Charles Allston Collins

Charles Allston Collins studied at Stonyhurst College. The recorded working language is English. The field of work recorded is painting, literature and illustration. Works named in the authority record are Convent Thoughts. Work by Charles Allston Collins is recorded in the collections of Tate, Ashmolean Museum, Fitzwilliam Museum, Detroit Institute of Arts and Victoria and Albert Museum.

Collins was born in Hampstead, north London, the son of landscape and genre painter William Collins. His older brother was the novelist Wilkie Collins. He was educated at Stonyhurst College in Lancashire.

Collins met John Everett Millais and became influenced by the ideas of the Pre-Raphaelites, completing his painting Berengaria's Alarm in 1850. This depicted the wife of King Richard the Lionheart noticing her missing husband's girdle offered for sale by a peddlar. The flattened modelling, emphasis on pattern making, and imagery of embroidery were all characteristic features of Pre-Raphaelitism. Millais proposed that Collins should become a member of the Brotherhood, but Thomas Woolner and William Michael Rossetti objected, so he never became an official member. Collins fell in love with Maria Francesca Rossetti, but she rejected him. He became increasingly ascetic and introspective. These attitudes were expressed in Collins's best-known work, Convent Thoughts, which depicted a nun in a convent garden. Collins went on to exhibit many highly devotional images.

In the late 1850s, however, he abandoned art to follow his brother into a writing career. His most successful literary works were humorous essays collected together under the title The Eye Witness (1860).

Collins married Charles Dickens's daughter Kate in 1860, and later was engaged to illustrate Dickens's unfinished novel The Mystery of Edwin Drood. He completed the cover but was too ill to do the rest, which were taken over by Luke Fildes. He died from cancer in 1873 and is buried in Brompton Cemetery, London. He was 45 years old.