Camp, Modernism, and Charles Henri Ford, Modernism/modernity, 2016. Keep on Waking : Charles Henri Ford, Camp, and Surrealism, Miranda: Revue Pluridisciplinaire du Monde Anglophone, 2017. <i>View</i> Magazine and the Mass Visual Culture of World War II, Arts, 2020.

Bibliographic registers publish measured figures for this heading: 9 language editions of the general reference literature carrying an article (Wikimedia (language editions)). A count of publications is evidence of attention, not of standing, and is given here only as a measure.

This article draws on 5 independent source lineages. Copies and mirrors of the same underlying record were collapsed into a single witness, so 5 means 5 genuinely separate publishers of record. 15 further registers were consulted and returned nothing for this heading.

the recorded working language is English.

The field of work recorded is poetry, prose and literature.

Work by Charles Henri Ford is recorded in the collections of Museum of Modern Art, J. Paul Getty Museum and Whitney Museum of American Art.