César Baldaccini
César (born Cesare Baldaccini; 1 January 1921 – 6 December 1998), also occasionally referred to as César Baldaccini (sezaʁ baldatʃini), was a French sculptor. César was at the forefront of the Nouveau réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects.
Also recorded as Cesar · Baldaccini C. Cesar · César Baldiccini · Cesar Baldaccini
César Baldaccini

Dumay Olivier Victor Marius · CC BY-SA 4.0
- Name
- César Baldaccini
- Born
- 1 January 1921
- Birthplace
- Marseille, France
- Died
- 6 December 1998
- Place of death
- Paris, France
- Field
- Sculpting
- Birth Name
- Cesare Baldaccini
- Nationality
- France
- Occupation
- sculptor · painter · draftsperson · jewelry designer · designer · teacher
- Fields
- art of sculpture · public art
- Movements
- Nouveau réalisme
- Known for
- The Centaur · The Thumb · Marseille
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César (born Cesare Baldaccini; 1 January 1921 – 6 December 1998), also occasionally referred to as César Baldaccini (sezaʁ baldatʃini), was a French sculptor. César was at the forefront of the Nouveau réalisme movement with his radical compressions (compacted automobiles, discarded metal, or rubbish), expansions (polyurethane foam sculptures), and fantastic representations of animals and insects.
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wikidata · Q445065 · wikipedia · César Baldaccini
In this article
Key facts
Key facts
• Name — César Baldaccini • Born — 1 January 1921 • Birthplace — Marseille, France • Died — 6 December 1998 • Place of death — Paris, France • Field — Sculpting • Birth Name — Cesare Baldaccini • Illustration — Grave of Baldaccini in Montparnasse cemetery, Paris, incorporating one of his sculptures • Illustration — Le pouce • Illustration — The Flying Frenchman in Hong Kong
Biography
Biography
He was a French sculptor, born in 1921 to Italian parents from Tuscany in the working-class neighbourhood of la Belle-de-Mai in Marseille. His father was a cooper and bar owner. After studying at the Ecole des Beaux-Arts, Marseille (1935–1939) he went on to the Ecole des Beaux-Arts in Paris (1943–1948). He began making sculptures by welding together pieces of scrap metal in 1952 and first made his reputation with solid welded sculptures of insects, various kinds of animals and nudes. His first one-man exhibition was at the Galerie Lucien Durand, Paris, 1954. His early work used soldered and welded metal as well as junk materials, and by 1960 César was considered one of France's leading sculptors. In that year, on a visit to a scrap merchant in search of metal, he saw a hydraulic crushing machine in operation, and decided to experiment with it in his sculpture. He astonished his followers by showing three crushed cars at a Paris exhibition. It was for these 'Compressions' that César became renowned. César selected particular cars for crushing, mixing elements from differently coloured vehicles. In this way he could control the surface pattern and colour scheme of the piece. Later the same year he joined the Nouveaux Réalistes (New Realists) – Arman, Klein, Raysse, Tinguely, Pierre Restany and others who found their inspiration in urban life. In 1965, he started to work with plastics, first with plastic moulds of human imprints, then from 1966 by pouring expanded polyurethane, which was allowed to expand and solidify. He gave up making welded-metal sculpture in 1966 and organised a series of Happenings from 1967 to 1970, in which he produced expansions in the presence of an audience. His later works also included sculptures made out of molten crystal. In 1995, he was asked to paint a McLaren F1 GTR that participated in the famous 24 Hours of Le Mans. The car Chassis GTR5 is still in the livery created by César, and represents the only 'Art Car" based on the iconic Mclaren. He is the creator of the César du cinéma trophy, which is awarded to the best in French cinema. He was made Chevalier (Knight) of the Légion d'honneur on 22 January 1978 and promoted Officier (Officer) in 1993. He married Rosine and had one daughter. He died in Paris in December 1998. Following his death there was an extended dispute over his will between his widow and daughter on the one hand and Stéphanie Busuttil, his companion at the time of his death, on the other.
Works on public display
Works on public display
Examples of César's work can be seen in the permanent collection of le Centre national d'art et de culture Georges-Pompidou (Bas relief, Tortue, le Diable) and the Musée d'art moderne de la Ville de Paris (Facel Véga). He also designed his own grave at the Montparnasse Cemetery, on the esplanade de La Défense (Le Pouce), in Marseille on the avenue de Hambourg near the MAC and the Bonneveine Centre (Le Pouce Géant). One of his most iconic pieces, Conserve expansion - Martial Raysse (1970-1972), is at the Museo Cantonale d'Arte in Lugano. The Flying Frenchman was installed in Hong Kong in the early 1990s.
Identity
Identity
César Baldaccini is recorded as sculptor, painter, draftsperson and jewelry designer.

De gauche à droite:(César Baldaccini, Jacques Lanzmann, Michel Audiard, et 2 femmes dont j'ignore le nom) Photographie prise dans une soirée au Palace fin 1981. Pour rentrer il fallait avoir un pins de guitare à la veste. D'autres artistes étaient présent comme Louis Bertignac.
Dumay Olivier Victor Marius

Sculpture from César Baldaccini in the MAMAC museum, called "Musee d'Art Moderne et d'Art Contemporain de Nice" in France
Marc-Lautenbacher
Life and career
Dated record
Life and career
Explore 1921–1998
The full dated record · 8 entries
1921
César Baldaccini born at Marseille.
1957
César (10 catalogued editions) (1957) is digitised and catalogued by Open Library.
1965
The Thumb is dated 1965.
1965
Le Pouce is dated 1965.
1983
The Centaur is dated 1983.
1986
L'homme du Futur is dated 1986.
1989
The Roller Skater is dated 1989.
1998
César Baldaccini died at 7th arrondissement of Paris.
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Alex Kayser. Artists' Portraits. H.N. Abrams. 1917. 1981. 978-0-8109-2222-8.
- 2.Décret du 29 mars 1993 portant promotion et nomination. JORF. 1993. 86. 6230. April 11, 1993.
- 3.César Baldaccini: Conserve expansion - Martial Raysse.
- 4.Deprez, Camille. Post-1990 Documentary: Reconfiguring Independence. Edinburgh University Press. 163. 24 June 2015. 9780748694143.
Bibliography printed in the source article · 2
- Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, p. 99.
- Le Monde, 12 January 2008
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
reference work
Wikidata, structured authority record Q445065: César BaldacciniWikimedia Foundation
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Further particulars
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Further particulars
Open the remaining particulars
He also worked under the name Lactav. The authorities additionally record the headings Cesar, Baldaccini C. Cesar, César Baldiccini, Cesar Baldaccini and Cesar Baldiccini. His recorded language was French. Formation and teaching. Baldaccini studied at École des beaux-arts de Marseille. Each of those relationships is stated by the authority record rather than inferred from style. Baldaccini worked in art of sculpture. His work is associated with Nouveau réalisme. He was employed by École des Beaux-Arts. He belonged to Nouveau réalisme and Accademia delle Arti del Disegno. He worked at Paris. Baldaccini received Praemium Imperiale.
Identity and origins
Career and activity
Recognition and collections
Work by César Baldaccini is
Museum Boijmans Van Beuningen, Museo Nacional Centro de Arte Reina Sofía, Finnish National Gallery and Tate
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 14 August 2026.
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