Carrie Ann Baade

Books • Aberth, Susan. (2022) "Carrie Ann Baade: Scissors & Tears". La Luz de Jesus Press; / 978–1732669734 • Baade, Carrie A, Ray Burggraf, Lilian Garcia-Roig, Mark Messersmith, and Judith Rushin.(2015) "Back and Forth: Thinking in Paint"; / 1889282316 • Stewart, Mary. (2014) Launching the Imagination. McGraw-Hill Education, / 9780077773434 • Baade, Carrie Ann & Hightower, Nancy E. (2011) Cute and Creepy. University of Washington Press; • Spoor, Nathan. (2011) Suggestivism: A Comprehensive Survey of Contemporary Artists. Gingko Press; • Ziegler, Tina. (2010) Hunt & Gather. Mark Batty Publisher; • Becket-Griffith, Jasmine. (2008) Gothic Art Now. HarperCollins Canada / Harper International;. • Kuntyj, Lynda. (2008) Visual Arts: A Resource for Units 2A-2B. Impact Publishing;. • Beinart, Jon. (2007) Metamorphosis: 50 Surrealists and Visionary Artists. Visionary Press; Articles and Reviews • Gross, Rachel Elspeth. "Birthplace: Remember Louisiana’s Forgotten Women with Carrie Ann Baade." Forbes, January 2, 2025. • "Book Review: Carrie Ann Baade and the Ja..." MutualArt, 2025. • "Halo Arts Awards." Your Observer, March 16, 2025. • "Eyes Wide Shut." American Art Collector, Issue 229, 2025. Magazines • Staniec, Kevin. (2008) ISM: Untitled Love Project. Issue #15 • Weird Tales (Hugo Award Winner). Cover, Issue #358

Baade has received significant recognition through prestigious awards and fellowships. She was nominated in 2022 for the Joan Mitchell Foundation Painters & Sculptors Fellowship, earned the Florida Division of Cultural Affairs Individual Artist Fellowship in 2009, received the First Prize from the Pensacola Museum of Art in 2021, and garnered a Purchase Award from Winners XX at the Biggs Museum of American Art (2021). Her paintings have been featured in various art exhibitions including: "Back and Forth: Thinking in Paint" at the John and Mable Ringling Museum of Art, "Solar Midnight" at the Museum of Contemporary Art Jacksonville (solo show), "¡Orale! The Kings and Queens of Cool" at Harwood Museum of Art, "In Canon" at the Delaware Center for Contemporary Art, "Suggestivism" at CSUF Grand Central Art Center in Santa Monica, and "Another Roadside Attraction" at ISE Cultural Foundation in New York City. In 2007, she was among a group of three artists who became the first Americans ever to exhibit at the Ningbo Museum, one of the largest provincial museums in China, located outside of Shanghai. The director of the Ningbo Museum called them "the Mayflowers" for their contributions as cultural ambassadors. Internationally, her paintings have been included in exhibitions in China, Austria, Germany, France, Poland, Italy, Spain, Mexico, and the Philippines; and featured in exhibitions at the Center for Culture in Warsaw, Museum La Ensenanza in San Cristóbal and the Museo de la Ciudad de Mexico, the Instituto de América de Santa Fe Museo in Granada Spain, and Espace Culturel Mompezat Société des Poètes Françaises in Paris. In 2011, Baade curated "Cute and Creepy", a large group exhibit at the Museum of Fine Art at Florida State University of artists in the pop surrealism movement. • Illustration — The Perilous Compassion of the Honey Queen by Carrie Ann Baade, oil on panel, 18" x 24" Scissors & Tears (2022) — Baade's first solo monograph, written by Susan Aberth and published by La Luz de Jesus Press, spans approximately 160 pages and features her allegorical oil paintings, collages, and drawings drawn from two decades of practice. The book was released in conjunction with her solo exhibition Sawing a Woman in Half at La Luz de Jesus Gallery in Los Angeles, held from September 10 to October 1, 2022.