Cecil van Haanen
Cecil van Haanen (3 November 1844 – 24 September 1914) was a Vienna-born Dutch portrait and genre painter, whose significant work was centred at Venice. Van Haanen was the son to landscape painter Remigius Adrianus Haanen (1812–1894) and Emilie Mayer von Alsó-Rußbach. He received early artistic training from his father and Friedrich Schilcher, and from April 1854 was educated at the pre-school of the Vienna Academy under Peter Johann Nepomuk Geiger.
Also recorded as Cecil Van Haanen · Haanen d'anvers · v. haanen · C. van Haanen
Cecil van Haanen

Cecil van Haanen · Gabriele Röder: "Studien zur künstlerischen Bedeutung Cecil van Haanens" (Diplomarbeit · Public domain
- Name
- Cecil van Haanen
- Born
- 3 November 1844
- Birthplace
- Vienna, Austria
- Died
- 24 September 1914
- Occupation
- Painter, illustrator
- Fields
- portrait.
- Education
- Academy of Fine Arts Vienna.
VALÉORINE Encyclopedia
VALÉORINE documentary reading
Documentary summary
Cecil van Haanen (3 November 1844 – 24 September 1914) was a Vienna-born Dutch portrait and genre painter, whose significant work was centred at Venice. Van Haanen was the son to landscape painter Remigius Adrianus Haanen (1812–1894) and Emilie Mayer von Alsó-Rußbach. He received early artistic training from his father and Friedrich Schilcher, and from April 1854 was educated at the pre-school of the Vienna Academy under Peter Johann Nepomuk Geiger.
Admitted source layer · organised and presented by VALÉORINE
Reference Check
Propose documentary evidence for Cecil van Haanen. A contribution is never written directly as fact: identity, source, rights and evidence gates still decide.
Sign in to contribute
World of VALÉORINE
Documentary connections
Only confirmed graph relationships appear here. Images are shown only when their identity and reuse rights both pass the documentary gate.
Documentary evidence
Documentary basis
Authority files
wikidata · Q16937692 · wikipedia · Cecil van Haanen
In this article
Biography
Biography
He attended the Karlsruhe Academy from 1863 to 1865, where he was taught by Ludwig des Coudres and Johann Wilhelm Schirmer. Later he was admitted to Karl von Piloty's school of painting in Munich, where he was taught by Hermann Anschütz, and became friends with the painter Wilhelm Leibl. In 1866 he moved to Antwerp where he stayed for six years. Here he was taught by Jozef Van Lerius, who introduced him to history and portrait painting, and genre painting which became the significant oeuvre of his later painting in Venice. Although living largely in Venice from 1873, he spent time in London working as a magazine illustrator. Haanen died in Vienna and was buried in Vienna Central Cemetery.
Cecil van Haanen studied at Academy of Fine Arts Vienna. Subjects and genres recorded for the work are portrait. Places of work recorded in the authority are Antwerp, Venice and Great Britain. Work by Cecil van Haanen is recorded in the collections of Belvedere, Auckland Art Gallery, Centraal Museum and Victoria and Albert Museum.

Beatific beauty by Cecil van Haanen (1844–1914) - oil on canvas - 68.5 x 56 cm. (27 x 22 in.)
Cecil van Haanen · Artnet [1]
Key facts
Key facts
• Name — Cecil van Haanen • Born — 3 November 1844 • Birthplace — Vienna, Austria • Died — 24 September 1914 • Place of death — Vienna, Austria • Occupation — Painter, illustrator
Life and career
Dated record
Life and career
The full dated record · 2 entries
1844
Cecil van Haanen was born on 3 November 1844.
1914
Cecil van Haanen died on 24 September 1914.
Activity and practice
What Cecil van Haanen did, and where. Haanen worked at Great Britain. Haanen worked at Antwerp. Haanen worked at Venice. Haanen worked at Vienna. Recorded as having studied at Academy of Fine Arts Vienna.
Primary material
Documents and archives
authority record
- Wikidata, structured authority record Q16937692: Cecil van Haanen
General reference · Wikidata
reference work
- “Cecil van Haanen”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.„undatierter handschriftlicher Lebenslauf, Archiv des Wiener Künstlerhauses“ (Zitiert nach Gabriele Röder, S. 3).
- 2.Gabriele Röder, S. 13.
- 3.Matrikel von Carl van Haanen (sic!) 1865.
- 4.Cecil van Haanen. Albertina, Wien. Zeichnungen, Ölskizzen, Gemälde. Ausstellung Frühjahr 1955, S. 4.
- 5.Gabriele Röder, S. 17.
- 6.Gabriele Röder, S. 9 und S. 26 ff.
- 7.Percy E. Pinkerton: Cecil van Haanen. In: The Magazin of Art. Band X. Casseel and Company, London, Paris, New York, Melbourne, 1887, S. 1. Siehe auch Seite 3 einen Stahlstich nach einer Fotografie Cecil van Haanens der Londoner Fotografen Elliot and Fry.
- 8.Gabriele Röder, S. 11.
- 9.Bayerische Staatsbibliothek München. Signatur: Autogr. Haanen, Cecil van.
- 10.Wienbibliothek im Rathaus. Signatur: 66479.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
authority record
Secondary witnessreference work
Secondary witness
Further particulars
Held on the record
Further particulars
Open the remaining particulars
Within the Encyclopedia. Connected to 1 other published record in the VALÉORINE Encyclopedia.
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
Elsewhere in Paintings
18,792 published records in this field, each with its sources named.
- Cecil Mary LeslieArtist
- Cecil Ross BurnettArtist
- Cecil StephensonArtist
- Cecil TouchonArtist
- Cecil YoungfoxArtist
- Cécile BartArtist
- Cécile Cauterman-BoonansArtist
- Cecile Smith de WentworthArtist
Best supported in this field
For owners
Own a work by Cecil van Haanen?
A specialist will read what you send and tell you what the house can establish, what it cannot, and whether the object is suited to sale. There is no charge and no obligation. The object stays with you throughout; nothing is shipped to us unless it is arranged in writing beforehand.