Botong Francisco
Carlos Modesto "Botong" Villaluz Francisco (November 4, 1912 – March 31, 1969) was a Filipino muralist from Angono, Rizal.
Also recorded as Carlos Francisco · Carlos “Botong” Francisco · Carlos "Botong" Francisco · Botong
Botong Francisco

Thirdcatindig · CC BY-SA 4.0
- Name
- Botong Francisco
- Birth Name
- Carlos Modesto Villaluz Francisco
- Born
- 4 November 1912
- Birthplace
- Angono, Rizal, Insular Government of the Philippine Islands, U.S.
- Died
- 31 March 1969
- Place of death
- Angono, Rizal, Philippines
- Occupation
- Painter / Muralist
- Awards
- Order of National Artists of the Philippines
- Nationality
- Philippines
- Fields
- portrait
- Education
- University of the Philippines
- Honours
- National Artist of the Philippines
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Documentary summary
Carlos Modesto "Botong" Villaluz Francisco (November 4, 1912 – March 31, 1969) was a Filipino muralist from Angono, Rizal.
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Documentary evidence
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wikidata · Q4948779 · wikipedia · Botong Francisco
In this article
Key facts
Key facts
• Name — Botong Francisco • Birth Name — Carlos Modesto Villaluz Francisco • Born — 4 November 1912 • Birthplace — Angono, Rizal, Insular Government of the Philippine Islands, U.S. • Died — 31 March 1969 • Place of death — Angono, Rizal, Philippines • Resting Place — Angono Catholic Cemetery • Father — Felipe Francisco • Mother — Maria Villaluz • Other Names — Botong • Occupation — Painter / Muralist • Awards — Order of National Artists of the Philippines
Early life
Early life
• Illustration — National historical marker unveiled in 2024 outside Francisco's house in Angono, Rizal Botong was a most distinguished practitioner of mural painting for many decades and best known for his historical pieces. He was one of the first Filipino modernists along with Galo Ocampo and Victorio C. Edades who broke away from Fernando Amorsolo's romanticism of Philippine scenes. According to restorer Helmuth Josef Zotter, Botong's art "is a prime example of linear painting where lines and contours appear like cutouts."
Later career
Later career
Botong served as the production designer for the 1961 film adaptation of José Rizal's Noli Me Tángere. He was responsible for the discovery of the now famous Angono Petroglyphs in 1965. He was also involved in Costume Design in Philippine cinema. His great works include portrayals of the Blood Compact, First Mass at Limasawa, The Martyrdom of Rizal, Bayanihan, Magpupukot, Fiesta, Bayanihan sa Bukid, Sandugo, Portrait of Purita, The Invasion of Limahong, Serenade, and Muslim Betrothal. Some of his murals have suffered big damage over the years. The "Pageant of Commerce" emerged from several years of restoration in 2000. His murals, The Progress of Medicine in the Philippines, was restored for the 3rd time in 2007 and is currently residing in the National Art Gallery of the Philippines. A high-quality replica of the mural is also located at its previous location at the lobby of the Philippine General Hospital. Francisco's last work is the Camote Diggers which was left unfinished.
Death
Death
Botong died on March 31, 1969, in Angono, Rizal.
Gallery
Gallery
• Illustration — First Mass at Limasawa • Illustration — The Progress of Medicine in the Philippines

Progress of Medicine in the Philippines by Carlos V. Francisco National cultural treasure marker Pambansang yamang pangkalinangan
Johnpaulo5860 · Self-photographed

National Cultural Treasure marker of the painting series 'The Progress of Medicine in the Philippines' by National Artist Carlos "Botong" Francisco, on display at the National Museum of Fine Arts
A.C.T. Alejandre · Self-photographed
Primary material
Documents and archives
Institutional database
- Wikidata, structured authority record Q4948779: Botong Francisco
Scholarly · Wikimedia Foundation
reference work
- “Botong Francisco”, English Wikipedia, consulted as further reading
Reputable secondary · Wikipedia
Notes from the source article
Cited by Wikipedia
Notes from the source article
These works are cited by the source article, in its own numbering. They are recorded as its citations, not as sources VALÉORINE has verified.
- 1.Botong Francisco. hisour.com.
- 2.« Cultural Aim Behind New Arriva-Bayanihan Film Organization », Kislap Movies, juin 1961, p. 124–25.
- 3.The Angono-Binangonan Petroglyphs. Artes de las Islas Filipinas.
- 4.Lito. Zulueta. Jose Blanco, Angono folk muralist, dies; 76. Philippine Daily Inquirer. 2008. août. 15. 17 octobre 2008.
- 5.Angono Petroglyphs. National Museum of the Philippines.
- 6.Alex Y. Vergara. How to Save a Botong Francisco. Philippine Daily Inquirer. 2000-07-24.
- 7.Filipino Cultural Traits: Claro R. Ceniza Lectures. CRVP. 2005. 978-1-56518-225-7.
- 8.Allison Lopez. Art docs work on ‘dying’ Botong murals in PGH. inquirer.net. 2007-08-30.
- 9.Nikki Francisco. 10 Must-See Masterpieces at the National Museum of the Philippines. Spot.ph. 2017-09-26.
Bibliography printed in the source article · 1
- Botong: Alay at Alaala. Coordinating Center for the Visual Arts of the Cultural Center of the Philippines. 1989.
References
Citations
References
Each reference names the institution holding it, so a reader may go to the document itself.
Institutional database
Wikidata, structured authority record Q4948779: Botong FranciscoWikimedia Foundation
Institutional witnessreference work
Secondary witness
The Encyclopedia exists whether or not anything is for sale. Corrections are recorded rather than overwritten, and every version of this record is kept. Published 18 August 2026.
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